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This book looks beyond the concepts of carnival and dialogue and traces the transformation of the Bakhtin Circle's thought from its introduction to the West in Julia Kristeva's seminal late-1960s theory of intertextuality, through Tzvetan Todorov's landmark study.
Texts about paintings, painters and sculptors are obvious test cases for issues of representation. A significant corpus of artist stories is scattered through Honore de Balzac's Comedie humaine which, from Marx to Lukacs to Roland Barthes's enormously influential S/Z (1970), has been a key literary work for critical debates around French realism.
Slander and satire were contentious practices in early seventeenth-century France. Seeking to wound, ridicule, destroy or reform, they occupied either side of a dangerous border zone between legitimate and illegitimate criticism.
Taken from a conference of the Society for Medieval Archaeology held at York University in 2002, these fifteen papers, with an introduction and conclusion from the editors, examine the nature of urban and rural life in the Middle Ages.
This work on the wardrobe of Queen Elizabeth I is illustrated with photographs of portraits, minatures, tomb sculptures, engravings, woven textiles and embroiders. Two indexes are provided: the first of paintings, persons, places and events; the second offering information on fashionable dress.
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