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A radical re-imagining by playwright Evan Placey of Robert Louis Stevenson's classic tale, where civilised society meets seedy Soho in a thrilling collision of Victorian England with the here and now.
An extraordinary play that asks a simple question: is it ever possible to move on? Poison received its UK premiere at London's Orange Tree Theatre in 2017 following a critically acclaimed run in New York.
Inspired by the tapestries created when Mary Queen of Scots was imprisoned by her cousin Queen Elizabeth I, The Glove Thiefis part of Platform. Aimed at addressing gender imbalance in theatre, Platform comprises big-cast plays with predominantly or all-female casts, written specifically for performance by young actors.
Education, Education, Education is The Wardrobe Ensemble's love letter to the schools of the 1990s and asks big questions about a country in special measures, exploring what we are taught and why, and where responsibility lies. Winner of a Fringe First at the 2017 Edinburgh Festival.
A comic retelling of the story of Dracula, from John Nicholson and Exeter-based theatre company Le Navet Bete.
In the ruins of a garden in rural England, in a house which was once a home, one woman searches for seeds of hope. Albion is a new play by Mike Bartlett, premiering at the Almeida Theatre, London, in October 2017 in a production directed by Rupert Goold.
A heartbreaking, powerful and bitterly comic account of what it is to be a woman in wartime.
A contemporary retelling of Hans Christian Andersen's extraordinary fairytale of dance, desire and destruction.
A play for two actors - or many more - exploring just how much wild we're comfortable with.
A searingly powerful play about what one individual can do to effect change. Winner of the Judges' Award in the 2015 Bruntwood Prize for Playwriting.
Two plays by award-winning writer James Fritz, each asking urgent, pointed and complex questions of the times we live in.
A tender but truthful exploration of love and ageing, asking how we choose to live in the face of soaring life expectancies. Winner of the 2017 Papatango New Writing Prize.
Winner of the 2016 Theatre503 Playwriting Award, Andrew Thompson's debut play is about the adventures of three extraordinary women spanning 80 years, against the backdrop of humanity's journey to the stars.
A fascinating blend of dark hilarity and melancholy, woven from Patrick Hamilton's much-loved story about an improbable heroine in wartime Britain.
A backstage view of Ancient Rome at its most bloody and brutal, adapted by Mike Poulton from Robert Harris's bestselling The Cicero Trilogy.
An unflinching and bold exploration of the internal lives of young women. Part of Platform, an initiative aimed at addressing gender imbalance in theatre.
West End Producer, the masked man of theatreland, and author of Everything You Always Wanted To Know About Acting, But Were Afraid To Ask, Dear, returns with the ultimate guide to the theatregoing experience - for anyone who's ever been to the theatre, or who thinks they might like to try it one day.
The remarkable true story of a young trans man's journey from Egypt to Scotland, charting his progress across borders and genders in his search for a place to call home.
A dazzlingly funny and original drama about identity, guilt, contemporary culture and the second coming of Kanye West.
Americans Zack and Abby are bright, young and recently married. He's a doctor combating infant disease. She's an actress, also teaching yoga. It's just before Christmas and they're living the expat highlife in bohemian Belleville, Paris. It's all a little too perfect. Amy Herzog's Belleville is a play about a romantic dream gone sour
Three misfit teenagers are brought together by a sex scandal in their school, with nobody taking them seriously until they speak out - with hilarious consequences.
In September 2004, a group of terrorists stormed School Number One in Beslan, Russia, taking hundreds of children, their parents and teachers hostage. Us/Them is not a straightforward account of this terrible tragedy, but an exploration of the entirely individual way children cope with traumatic situations.
A divisive left-wing leader at the helm of the Labour party. A Conservative prime minister battling with her cabinet. An identity crisis on a national scale. This is Britain 1981.
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