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Gathers selected essays by the late American foreign correspondent, labor journalist, union activist, and feminist.
"Portions of this book were originally published as The Law of value and historical materialism c1978 by Monthly Review Press."
Describes the daily experiences of Jewish and Italian immigrant women in New York City.
Harry Braverman's years as an industrial worker gave him insight into the labour process and the conviction to reject the reigning wisdoms of academic sociology. Here, he analyzes the division of labour between the design and execution of industrial production.
The Marxian Imagination is a fresh and innovative recasting of Marxist literary theory and a powerful account of the ways class is represented in literary texts. Where earlier theorists have treated class as a fixed identity site, Markels sees class in more dynamic terms, as a process of accumulation involving many, often conflicting, sites of identity. Rather than examining the situations and characters explicitly identified in class terms, this makes it possible to see how racial and gender identities are caught up in the processes of accumulation that define class. Markels shows how a Marxian imagination is at work in a range of literary works, often written by non-Marxists. In a field notorious for its difficulty, The Marxian Imagination is a remarkably accessible text. Its central arguments are constantly developed and tested against readings of important novels, ranging from Dickens's Hard Times to Barbara Kingsolver's Poisonwood Bible. It concludes with a telling critique of the work of the major Marxist literary theorists Raymond Williams and Fredric Jameson.
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