Books published by National Gallery Company Ltd

"Published to accompany the exhibition: "Sea star: Sean Scully at the National Gallery" 13 April - 11 August 2019"--Title page verso.

An exploration of Turner as an artist-traveler, in relation to two important European harbor scenes

An accessible introduction to American painter Winslow Homer, examining his work through the lens of conflict

A significant publication of original writing on Lucian Freud, including interviews with leading contemporary artists, marking the 100th anniversary of his birth

An exploration of the fascinating parallels and differences between Picasso's Woman with a Book and Ingres's Madame Moitessier

This richly illustrated publication explores the lasting influence of Gainsborough's Blue Boy on British art and culture

Presenting new work by American artist Kehinde Wiley, as he explores the European landscape tradition through film and painting

An exploration of Nicolas Poussin's influential classical style through his paintings of dance and dancers

The annual journal of scientific research from the National Gallery

An exploration of Durer's career and legacy as an international traveling artist

A definitive overview of one of the most celebrated figures of the Italian Renaissance

"Published to accompany the exhibition "Nicolaes Maes - Dutch master of the Golden Age" Mauritshuis, The Hague, 17 October 2019 - 19 January 2020, The National Gallery, London, 22 February - 31 May 2020."

Andrea Mantegna (c. 1431-1506) and Giovanni Bellini (active c. 1459; died 1516) each produced groundbreaking paintings, marked by pictorial and technical innovations, that are among the masterpieces of the Italian Renaissance. Exploring the fruitful dynamic between Mantegna's inventive compositional approach and interest in classical antiquity and Bellini's passion for landscape painting, this fascinating volume examines how these two artists, who were also brothers-in-law, influenced and responded to each other's work. Full of new insights and captivating juxtapositions-including comparisons of each of the artist's depictions of the Agony in the Garden and the Presentation to the Temple-this study reveals that neither Mantegna's nor Bellini's achievements can be fully understood in isolation and that their continuous creative exchanges shaped the work of both.