Books published by Ohio University Press

Radio technology and broadcasting played a central role in the formation of colonial Portuguese Southern Africa and the postcolonial nation-state, Angola. Moorman details how settlers, the colonial state, African nationalists, and the postcolonial state all used radio to project power, while the latter employed it to challenge empire.

Age of Concrete is about people building homes on tenuous ground in the outer neighborhoods of Maputo, Mozambique, places thought of simply as slums. But up close, they are an archive: houses of reeds, wood, zinc, and concrete embodying the ambitions of people who built their own largest investment and greatest bequest to the future.

In Collaborative Dickens, Melisa Klimaszewski undertakes the first comprehensive study of Dickens's Christmas numbers. She argues for a revised understanding of Dickens as an editor who, rather than ceaselessly bullying his contributors, sometimes accommodated contrary views and depended upon multivocal narratives for his own success.

In 1860, Ohio was among the most influential states in the nation. As the third-most-populous state and the largest in the middle west, it embraced those elements that were in concert-but also at odds-in American society during the Civil War era.

Many challenges facing the African continent today are rooted in colonial practices, Cold War alliances, and outsiders' attempts to influence its political and economic systems. Interdisciplinary and intended for nonspecialists, this book provides a new framework for thinking about foreign political and military intervention in Africa.

This book adds a novel and provocative element to the library of art museum collection catalogs, featuring selected works from the museum's collection and concise essays by scholars of art who reflect on respond to the distinctive aspects of each work.

In locating her arguments at the intersection of visual culture and literary and performance studies, Giorgis details how innovations in visual art intersected with shifts in narratives of modernity. The result is a bold intellectual, cultural, and political history of Ethiopia, with art as its centerpiece.