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English radicalism has been a persistent and important, though minority, strand in English political culture since at least the English Civil War. This book explores, in historical context, the nature of this radicalism - its beliefs, practice and importance - in the twentieth century. -- .
Women of war examines the FANY as a case study of gender modernity using newspapers, memoirs, diaries, letters interviews, photographs and poetry. While these New Women challenged the limits of convention in terms of behaviour, dress and role, they were simulataneously deepy conservative, upholding imperialist, unionist and anti-feminist values. -- .
Tracing the dual alphabet from its intervention by Carolingian scribes to its rejection by modernist poets and the Bauhaus printers, Edwards shows how Charles Dickens and other nineteenth century writers used the distinction between upper and lower case letters in unconventional ways and in the interests of a wider radicalism. -- .
This book argues that the image of medieval England created by writers of the seventeenth to nineteenth centuries was deeply informed by medieval and modern Scandinavia. Protestant and monarchical, the Scandinavian region became an image of Britain's noble past and an affirmation of its current global status. -- .
In 1975 the UK voted 'yes', by 67%, to the European Community (EC). Since 1 January 1973, when the UK first joined, Edward Heath and Harold Wilson sought a fundamental transformation of the UK's relationship with the EC in terms of membership and public opinion. Despite the majority in favour of membership, the transformation was never achieved. -- .
Kidd argues that emergence of Labour politics in southern England represented the renewal of the working-class radical tradition. Mapping the trajectory of Labour politics from its mid-Victorian origins to the 1920s, the book offers a new narrative that challenges conventional understandings of politics, identity and ideology in modern England. -- .
This study argues that the political activities of the ECR ought to be recognised as the main voice for conservatism in Strasbourg promoting 'Anglosphere' free market values and the role of NATO in international relations. -- .
This book introduces the concept of disciplined agency as a valuable explanatory tool vis-a-vis new forms of labour exploitation in service realms of production and the material and moral insecurities of capitalism under neoliberal governance. -- .
This books looks at Antony and Cleopatra in performance from 1606 to 2018, examining how actors, directors and designers pick up the play's themes of desire and delinquency, exoticism and erotic politics to locate the most ambituous love story ever told in a new present. Is the play tragedy? Comedy? Farce? Rutter shows it's all three. -- .
The underlying principal of this handbook is to broaden the application of ethnographic filmmaking to suit a wide range of research areas and documentary expression, encompassing sensory, fictive, observational, participatory, reflexive, performative and immersive modes of storytelling. -- .
Focusing on Cheshire, this book makes a major contribution to understanding the dynamics of the English Revolution from a provincial perspective. -- .
This is an original account of social/political power, which builds upon cutting edge social theory, including Steven Lukes and Michel Foucault. The book develops a four-dimensional model, in an accessible style with vivid examples. It is ideal for undergraduates, postgraduates, academics and activist who wish to understand power and conflict. -- .
The book demonstrates that cultural jobs are the preserve of the most privileged, a 'creative class' in society, and always have been: there was no golden age for social mobility in culture. It shows how women, people of colour, and those of working class origins are missing from key parts of the workforce and audience for culture. -- .
This rigorous, seminal study of leadership selection in British Politics focuses on the Conservatives and Labour Party to explore the skills needed to be an effective leader over the course of the 20th and into the 21st Century. -- .
An academic analysis of the foundations and structures of modern-day Scotland that provides insight into Scottish politics, society and culture. -- .
This book provides an extensive overview of the British actors who achieved their greatest stardom during the 1950s. This was a transitional period for the British cinema, when the major studios faced growing competition from television and Hollywood increasingly dominated the UK film industry. -- .
This is the first book to argue comprehensively that unless we destroy the legal and political basis for the corporation, we are unlikely to reverse the decline of the eco-system, and therefore we will hasten the end of the species. -- .
Jarvis and Legrand explore the banning of terrorist organisations in liberal democratic states such as the United Kingdom. This process, they argue, is far more a ritualized performance of national identity, than it is a meaningful contribution to national security. -- .
Reading: A cultural practice explores the history and theory of reading from the classical period to the present day. It argues that reading is central to human culture and that this will continue to be the case even if digital cultures change the ways in which we interact with written language. -- .
This book seeks to recover E. A. Freeman's reputation as a leading Victorian historian and public moralist. Often dismissed as a panegyrist to English progress and a virulent racist, this study reveals the nuances of Freeman's understanding of world history, and draws out the connections on history, Islam, and empire.
Wood reads Philip Sidney's New Arcadia in the light of the ethos known as Philippism after the followers of the Protestant theologian, Philip Melanchthon. He uses a critical paradigm previously used to discuss Sidney's Defence of Poesy and narrows the gap often found between Sidney's theory and literary practice. -- .
This book describes how non Muslims use the news to inform themselves about Islam and Muslims. It does so by exploring how media institutions function in society and how its practices affect the production of images and symbols about Muslims and Islam, as well as their influence on audiences. -- .
Victorian touring actresses provides a fresh perspective on nineteenth-century theatre and the careers of previously neglected British women who had once starred at home and abroad. Chapters explore debuts, establishing a name, working life in the UK, touring North America, long-distance colonial touring, management, offstage life and ageing. -- .
An examination of the Conservative Party's period in opposition between 1974 and 1979, focusing on policy development, which argues that the short term political context of the time best explains why Conservative policy did not change as much as might be expected, and draws wider conclusions about Thatcherism and Britain in the 1970s. -- .
This book provides a critique of dominant cybersecurity knowledge that draws upon original constructivist analysis of the expert discourse within the internet security industry. The book argues that this expertise helps explain the probematic common sense that sees cybersecurity conflated with national security. -- .
This volume introduces Rainer Forst's critical theory of toleration, offering a development of his major work Toleration in Conflict with critical engagement from a range of outstanding interlocutors, including Chandran Kukathas, Melissa S. Williams and Patchen Markell. -- .
(B)ordering Britain argues that Britain is the spoils of empire, its immigration law is colonial violence and irregular immigration is anti-colonial resistance. -- .
Described by Deleuze as 'one of the greatest modern auteurs', Philippe Garrel is perhaps the most significant filmmaker to emerge in France after the New Wave. This study offers an overview of his work, exploring its intersections with avant-gardes including the Situationists, Surrealism, Arte Povera and the American Underground. -- .
Richard Hillman's latest book on the French connections of early modern English drama shows that Shakespeare regularly inflected the models provided by Italian comedy and tragicomedy by evoking French material, dramatic and non-dramatic. Such inflection especially bears on the tragic overtones that menace or complicate comic resolutions. -- .
The provides in-depth analysis of Arab liberalism, which, although lacking public appeal and a compelling political underpinning, still sustained viability over time and remained a constant part of the Arab landscape. -- .
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