Books published by New Academia Publishing, LLC

Detecting the Bomb examines how the United States developed the seismic component of the U.S. Atomic Energy Detection System. What led leaders of Western and Eastern nations to the realization that a nuclear test ban could be of mutual interest? Why did the USSR insist that underground explosions could be adequately distinguished from earthquakes and safely monitored without verification systems on their territory, and why did the United States vigorously disagree? Dr. Romney will answer these questions while laying out the principles of scientific detection and reliable discrimination. One of the nation's leading seismologists, Dr. Romney describes the development of methods for detecting nuclear explosions, and their effect on nuclear test ban negotiations from the late 1950s to the mid 1960s. Carl Romney cites important details from early scientific studies, and explains how seismology formed the crux of the diplomatic debate in the early nuclear age.

A novel based on the lives of the brothers Mann has allowed the author to portray both the powerful story of their personal drama and the tragedy of a horrific era. Two of Germany's literary lions, Thomas and Heinrich Mann, are the central characters of Selig Kainer's novel, Brothers in Exile. Their rivalry is set against the background of Hitler's rise to power, and the novel opens in 1932 as Hitler becomes Chancellor. In real danger from the Nazi, Heinrich has already fled, while Thomas briefly nurtures the hope that his stature as a Noble Prize winner could be a balancing force against Hitler. The novel then takes the reader back to the powerful sturm und drang of Thomas and Heinrich's outwardly comfortable early family life. Their story is rife with love, rivalry, artistic strivings, and forbidden longings. With his deep affinity for the work of these two great writers, Selig Kainer has written an intimate account of them that reveals their rivalry and innermost conflicts, and illuminates the foreboding landscape of the demonic forces unleashed in Germany during their time. "It is a wonderful novel... One need not be a reader of either Mann brother to appreciate Brothers in Exile, for here the curious interplay between life and literature, between imagination and reality, is played out to the full." ¿Jeffery Paine, former Literary Editor of the Wilson Quarterly, a judge of the Pulitzer Prize, author of Father India, Adventures with the Buddha, and Editor of Re-enchantment: Tibetan Buddhism comes to the West. "Thomas and Heinrich Mann grew up in Germany, portrayed Germany, then finally fled Germany, ending their lives in American and Swiss exile. Now, Selig Kainer has explored their early lives, not as an historian or biographer, but as a creative novelist, using the bones of their youth to X-ray their evolution as sons of imperial Germany, as nascent artists, and as siblings. Kainer's intricate fictional journey is a Bildungsroman at once tender, profound, epic and original. Enjoy!" ¿Nigel Hamilton, author of JFK: Reckless Youth and The Brothers Mann. "Selig Kainer dives into the complex relationship between Thomas and Heinrich Mann and comes back up with a pearl of a book. He transports us into the imagined landscape of their inner lives, their rivalries, discontents, desires and dreams. The vivid detail he brings to his story is gripping; his obsession with his characters thoroughly contagious." ¿Andrea Weiss, author of In the Shadow of Magic Mountain: The Erika and Klaus Mann Story.

This volume addresses questions of canon, value, historiographical interest, and large-scale historical structures as they apply to Chinese art history in the context of post-colonial studies. As the field of Chinese art history moves into postcolonial studies, institutional critique, and economic and social contextualization, it is especially important that questions of canon, value, historiographical interest, and large-scale historical structures not be left behind. The aim of this book is to examine critically the historiography of the field of Chinese painting, to assess what achievements have been made, and to understand what and how personal backgrounds of scholars and institutional constraints may have affected various practices in the field. "This volume is a comprehensive and critically self-aware introduction to the history of Chinese art historiography in America, and includes reflections on more general issues of the encounters between East and West. This is a timely, much-needed book." -Olga Lomová, Director, Institute of East Asian Studies, Charles University, Prague, and Dircetor, Chiang Ching-kuo Foundation International Sinological Center, Prague; Editor of Recarving the Dragon: Understanding Chinese Poetics. "This volume provides a true dialogical interaction of ideas in scholarship and reveals Western, Chinese and Japanese approaches to Far Eastern artistic heritage. The mutual elucidation of pedagogical wisdoms brings about salutary heuristic lessons that help readers overcome assumptions in which Western theoretical methodology has been trapped for so long." -Shigemi Inaga, Professor, International Research Center for Japanese Studies (Kyoto, Japan); John Kluge Chair of Modern Culture in the Kluge Center at the Library of Congress; Editor of Crossing Cultural Borders: Beyond Reciprocal Anthropology; author of Kaiga no tasogare: Eduaru Mane botsugo no toso . "This volume contributes importantly toward understanding the current state of Chinese art history in the US and its complicated historiography. It is provocatively argued, engagingly written, and passionately felt." -Katharine P. Burnett, Associate Professor of Art History, University of California at Davis, has published articles in Art History, Word & Image, and Orientations and is working on a book, Dimensions of Originality: Essays in Seventeenth-Century Chinese Art. "This volume is the next in Jason Kuo's long bibliography of original and important contributions to the study of Chinese painting. Each essay raises questions that draw Chinese painting into the discourse of modernism more generally." -Nancy S. Steinhardt, Professor of East Asian Art and Curator of Chinese Art at the Museum of Archaeology and Anthropology, University of Pennsylvania. Author of Chinese Traditional Architecture, Chinese Imperial City Planning, and Liao Architecture. Editor and adaptor of Chinese Architecture, and co-editor of Hawaii Reader in Traditional Chinese Culture.