Books published by National Gallery Company Ltd

Offers a collection of paintings by 16th-century Netherlandish artists, including Joachim Beuckelaer, Hieronymus Bosch, Pieter Bruegel the Elder, Jean Gossart, and Quinten Massys. This title includes discoveries about artists' techniques and practices that have led to many reattributions, and the rescue from anonymity of over twenty paintings.

Tells the story of the founding and growth of one of the world's greatest collections of western European painting, dating from 1250 to 1900. This book brings together stories behind the development of the National Gallery: the generous benefactors; the architectural controversies; the acquisitions; the dedicated staff; and, the visiting public.

The National Gallery's collection of British paintings is small, but contains some of the most famous and best-loved paintings in the country. This readable catalogue includes the results of fresh examination of each work by the Gallery's Conservation and Scientific Departments.

Titian is acknowledged as the greatest of the sixteenth-century Venetian painters. The author's carefully chosen comparisons of paintings, prints, drawings and details of works by the young Titian, Durer and their contemporaries suggest that Titian was as innovative and as influential in his unique view of nature as he was in portraiture.

Includes illustrations that encourage the reader to consider how artists distil the essence of Christian values and how works of art can motivate reflections on the Christian faith.

The English romantic artist Joseph Mallord William Turner (1775-1851) was hailed as the painter of light for his brilliantly coloured landscapes and seascapes. This book examines the ways in which Turner consistently strove to confront Claude's achievement and legacy.

Materials and working practices influence a painter just as much as contemporary intellectual and cultural developments. This title helps readers develop a painterly eye by learning to recognize different materials and methods of application and to appreciate how these features contribute to how a painting looks.

An engaging look at how the middle classes of fin-de-siecle Vienna used innovative portraiture to define their identity

Recounts the story of a marriage arranged between the son of a spendthrift nobleman who needs cash and the daughter of a rich City of London merchant who hopes to buy social status.

he National Gallery houses one of the most important collections of early Italian paintings outside Italy, including works by Cimabue, Duccio, Ugolino di Nerio, Giotto, Bernardo Daddi and the Cioni brothers. This title presents an account of the substantial body of research published over the years.

How do experts spot masterpieces? Paintings are not always signed or noted in historical records, so how can we tell an obscure gem from an altered image? Through a series of examples and processes, this title draws the reader into the complex issues confronted by gallery professionals.

Angels are an integral part of Christian art, performing a multitude of roles. Massed together they may form a heavenly choir, glorifying the Virgin Mary or commenting on the surrounding action. This guide helps readers identify angels and their significance in a painting - be it from the National Gallery or from other collections.

If the painting could talk... what tales would they tell? This art book is designed to be read like a novel. It gets you up close and personal to individual masterpieces in the National Gallery, London. It unlocks the paintings' hidden histories, which have often been buried in articles, archives or reports.

On Wednesday 23 August 1939, the National Gallery closed its doors to the public, not knowing when they would open again. The paintings were to be secretly evacuated in a relocation that took only eleven days. The last shipment left Trafalgar Square on 2 September, the day before war was declared. This book tells the story of the National Gallery.

Discusses and describes the material nature of paintings, how they age and the main types of conservation treatment carried out on panel and canvas paintings, along with some of the problems involved in cleaning and restoration.

How faces are captured shows in striking ways the artistic aims of those who painted them. But how can the depiction of a face suggest a personality? This book tackles this and other questions, and introduces such issues as the ideals of beauty and how portrait painters have captured a likeness and convey character.

Accompanies the National Gallery's display of its Italian Renaissance paintings - one of the richest collections of its kind in the world. This book focuses on Italian masterpieces made between 1250 and 1500. It includes highlights such as Leonardo's "Virgin and Child with Saint Anne" and "Saint John the Baptist".