Books published by Mockingbird Press

This edition is a fully illustrated reprint of the 1904 publication by Aleister Crowley and Samuel Liddell MacGregor Mathers. This edition of The Lesser Key of Solomon the King contains all of the over 150 seals, sigils, and charts of the original lesser book of Solomon. Beware of other editions that do not contain the Lesser Key of Solomon seals; they were painstakingly researched by Mathers and Crowley, and Solomon’s lesser key is enhanced by their inclusion. This edition also contains Crowley’s original comments located in over 35 annotations to help the reader understand the lesser keys of Solomon the king.In this work, Crowley and Mathers assemble descriptions and directions for the invocation of over 72 demons or spirits. Included are: illustrations of Solomon’s Magic Circle & Triangle, Enochian translations of the Goetia book, step by step guides for invocation, as well as definitions and explanations for the ancient terms seen throughout the Lesser Key of Solomon book.The Lesser Key of Solomon, or the Clavicula Salomonis Regis, or Lemegeton, is a compilation of materials and writings from ancient sources making up a text book of magic or “grimoire.” Portions of this book can be traced back to the mid-16th to 17th centuries, when occult researchers such as Cornelius Agrippa and Johannes Trithemisus assembled what they discovered during their investigations into their own great works.As a modern grimoire, the Lesser Key of Solomon has seen several editions with various authors and editors taking liberty to edit and translate the ancient writings and source material. In 1898, Arthur Edward Waite published his The Book of Black Magic and of Pacts, which contained large portions of the Lemegeton. He was followed by Mathers and Crowley in 1904 who published The Goetia: The Lesser Key of Solomon. Many others have assembled their own version of this ancient material since, and it is important to realize that it is the contents rather than the book itself that make up the Lesser Key. Traditionally, the source material is divided into five books: Ars Goetia, Ars Theurgia Goetia, Ars Paulina, Ars Almadel, and Ars Notoria. Mathers and Crowley indicate their edition is a translation only of the first book: Goetia.In the preface to this edition, it is explained that a “Secret Chief” of the Rosicrucian Order directed the completion of the book. The original editor was a G. H. Fra. D.D.C.F. who translated ancient texts from French, Hebrew, and Latin, but was unable to complete his labors because of the martial assaults of the Four Great Princes. Crowley was then asked to step in and finish what the previous author had begun. Traditionally, S. L. MacGregor Mathers is credited as the translator of this edition, and Crowley is given the title of editor. Although impossible to verify, it is often claimed that Mathers did not want to publish this work, but Crowley did so anyway without his permission.

Complete and unabridged with all original illustrations.The Collected Works of Ingersoll Lockwood: The Baron Trump Novels & 1900; Or, The Last President, have seen a resurgence in interest since Donald Trump's election to President of the United States in 2016. All of these titles were written before the turn of the 20th Century, but both contain eerie similarities with modern day political events. For the first time, all the works are presented in a single volume so readers can decipher for themselves whether Lockwood's words were a telling of things to come, or just a curious coincidence of American literature.In the 1890s, Ingersoll Lockwood authored a series of children's books about the escapades of his character, the young Baron Trump: Travels and Adventures of Little Baron Trump and his Wonderful Dog Bulger, and Baron Trump's Marvellous Underground Journey. The series followed a literary trend of the time, which had child protagonists adventuring to enchanted lands and encountering fantastic beings. Lewis Carroll's Alice in Wonderland, and L. Frank Baum's The Wonderful Wizard of Oz are two famous examples of this genre.Lockwood's Baron is an aristocratic youth bored with his life of luxury in Castle Trump. Searching for adventure, Baron travels to Russia to discover an underground world beneath his feet. He journeys downward and finds himself lost in peculiar settings surrounded by the strange inhabitants of this new world. The stories follow his adventures and eventual struggle to find his way back to the surface he left behind.The Baron Trump novels were obscured by the more successful children's books of the time. Lockwood's tall tales seemed destined for the literary dust bin, but the election of Donald Trump in 2016 renewed interest in these works due to the President's youngest son's name: Barron Trump. Now, back in print, the Baron Trump series is enjoying considerable interest and success.In 1900; Or, The Last President, Ingersoll Lockwood paints a picture of a politically charged New York City, where a political outsider has overcome stiff opposition to be elected President of the United States. Mob rule threatens, and marching protests rove up and down Fifth Avenue. The scene is an uncanny reflection of what happened as Donald Trump spent his days as President Elect holed up in Trump Tower on Fifth Avenue as he awaited his inauguration.

Hardcover volume containing G.K. Chesterton's great companion apologies Heretics & Orthodoxy.Gilbert Keith Chesterton has become synonymous with modern Christian apologetics. But his impact goes beyond just those interested in a defense of Christian thought. His writings have influenced such diverse authors as C.S. Lewis, Marshall McLuhan, and Jorge Luis Borges, and remains a subtle and unseen presence in contemporary Catholic thought. At his funeral, Ronald Knox said "All of this generation has grown up under Chesterton's influence so completely that we do not even know when we are thinking Chesterton." Before his conversion from atheism to knowing God, C.S. Lewis, the author of Mere Christianity & The Great Divorce, said "in reading Chesterton, as in reading MacDonald, I did not know what I was letting myself in for. A young man who wishes to remain a sound atheist cannot be too careful of his reading. There are traps everywhere -"Chesterton wrote in a time when materialism and new forms of political theory were soon to cause havoc in the western world. His was a voice calling for restraint - pointing back to the fundamentals of Christian doctrine, the purpose and value of which was being lost in the noise and commotion of the post industrial age. Describing the rush towards less familiar and attractive ideologies, Chesterton wrote: "In the matter of reforming things, as distinct from deforming them, there is one plain and simple principle; a principle which will probably be called a paradox. There exists in such a case a certain institution or law; let us say, for the sake of simplicity, a fence or gate erected across a road. The more modern type of reformer goes gaily up to it and says, 'I don't see the use of this; let us clear it away.' To which the more intelligent type of reformer will do well to answer: 'If you don't see the use of it, I certainly won't let you clear it away. Go away and think. Then, when you can come back and tell me that you do see the use of it, I may allow you to destroy it.'"Chesterton was a man who continually showed us the use of orthodoxy in Christianity - most of all in his great companion apologies: Heretics & Orthodoxy.In Heretics, he first points to the flaws in the beliefs of the moderns. In Orthodoxy, he defends the values handed down through millennium of Christian dogma.Chesterton was a great debater, often trading blows with modern thinkers such as George Bernard Shaw, H.G. Wells, Bertrand Russell and Clarence Darrow. He became known as the "prince of paradox," He was also a prolific writer, producing biographies on St. Augustine and St. Francis, and touched on many of the varieties of religion in his writings. He wrote fiction as well, authoring the famous Father Brown books and the Man Who Was Thursday.Chesterton was certainly not the imitation of Christ in his personal life. A large man fond of food and drink, he was almost childlike in wonder of the magic of the world, while expressing the wit of an ancient. He gave no secret doctrine or systematic theology, but his "goodness" and basic "common sense" led many to the Church. One commenter stated: first you read C.S. Lewis, then Chesterton, then you become Catholic. Despite his less than temperate life, he is now under investigation by the Church for Beatification: such was his impact.

In the 1890s, Ingersoll Lockwood authored a series of children’s books about the escapades of his character, the young Baron Trump: Travels and Adventures of Little Baron Trump and his Wonderful Dog Bulger, and Baron Trump’s Marvellous Underground Journey. The series followed a literary trend of the time, which had child protagonists adventuring to enchanted lands and encountering fantastic beings. Lewis Carroll’s Alice in Wonderland, and L. Frank Baum’s The Wonderful Wizard of Oz are two famous examples of this genre.Lockwood’s Baron is an aristocratic youth bored with his life of luxury in Castle Trump. Searching for adventure, Baron travels to Russia to discover an underground world beneath his feet. He journeys downward and finds himself lost in peculiar settings surrounded by the strange inhabitants of this new world. The stories follow his adventures and eventual struggle to find his way back to the surface he left behind.The Baron Trump novels were obscured by the more successful children’s books of the time. Lockwood’s tall tales seemed destined for the literary dust bin, but the election of Donald Trump in 2016 renewed interest in these works due to the President’s youngest son’s name: Barron Trump. Now, back in print, the Baron Trump series is enjoying considerable interest and success.

The three great apologies of G.K. Chesterton in one volume: Heretics, Orthodoxy & The Everlasting Man. Gilbert Keith Chesterton has become synonymous with modern Christian apologetics. But his impact goes beyond just those interested in a defense of Christian thought. His writings have influenced such diverse authors as C.S. Lewis, Marshall McLuhan, and Jorge Luis Borges, and remains a subtle and unseen presence in contemporary Catholic thought. At his funeral, Ronald Knox said "All of this generation has grown up under Chesterton's influence so completely that we do not even know when we are thinking Chesterton." Before his conversion from atheism to knowing God, C.S. Lewis, the author of Mere Christianity & The Great Divorce, said "in reading Chesterton, as in reading MacDonald, I did not know what I was letting myself in for. A young man who wishes to remain a sound atheist cannot be too careful of his reading. There are traps everywhere -"Chesterton wrote in a time when materialism and new forms of political theory were soon to cause havoc in the western world. His was a voice calling for restraint - pointing back to the fundamentals of Christian doctrine, the purpose and value of which was being lost in the noise and commotion of the post industrial age. Describing the rush towards less familiar and attractive ideologies, Chesterton wrote: "In the matter of reforming things, as distinct from deforming them, there is one plain and simple principle; a principle which will probably be called a paradox. There exists in such a case a certain institution or law; let us say, for the sake of simplicity, a fence or gate erected across a road. The more modern type of reformer goes gaily up to it and says, 'I don't see the use of this; let us clear it away.' To which the more intelligent type of reformer will do well to answer: 'If you don't see the use of it, I certainly won't let you clear it away. Go away and think. Then, when you can come back and tell me that you do see the use of it, I may allow you to destroy it.'"Chesterton was a man who continually showed us the use of orthodoxy in Christianity - most of all in his three great apologies: Heretics, Orthodoxy & The Everlasting Man. In Heretics, he first points to the flaws in the beliefs of the moderns. In Orthodoxy, he defends the values handed down through millennium of Christian dogma. In The Everlasting Man, he tells the grand story of Christianity itself and the often ignored miracle of its appearance in the life of man.Chesterton was a great debater, often trading blows with modern thinkers such as George Bernard Shaw, H.G. Wells, Bertrand Russell and Clarence Darrow. He became known as the "prince of paradox," He was also a prolific writer, producing biographies on St. Augustine and St. Francis, and touched on many of the varieties of religion in his writings. He wrote fiction as well, authoring the famous Father Brown books and the Man Who Was Thursday.Chesterton was certainly not the imitation of Christ in his personal life. A large man fond of food and drink, he was almost childlike in wonder of the magic of the world, while expressing the wit of an ancient. He gave no secret doctrine or systematic theology, but his "goodness" and basic "common sense" led many to the Church. One commenter stated: first you read C.S. Lewis, then Chesterton, then you become Catholic. Despite his less than temperate life, he is now under investigation by the Church for Beatification: such was his impact.