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Uses the case of Dutch colonial film in Indonesia to show how a critically-, historically- and cinematically-informed reading of colonial film in the archive can be a powerful and unexpected source, and one more easily accessible today via digitisation.
In this book, trade provides the integrating framework for local and regional histories that cover more than three hundred years, from the late sixteenth century to the beginning of the twentieth, when new technologies and changing markets helped lead to Western dominance.
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