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The brooding mansion of the distinctive Pyncheon family is haunted by a centuries-old curse that casts a shadow of ancestral sin upon the last four family members. Hawthorne's Gothic Romance intertwines the popular, the symbolic, and the historical for a powerful exploration of personal and national guilt.
The Scarlet Letter: A Romance is a work of historical fiction by American author Nathaniel Hawthorne, published in 1850.[1] Set in Puritan Massachusetts Bay Colony during the years 1642 to 1649, the novel tells the story of Hester Prynne, who conceives a daughter through an affair and then struggles to create a new life of repentance and dignity. Containing a number of religious and historic allusions, the book explores themes of legalism, sin, and guilt.
Anna Karenina tells of the doomed love affair between the sensuous and rebellious Anna and the dashing officer, Count Vronsky. Tragedy unfolds as Anna rejects her passionless marriage and must endure the hypocrisies of society.
One dark night, Hamlet sees a ghost. It is his dead father, who claims he was murdered by Claudius, the new king. But did Hamlet really see a ghost? And if so, was it telling him the truth? Hamlet plans to avenge his father by killing Claudius. But the man he stabs isn't Claudius, as he thinks, but his girlfriend's father. So the wrong man dies. So much tragedy, but there is more to come. Who else will die an untimely death? And who will live to tell the tale?
A tightly constructed drama which is regarded as one of the William Shakespeare's finest; "Othello" is the story of its titular character, a Moorish general in the Venetian army. Othello secretly marries Desdemona, the daughter of Venetian senator Brabantio, who disapproves of the union. The marriage draws the contempt of Roderigo, a wealthy gentleman of low moral character who is in love with Desdemona and has asked her father for her hand in marriage. Iago is an ensign under the command of Othello who is angry for being passed over for promotion. Iago plots against Othello by convincing him that his wife is having an adulterous affair with Cassio, whom he has been passed over by for promotion. As the web of deceit is woven a series of tragic events begins to unfold for all those involved. Based upon a 16th century short story entitled "A Moorish Captain" by Italian novelist and poet Cinthio, "Othello," masterfully dramatizes the tragic consequences that can arise from jealous deceit. This edition is printed on premium acid-free paper, is annotated by Henry N. Hudson, and includes an introduction by Charles H. Herford.
Julius Caesar is a key link between Shakespeare's histories and his tragedies. Unlike the Caesar drawn by Plutarch in a source text, Shakespeare's Caesar is surprisingly modern: vulnerable and imperfect, a powerful man who does not always know himself. The open-ended structure of the play insists that revealing events will continue after the play ends, making the significance of the history we have just witnessed impossible to determine in the play itself. John D. Cox's introduction discusses issues of genre, characterization, and rhetoric, while also providing a detailed history of criticism of the play. Appendices provide excerpts from important related works by Lucretius, Plutarch, and Montaigne.
Spiritual meditation is the pathway to Divinity. It is the mystic ladder which reaches from earth to heaven, from error to Truth, from pain to peace. Every saint has climbed it; every sinner must sooner or later come to it, and every weary pilgrim that turns his back upon self and the world, and sets his face resolutely toward the Father's Home, must plant his feet upon its golden rounds. Without its aid you cannot grow into the divine state, the divine likeness, the divine peace, and the fadeless glories and unpolluting joys of Truth will remain hidden from you. Meditation is the intense dwelling, in thought, upon an idea or theme, with the object of thoroughly comprehending it, and whatsoever you constantly meditate upon you will not only come to understand, but will grow more and more into its likeness, for it will become incorporated into your very being, will become, in fact, your very self. If, therefore, you constantly dwell upon that which is selfish and debasing, you will ultimately become selfish and debased; if you ceaselessly think upon that which is pure and unselfish you will surely become pure and unselfish. Tell me what that is upon which you most frequently and intensely think, that to which, in your silent hours, your soul most naturally turns, and I will tell you to what place of pain or peace you are traveling, and whether you are growing into the likeness of the divine or the bestial.There is an unavoidable tendency to become literally the embodiment of that quality upon which one most constantly thinks. Let, therefore, the object of your meditation be above and not below, so that every time you revert to it in thought you will be lifted up; let it be pure and unmixed with any selfish element; so shall your heart become purified and drawn nearer to Truth, and not defiled and dragged more hopelessly into error.
The war is over. The dead have been buried. The traitors have been punished. People feel more alive than they have in a long time. They are ready to start again. But Antigone is not. She will not move on, and she will not forget. She will drag everyone back if she has to. Lulu Raczka's searing adaptation of Sophocles' classic text hands the reins to the young women at its heart, creating something messy, irreverent and vital.
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