Books published by Mkuki na Nyota Publishers

This is a Drama based on contemporary political realities in some African countries, which arrived at liberation through armed struggle. Eritrea (God's land, according to the ancient Egyptians) is an example of a country and society in convulsion because of the abandonment by its leadership, particularly among the ex-combatants, of the lofty principles of democracy, serving the people, equality and solidarity: aspirations that characterized the rhetoric of the revolution. The incidences and personalities in it are, however, purely fictitious although similarities are bound to exist since the principles during the wars of liberation and the abuses thereafter tend to be the same in all undemocratic countries. Poetic license has been used to draw characters from the army, students, political dissidents and political opportunists, the Catholic Church and a nun who escapes rape but is martyred in the process of resistance. This is a drama with elements of suspense, farce, comedy and tragedy, woven in a way that will not fail to move the reader in and outside Eritrea by the in depth understanding of the inside workings and "intelligence" of a contemporary African dictatorship.

The last text on the geography of Uganda was written in 1975 by Professor Brian Langlands. Since the last publication, Uganda has undergone numerous changes. The population has more than tripled from less than 10 million to almost 30 million. The district boundaries have changed and the number of districts increases every year. New districts are created every year. Economic productivity has also shifted over the years. Furthermore, new and emerging diseases have surfaced in Uganda. This book addresses the need for an updated document on the geography of Uganda. This book was written by a joint group of Ugandan geographers. The contributors authored chapters in their areas of specialization. There are a total of twelve chapters in the book. These chapters are based on the most current data available.

Tamthilia mbili za Kifaransa are translations into Kiswahili of two French plays by Victor Hugo (1802-1855), Le Rois siamuse and Jean Luc Lagarce (1957 - 1995), Les regles du savoir vivre dans la societe moderne. The translations are done in Kiswahili as it is spoken in the Democratic Republic of Congo (DRC), one of Swahili language's distinct dialects (Kingwana) which is spoken by possibly the second or third largest population of Kiswahili speakers outside Tanzania, where the so-called Kiswahili Sanifu (Standard Swahili) is spoken. The translator, Marcel KALUNGA MWELA-UBI, is a Professor at Lubumbashi and Kalemie Universities in DRC where he teaches Kiswahili among other subjects.

Cheche, a radical, socialist student magazine at the University of Dares Salaam, first came out in 1969. Featuring incisive analyses of key societal issues by prominent progressives, it gained national and international recognition in a short while. Because it was independent of authority, and spoke without fear or favor, it was banned after just a year of existence. The former editors and associates of Cheche revive that salutory episode of student activism in this book with fast-flowing, humor spiced stories, and astute socio-economic analyses. Issues covered include social and technical aspects of low-budget magazine production, travails of student life and activism, contents and philosophy of higher education, socialism in Tanzania, African liberation, gender politics and global affairs. They also reflect on the relevance of past student activism to the modern era. If your interests cover higher education in Africa, political and development studies, journalism, African affairs, socialism and capitalism, or if you just seek elucidation of student activism in a nation then at the center of the African struggle for liberation, this book presents the topic in a lively but unorthodox and ethically engaging manner.

This book is the first comprehensive contribution to understanding the character of important societal transitions in Tanzania during Benjamin Mkapa's presidency (1995 2005). The analyses of the trajectory of these transitions are conducted against the background of the development model of Tanzanian's first president, Julius Nyerere (1961 1985), a model with lasting influence on the country. This approach enables an understanding of continuities and discontinuities in Tanzania over time in areas such as development strategy an ideology, agrarian-land, gender and forestry issues, economic liberalization, development assistance, corruption and political change. The period of Mkapa's presidency is particularly important because it represents the first phase of Tanzania's multi- party political system. Mkapa's government initially faced a gloomy economic situation. Although Mkapa's crusade against corruption lost direction, his presidency was characterised by relatively high growth rates and a stable macro-economy. Rural and agrarian transitions were dominated by diversification rather than productivity growth and transformation. Rural attitudes in favour of land markets emerged only slowly but formal land disputes showed more respect for women's rights. Some space emerged for widening local participation in forest management, but rural dynamics was mainly found in trading settlements feeding on economic liberalization and artisanal mining. The transitions documented and analysed of Mkapa's presidency, however, indicate only limited transformational change. Rural poverty is therefore likely to remain deep and the sustainability of economic development to be at risk in the future. Mkapa was, however, able to protect the legacy of peace and political stability of Nyerere, but there were nevertheless important challenges to the first multiparty elections and governance, and particularly in Zanzibar. The post- script (covering 2005 2010), indicates that the incumbent president, Jakaya Kikwete, has yet to prove that he can change this legacy of Mkapa. The contributions to the eleven chapters of this book are evenly shared between Tanzanian, Nordic and other European researchers with a long-term commitment to Tanzanian development research. The book is dedicated to the youth of Tanzania.

War and Peace in Contemporary Eritrean Poetry focuses on Eritrean written poetry from roughly the last three decades of the twentieth century. The poems appear in the anthology Who Needs a Story? Contemporary Eritrean Poetry in Tigrinya, Tigre and Arabic from which a selection is offered here in their original scripts of Ge'ez or Arabic, and in English translation. Who Needs a Story? is the first anthology of contemporary poetry from Eritrea ever published, and War and Peace in Contemporary Eritrean Poetry is the first book on the subject. Therefore, the groundbreaking effort of the former warrants a discussion of its means of cultural production. All of the poets in Who Needs a Story? participated in the Eritrean struggle for independence (1961-91) as freedom fighters and/or as supporters in the Eritrean diaspora. Thus, contemporary Eritrean poetry divides itself between experiences of war and peace, although one can contain the other as well. War and Peace in Contemporary Eritrean Poetry also includes an extended analysis of one of Eritrea's most famous contemporary poets Reesom Haile, as an example of the kind of extended analysis that many of the poets of Who Needs a Story? should stimulate and, last but not least, a meditation on how the author, a non-native speaker, personally becomes involved in Eritrean poetry translation.

Language is a tool used to express thoughts, to hide thoughts or to hide lack of thoughts. It is often a means of domination. The question is who has the power to define the world around us.This book demonstrates how language is being manipulated to form the minds of listeners or readers. Innocent words may be used to conceal a reality which people would have reacted to had the phenomena been described in a straightforward manner. The nice and innocent concept "cost sharing", which leads our thoughts to communal sharing and solidarity, may actually imply privatization. The false belief that the best way to learn a foreign language is to have it as a language of instruction actually becomes a strategy for stupidification of African pupils. In this book 33 independent experts from 16 countries in the North and the South show how language may be used to legitimize war-making, promote Northern interests in the field of development and retain colonial speech as languages of instruction, languages of the courts and in politics.The book has been edited by two Norwegians: Birgit Brock-Utne is a professor at the University of Oslo and a consultant in education and development. From 1987 until 1992 she was a professor at the University of Dar es Salaam. Gunnar Garbo, author and journalist and former member of the Norwegian Parliament, was the Norwegian Ambassador to Tanzania from 1987 to 1992.

A Tanzanian Muslim Dr. Hamza Njozi suggested in his book, Mwembechai Killings, that the killings were "a culmination of a long historical conspiracy between the Church and the Government: a twin alliance whose objective has always been to marginalize and oppress Muslims". The author of this timely book explains the rational behind The Cross versus the Crescent. "It was partly because I was dissatisfied with Dr. Ngozi's limited historical context of the crisis that I embarked on my own research. In doing so I was guided by the hope that a broader historical context might help a better understanding of current relations between the two faiths in Tanzania".

Mulokozi discusses African epic poetry from a context-performance perspective, and asserts that oral epic poetry is a living and lived event, besides being a literary text. His work is based on previously unpublished material from the Enanga epic tradition of the Bahaya of Tanzania, and material on the African epic, gathered from West, Central, Southern and Eastern Africa since 1970, and arises from the controversies about the occurrence of the epic in Africa from this time. It includes full texts of the poems themselves in the original Luhaya language and set alongside English translations. For each poem, the author presents a profile of the singer, and an introduction and anaylsis of the socio-historical context, literary content and stylistic features of the poem. Adopting a sociological, generative approach, he re-examines questions of oral composition, oral poetics, the nature and role of music in epic performance, the concept of heroism in African epic poetry, and how it stands in relation to history and philosophy. As a whole, the study reaffirms the existence of the African epic, and generates new definitions and theoretical approaches taking forward scholarly debate on epic poetry in Africa.

This book is a translation of a special issue of IFRA's journal Les Cahiers d'Afrique de l'Est, n°37, and of a collection of articles from Politique Africaine, n°109. These both focused on the General Elections in Kenya at the end of 2007. The on-site presence of several researchers (Bernard Calas, Anne Cussac, Dominique Connan, Musambayi Katumanga, Jérôme Lafargue, Patrick Mutahi), fieldwork carried out by others between December 2007 and February 2008 (Florence Brisset-Foucault, Ronan Porhel, Brice Rambaud), as well as a good knowledge of the country by researchers on regular visits (Claire Médard, Hervé Maupeu), were all ingredients that led to the production of hundreds of pages within a limited period. These articles were actually published in April 2008. Some political information has not been updated but this changes nothing in terms of the initial aim of taking into account and analyzing the events that set the country on fire for several weeks. However, since April 2008, the situation-to all intents and purposes-stabilized. The coalition government took shape, with Mwai Kibaki remaining President while Raila Odinga became the Prime. The country, more so than ever, is truly in suspense. This includes the donors, who had made it possible for Kenya to restore a semblance of peace. But to what point will they be interested in investing in the country and to protect their place in it?The tone of this book may, undoubtedly, not sound highly optimistic. However, this should not dampen the unanimous sense of hope in the country that the political and social situation will once more be more than just tolerable.

'Mashindano' - from Kiswahili, Kushindana (to compete) - is a generic term for any organised competitive event. Here it relates to popular entertainment activities within which cultural groups competing for recognition by their communities, as leaders in their fields. Nineteen leading scholars contribute new studies on this little researched area, making a long overdue contribution to musical scholarship in East Africa, with a focus on Tanzania. The authors address key questions: What are the various roles played by competitive pratices in musical contexts? How do music competitions act as mechanisms of innovation? How do music competitions act as mechanisms of innovation? How do they serve their communities in identity formation? And what, specifically, do competitive music practices communicate, and to whom? Local dance contests, choir competitions, popular entertainment, song duels, and sporting events are all described. Work is drawn from ethnomusicology, history, musicology, anthropology, folklore, and literary, post-colonial, and performance studies.