Books published by Modjaji Books

Life at boarding school is not all diets, dresses and dances, as Trinity Luhabe discovers when her parents move overseas for a term. She has hardly settled into Sisulu House when she finds herself caught up in the most unexpected love triangle of her life. Zach is the school sports hero, while James is different to anyone she's ever met. One of them wants to control her ... the other holds the key to an old secret that has been buried for a very long time. Will Trinity figure out who to trust before it's too late?

An old man is woken up by the wailing of a prophetess. Sitting on the veranda and staring into the dry veld he is beset with images of snakes hiding in the cellar beneath him. His peace is further disturbed by visits from his angry daughter, Susanna. Memories of his childhood on a remote mission station in Venda come flooding in. Johannes remembers his fatheris internment at Koffiefontein during World War II, leaving him and his sister free to make friendships, explore the mythical forests that surround their house and to connect with the spirit world of the Bavenda . On his return, the missionary tries to impose order on the mission station with tragic consequences.

Eloquent Body explores the juxtaposition of healing and creativity both from a personal as well as medical point of view. Dawn Garisch works as a medical doctor and a writer in equal measure and advocates dialogue between our bodies and our creative selves. Her novel Trespass was nominated for the Commonwealth Prize in Africa.

The hemispheric pull between Europe and Africa and the restlessness that results from inhabiting both worlds is reflected in A Lioness at my Heels. Robin Winckel-Mellish reconciles the muted tones of her Europe with the riotous colour of Africa. The immediacy, vividness and dustiness of the harsh African sun is carefully offset by the softer quality of the Netherlands. All poems are mediated and considered in the light of a spiritual home. Robin Winckel-Mellish lives in the Netherlands and runs a poetry critique group in Amsterdam. Her work has been published in many international literary journals. Her first collection, A Lioness at my Heels, explores living in Europe and being South African.

Forty-two poems by Dawn Garisch, a doctor who writes, a poet who walks, a researcher who dances. She lives in Cape Town near the mountain and the sea and has two grown sons. Her last novel, Trespass, was nominated for the Commonwealth Prize in Africa.

'These are poems of drowning and coming up again. Of surviving with lungs that breathe water and sunlight. These are poems of longing and loss. Of searching for a foothold in a world where all slides and changes. Sarah Frost is a new voice in South African poetry. A clear and strong and exciting voice. Read her.'- Kobus Moolman Sarah Frost is 37 years old and a single mother to a six year old boy. She works as an editor for Juta Legalbrief in Durban, South Africa. Sarah has been writing poetry for the past fourteen years. She has completed an MA in English Literature, and also a module on Creative Writing.

Melissa Butler lives in Cape Town and Pittsburgh, PA. In the US, she teaches kindergarten. In South Africa, she writes and works with pre schools in the Eastern Cape. She has a Masters degree in Curriculum Theory from Penn State University and a Masters degree in Creative Writing from the University of Cape Town. This is her first book of poetry.

"Home is as old as one's skin but as elusive as an object seen through the wrong end of a telescope." It is this sense of a view, skewed, intangible, which echoes throughout Karen Lazar's Hemispheres. Waking in hospital after a post-operative stroke, she finds one side of her body paralysed and her world knocked out of kilter. Spatial, perceptual and subjective changes force her to view her new life in facets. The fragmented view is made apparent by means of a triptych of clusters which charts Karen's experience from Metamorphosis, through Rehabilitation and Adaptation. Quietly reflective, deeply lyrical, Hemispheres is concerned with returning separated parts into a whole and coming home to the self.

Kerry Hammerton is a poet, writer and alternative health practitioner. She is a graduate of The University of the Witwatersrand (Johannesburg) and The College of Integrated Chinese Medicine (Reading, UK). Her poetry has been published in South African literary journals such as Carapace, New Contrast and New Coin, online at Litnet and Incwadi. She has also been a contributor to The Empty Tin Readings (May 2010) and The Poetry Project. These are the lies I told you is her fi rst poetry collection. Kerry has fewer wrinkles than she should have at her age n or so her friends tell her.

Colleen Higgs launched Modjaji Books, the first publishing house for southern African women writers, in 2007. Her first collection of poetry, Halfborn Woman, was published in 2004. She lives in Cape Town with her partner and her daughter.

Fractured Lives is a memoir of one woman's experiences as a documentary filmmaker covering the wars in southern Africa during the 1980s and 1990s. Part autobiography, part history, part social commentary and part war story, it offers a female perspective on a traditionally male subject. Growing up in South Africa in a politically active family, Toni went to Britain as an exile in 1965 in the wake of the famous Rivonia Trial, and in the years to follow, became a filmmaker. Despite constant difficulties fighting for funding and commissions from television broadcasters, and the prejudices of working in a male-dominated industry, Toni made several remarkable films in Mozambique and Angola. These bear witness to the silent victims of war, particularly the women and children. Fractured Lives paints the changing landscape of southern Africa: Namibian independence and the end of the war in Mozambique bring hope but also despondency. Yet there is also the possibility of redemption, of building new lives for the victims of war. In its final chapters, Fractured Lives traces the power of survival and the opportunities for new beginnings. Fractured Lives concludes with Toni's return to South Africa after nearly three decades in exile. However, the joy following the demise of apartheid is tempered by the poignancy of returning to a place that for so long had existed in her dreams alone and the realization that home will forever lie somewhere else.

Arja Salafranca is an accomplished writer, having twice won the Sanlam Literary Award in South Africa. The stories in her new book engage and reel in the reader on that 'thin line' from the start. The carefully drawn characters are haunting: Corinna trapped in her huge teenage body, Cleo in love with a married man after all these years, and poor skinny Mark, as he sees his love teeter away from him.'Ten Minutes to Hate' tells of an armed robbery in a packed theatre, and its effect, emotionally and psychologically, on two of the people involved. 'Collage' is the story of a possessive love so fierce, that only death can resolve it. Searingly honest, sometimes painfully so.

Azila Talit Reisenberger is a Bible scholar, a rabbi, a mother, a wife, and a poet. In all these selves she grapples with translating her life from Hebrew to English and back again. Life in Translation is full of wry humour, longing, bitterness, sweetness, playfulness, and subversions of traditional meanings and texts - a delightful book that charms and surprises anew with each reading.

Looking for Trouble is a collection of short stories set in Yeoville from the mid-1980s to the early 1990s. The stories capture with a dark humour the lives of young people trying to make a go of things, given the constraints of the country and the volatile period. Most of the stories have been published in literary magazines or in collections in South Africa, the UK and Uganda.

When Jane Katjavivi becomes involved in London in support of change in Southern Africa, she meets and marries a Namibian activist in exile. Moving with him to Namibia at the time of Independence in 1990, she faces a new life in a starkly beautiful country. She starts to publish Namibian writing and opens a bookshop. In Windhoek she develops friendships with a group of strong, independent women, who have also come from other countries, and are engaged in different ways to overcome the divisions of the past. Over coffee, drinks and food, they support each other through times of happiness and sadness, through juggling careers and family, and through illness and death. When her husband is made Ambassador to the Benelux countries and the European Union, and later Berlin, Jane has to build a new identity as the wife of an ambassador, and come to terms with her own ill-health without her friends around her to support her. Set against the backdrop of the historical, political and social development of newly independent Namibia, Undisciplined Heart tells the story of Janeis love for her family, friends and her adopted country, in a gentle and honest way that reflects the joys and tragedies of life

Ten stories. Ten voices. Ten diverse perspectives of what home has meant to South Africans that countryis challenging history. In this thought provoking collection we are drawn into the lives of others. From an old widower who seems content on the outside but feels that his world is unravelling in the new South Africa, to an immigrant who has fled racial persecution in 1930s Europe and now finds himself on a barren sheep farm in the Karoo, to a Polokwane teacher confronted with the moral dilemma of xenophobic sentiments in her township, This Place I Call Home, leaves the reader deeply aware of local realities. Even though these powerful stories are often characterised by hardship and personal loss, one cannot help but emerge inspired by the tenacity of the human spirit and the resilience of South Africais people.

Ingrid Andersen was born in Johannesburg, read for a degree in English literature at Wits and is presently completing her Masters. Her work has been published in literary journals for 16 years. Excision, her first volume of poetry, was published in 2004. Her influences include the French Romantic poets, Imagism and the writings of Basho. She is the founding editor of Incwadi, an SA journal that explores the interaction between poetry and image. An Anglican priest, she works in human rights, healing and reconciliation.

Strange Fruit is a courageous debut with a remarkable range in theme and tone, from the nostalgic to the comedic to the bawdy, and to the angry, the melancholic and the steadfast and comforting. It will delight, shock, anger, induce laughter, shock more, delight more. And make you blush. It's a full range. There are poems of brutally honest self-scrutiny - the heart of the collection being a series of poems on the ageing body, loss of love and infertility - and there are poems that capture landscapes with imagist skill and the botanist's detail.

Sindiwe Magona's poems conspire with her. Even years after being written, they still seem warm from her lips, and it is this residue of her telling them that draws you into their confidence. From the languid innocence of the poems about her village, to her shattering images of Africa at war, Magona leads you headlong into her fireside circle where archetypes flicker like shadows on a face that has seen, and been. Please, Take Photographs is defiant and tender, horrific and homely, at once irreverent, outspoken and beautiful.