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  • Save 12%
    - Mural Journal, May '68
     
    £11.49

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    by Terrence J. (Francis Crick Professor Sejnowski
    £20.99

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    - The Story Behind the Headlines
    by Ngozi Okonjo-Iweala
    £20.99

    A frontline account of how to fight corruption, from Nigeria's former finance minister Ngozi Okonjo-Iweala.

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    - A Novel of the Robot Age
    by Carme (Research Professor Torras
    £14.99

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    - International Practice
    by Massachusetts Institute of Technology) Hack & Gary (Professor Emeritus
    £65.99

    A comprehensive, state-of-the-art guide to site planning, covering planning processes, new technologies, and sustainability, with extensive treatment of practices in rapidly urbanizing countries.

  • - Global Financial Governance and Developmental Finance in an Age of Productive Incoherence
    by Ilene (University of Denver) Grabel
    £29.49

    An account of the significant though gradual, uneven, disconnected, ad hoc, and pragmatic innovations in global financial governance and developmental finance induced by the global financial crisis.

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    by Amaranth (Assistant Professor Borsuk
    £14.99

    The book as object, as content, as idea, as interface.What is the book in a digital age? Is it a physical object containing pages encased in covers? Is it a portable device that gives us access to entire libraries? The codex, the book as bound paper sheets, emerged around 150 CE. It was preceded by clay tablets and papyrus scrolls. Are those books? In this volume in the MIT Press Essential Knowledge series, Amaranth Borsuk considers the history of the book, the future of the book, and the idea of the book. Tracing the interrelationship of form and content in the book's development, she bridges book history, book arts, and electronic literature to expand our definition of an object we thought we knew intimately.Contrary to the many reports of its death (which has been blamed at various times on newspapers, television, and e-readers), the book is alive. Despite nostalgic paeans to the codex and its printed pages, Borsuk reminds us, the term "book” commonly refers to both medium and content. And the medium has proved to be malleable. Rather than pinning our notion of the book to a single form, Borsuk argues, we should remember its long history of transformation. Considering the book as object, content, idea, and interface, she shows that the physical form of the book has always been the site of experimentation and play. Rather than creating a false dichotomy between print and digital media, we should appreciate their continuities.

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