Books published by Medieval Institute Publications

This illustrated volume provides a much-needed introduction to what may have been the most popular variety of drama in the Middle Ages: the saint play. A comprehensive and collaborative survey is provided with an emphasis on interdisciplinary study rather than only literary analysis.

The first of two volumes dedicated to the memory of Paul Remy and having as theme the scientific domain to which he had dedicated his research for nearly forty years: the Occitan literature and language.

The second of two volumes dedicated to the memory of Paul Remy and having as theme the scientific domain to which he had dedicated his research for nearly forty years: the Occitan literature and language.

The study of the early art of England can be frustrating for scholars, as the destruction by iconoclasm and neglect was very thorough in certain regions. Aids those studying the early art, including relics and musical iconography, of Coventry, Stratford-upon-Avon, Warwick, and other Warwickshire locations. 71 illustrations and 2 map.

The medieval cycle plays from such cities as York and Chester culminated in a drama about the end of time, the Last Judgment. David Bevington and the other contributors to this book look at this final event of history as depicted in pre-modern times.

Compiled to mark the five-hundredth anniversary of publication of Sir Thomas Malory's Le Morte Darthur by William Caxton, this volume contains critical studies of Malory's work, supplemented by essays that place that work in the larger context of Caxton's canon.

Compiled to mark the five-hundredth anniversary of publication of Sir Thomas Malory's Le Morte Darthur by William Caxton, this volume contains critical studies of Malory's work, supplemented by essays that place that work in the larger context of Caxton's canon.

Essays addressing issues in the study of medieval art, literature, and drama. The topics covered include scatological illustration in Gothic manuscripts, connections between word and picture in religious art, perceived relationship between divine and human creativity and an exploration in the phenomenology of space and time in medieval theater.

The essays that make up this collection offer several provocative interpretations of the rivalrous and rebellious spirits that inhabit the worlds of Chaucer's tales. The volume is intended for the dedicated teacher of Chaucer as well as for the specialist in medieval English studies.

A close study of eight plays and the elements Robinson considers essential to performance: playwright, sponsors, location, plot, script, players, and audience.

Included here are the texts, translations, musical transcriptions, and facsimiles of the Swedish music-dramas for Holy Week and Easter: Depositio, Elevatio, and Visitatio Sepulchri.

A collection of wise and witty essays by some of our wisest and wittiest scholars in honor of one of our field's wisest wits.

A university exists to make known what can only be revealed by consistent, dedicated effort. Ultimately, a university exists in order to understand the things that are hidden from ordinary, casual view. This is a message that is subtly reinforced by all of the articles in this volume.

The Fool in the Middle Ages and Early Modern period was either a person who capitalized on his natural deficiencies, which were then considered amusing, or a professional entertainer who specialized in clowning. His role is best known to us through the plays of Shakespeare. Indispensable analyses of the Fool from a number of different perspectives.

In this new edition of the poems of Robert Henryson, David Parkinson offers editions of Henryson's Fables, The Testament of Cresseid, Orpheus and Eurydice and twelve shorter poems, grouped according to the strength of their attribution to Henryson, as well as the glosses and explanatory and textual notes characteristic of Middle English Texts Series volumes. Henryson was a prominent Scottish poet writing in the late fifteenth and early sixteenth century. This edition serves as an excellent addition to the Scots language and late medieval Scottish poetry.

Reflects the wide scope of these "prison poems" by bringing together a new edition of "The Kingis Quair," a selection from Charles d'Orleans' "Fortunes Stabilnes," a poem by George Ashby, who was imprisoned in London's Fleet prison, and the poems of two other poets, both anonymous, who wrote about physical and/or emotional imprisonment.

Fascinating first-person account of the visions experienced by the anchoress Julian of Norwich in May of 1373. This practical edition includes a gloss, an introduction, notes, and a glossary, making it valuable to students of Middle English and medieval mysticism alike.

The topics addressed in these ten essays also provide grounds of another kind to assess the foci of contemporary Gower studies. As well as place, the political element in Gower's writings has been subject to fruitful recent scrutiny; and again, there are important linkages and overlaps among these essays on such matter too.

3 volume set parallel-text edition that contains all four versions of Piers Plowman specifically designed to facilitate study of the parallel text (Vol I) alongside both the textual notes (Vol II, Part 1) and the commentary/glossary (Vol II, Part 2), and is intended to make the entire edition available to as many students as possible.

Throughout the career of Ambrose Raftis two themes or convictions have been in evidence: a belief in the fundamental individuality of medieval English men and women and a belief in their ability to make choices.

Edition of the Latin letters of the late fifteenth-century German schoolmaster whose career spanned an era of radical curriculum reform in the arts faculties at schools and universities, where the centuries-old program of scholasticism was being replaced by a program based on the Italian studia humanitatis.

"Translation and the Transmission of Culture between 1300 and 1600" is a companion volume to "Medieval Translators and Their Craft" (Medieval Institute Publications, 1989) and, like "Medieval Translators," its aim is to provide the modern reader with a deeper understanding of the early centuries of translation in France.

This volume is the first part of Rosenthal's cataloging of historical scholarship on Ricardian, Lancastrian, and Yorkist England, and covers categories from political and legal history to social and intellectual history and the arts. This volume is a must for any scholar of the period.

Malory's use of myth and magic to explore his themes has received extensive scholarly attention, but his views on and thematic use of Christianity have long needed a closer look.

From Shakespeare's manipulation of his medieval source material to Protestant responses to medieval Catholicism, essays explore the ways that early modern writers responded to the medieval English literary and historical record, dealing with topics such as historiographic bias, print history, intertextuality and cultural history.

This volume concentrates on the medieval English Loathly Lady tales, written a little later than the Irish tales, and developing the motif as a vehicle for social ideology.

Study of twenty-eight French nonbiblical hagiographic mystery plays from the fifteenth and sixteenth centuries, the approach is intended to strengthen a comparative analysis of relatively similar texts created within a particular cultural setting.