Books published by Manchester University Press

Explores the complexities of France's role in Africa over the past century -- .

This collection of essays applies the most current thinking in literature and urban studies to an examination of visual culture of 19th century France - painting, caricature, illustrated magazines, posters - resulting in a subtle map of the gendered topography of Parisian modernity, the stomping ground of the flaneur. -- .

Dust is a witty and highly original investigation into the development of modern history writing. This book considers how history writing belongs to the currents of thought shaping the modern world, and suggests that, like dust, the 'matter of history' can never go away or be erased. -- .

Many definitions of postmodernism focus on its nature as the aftermath of the modern industrial age when technology developed. This book extends that analysis to postmodernism by looking at the status of science, technology, and the arts, the significance of technocracy, and the way the flow of information is controlled in the Western world. -- .

Gabriel García Márquez has been described as the greatest writer in Spanish since Cervantes, and El coronel no tiene quien le escriba is considered to be one of his best works. This reflective and atmospheric novel is set in a small Colombian town where the frustrated and stubborn Colonel, a veteran of the 'War of a Thousand Days', is still, after thirty years, waiting for the letter authorising payment of his war pension.The old soldier and his wife mourn the brutal killing of their only son, and the story of their struggle against poverty and sickness culminates in the Colonel's defiant refusal to part with his cherished fighting cock, however serious the consequences.The moving narrative pays tribute to the resilience of human nature and man's will to survive in the face of heavy odds. The novel also throws light on the turbulent religious and political troubles in Latin America.Now revised to include an updated chronology and bibliography, Giovanni Pontiero's acclaimed critical edition provides English-speaking students with an introduction to, and notes on the text, and a selected vocabulary.

Spirits of extraction reexamines the entangled histories of racism, Christianity, and humanitarian biopolitics in the long nineteenth century, offering a fresh perspective on the intersection of extractive industries, evangelical revivalism, and the violent civilisational metaphysics of race. Moving across eighteenth-century industrialising Bristol, the Cornish mining diaspora of the expanding British Empire, and the contested lands of Anishinaabewaki/Upper Canada/Ontario, this book traces how evangelical Christianity helped shape the colonial world through processes of extraction - of resources, bodies, and souls. Blending historical narrative with critical theory, the book makes two key interventions. Firstly, it repositions colonial religion and educational/cultural racism as central to the biopolitical project, analysing the wounding effects of 'truly Christian' education and exorcism in evangelical subject formation. Secondly, it extends thinking on the 'geology of race' by highlighting the extractive industries as the affective scene through which modern evangelical Christianity came to life. By showing how mining and missionary practices co-constituted racial hierarchies and modes of sovereignty, Spirits of extraction offers a major contribution to thinking about the politics of life and resource extraction. Evangelical experiences of salvation, exorcism, and the transformative power of faith, the book argues, resonate through geological consciousness and the logics of extraction, sustaining a quasi-divine force that continues to structure lives and landscapes today.

For millennia the 'wild' was a place heroic men went on epic quests. This book traces the lives of five women who fought against prejudice for their right to work in, enjoy and help save the earth's wild places.

'This book, written in crystal-clear style, develops the most profound philosophical discussion ever held of ecological economics.'>'A brilliant contribution to a radical paradigm of social ecological economics concerned with both disciplinary and social-ecological transformation as necessary conditions for achieving a world in which we all, and all other species, can flourish.'>'The book is deeply rooted in the theory of science, offering a very enlightening text about fundamental issues for science that too often are glossed over or misunderstood.'>Exploring radical dissent from orthodox mainstream economics, this book presents a theoretically grounded vision for the emerging paradigm of social ecological economics. At its heart lies the paradigm-shifting acknowledgement that economies are inextricably embedded in biophysical reality and social structure. The struggle for revisioning in the face of environmental crises is articulated through a critical examination of economic thought, and a nuanced evaluation of contributions from Marxists, socialists, critical institutionalists, feminists and Post Keynesians. Synthesising diverse insights, the book navigates the philosophical underpinnings of a critical and realist revolutionary transformative science, emphasising the pivotal role of values and ideology. These radical and philosophical foundations establish a new preanalytic vision of economics, dismantling entrenched notions of growth and efficiency in favour of social provisioning and needs embedded in ethics. An agenda emerges that requires social ecological transformation and diverse alternative economies. This book provides a compelling call to action in the face of contemporary crises.

The first multi-authored volume on the work of contemporary British writer Dennis Kelly, Beautiful Doom examines the full range of his work for stage and screen, from new writing to adaptations of classic playtexts, musical theatre, and original works for television. -- .

Cinematic Ethnography proposes an interdisciplinary approach to theories and practices that reside within the fertile zone where anthropology and filmmaking intersect. -- .