Books published by McGill-Queen's University Press

This critical biography of A. Mary F. Robinson traces her unorthodox journey through the literary circles of London and Paris as a writer of poetry and prose, a leading member of the Anglo-French community, and a significant contributor to the cultural and literary shift from nineteenth-century Victorianism to twentieth-century modernism.

Based on a close analysis of nearly 2,000 fan letters written to Malcolm Muggeridge after his conversion to Christianity, this book reconstructs the lived religion of ordinary people from a transnational perspective in the 1970s. These letters provide a glimpse into the experiences and concerns of Western Christians after the religious crisis of the 1960s.

For the first generations of university women, higher education was a transformative experience, but these opportunities would narrow in the decades that followed. Examining the period between 1870 and 1930, University Women explores the processes of integration and separation that marked women's contested entrance into higher education.

A biographical novel depicting Victoria Ocamp's friendships, debates, and conflicts with poet Rabindranath Tagore, philosopher Jose Ortega y Gasset, and the writers Pierre Drieu de la Rochelle, Hermann von Keyserling, and Waldo Frank, witnessed by the fictional Carmen Brey, a Galician-Spanish immigrant whose story is skilfully interwoven with that of Ocampo.

Photographic objects are embedded in urban contestation, aesthetically charged by artists, reinserted into social histories, and mobilized to imagine a future city. Photogenic Montreal takes a question initially posed by heritage debates - what does photography preserve? - and creates a rich conversation about the agency of the human actors before and behind the camera, and of the medium itself.

Interpersonal arguments, with their potential for defensiveness and hostility, can be difficult to navigate. This book examines the structure and dynamics of conflict to find new ways forward. Jull analyzes four personal stories through the lens of the Insight approach, an innovative way to decipher and re-shape the direction of everyday conflicts.

This project explores the ethics and methods of research in diverse forced migration contexts and proposes new ways of thinking about and documenting displacement. Contributors reflect honestly on both what has worked and what has not, providing useful points of discussion for future research by both established and emerging researchers.

The Russian Military Intervention in Syria examines Russia's foreign policy and attempts to protect its interests in the Middle East and former Soviet territory. Providing historical context and revealing the causes of Russia's use of military power, this book is an authoritative overview of Russia's policy goals and diplomatic handling of the Syrian conflict.

The Fate of Canada introduces readers to poet, intellectual, constitutional expert, activist and law professor F.R. Scott's biography, puts his diary entries into the political context of the time, and identifies the people he met and the places he visited during the hearings of the Royal Commission on Bilingualism and Biculturalism.

UNHCR, the world's largest humanitarian organization charged with assisting displaced people globally, estimates over 60 per cent of refugees now live in urban areas. This book explores how UNHCR's approach to urban displacement has changed since the 1990s through an in-depth study of how UNHCR works and conceives its role in global politics today.

Twenty-First-Century Feminismos provides a compelling account of the important victories attained by Latin American and Caribbean organized women over the course of the last forty years. Ten case studies are examined to better understand the ways in which women's and feminist movements react to, are shaped by, and advance social change.

We Still Here maps the edges of hip-hop culture and makes sense of the rich and diverse ways people create and engage with hip-hop music within Canadian borders.

Reviving a dramatic past in which women playwrights used theatre to empower their culture and themselves.