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Through close readings of several Polish American and Polish Canadian novels and short stories published over the last seven decades, Kozaczka demonstrates how Polish American women writers have shown a strong awareness of their patriarchal oppression, which followed them from Poland into America.
Drawn from a wide range of historical expertise and approaching the topic from a variety of angles, these essays explore the changes in life at home during the Civil War that led to a revolution in American society and set the stage for the making of modern America.
In Shakespeare the Illusionist, Neil Forsyth reviews the history of Shakespeare's plays on film, assessing what filmmakers and TV directors have made of the spells, haunts, and apparitions- Puck and the fairies, ghosts and witches, or Prospero's island-in his plays. A bold step forward in Shakespeare and film studies.
In the early 1800s, books were largely unillustrated. By the 1830s and 1840s, however, innovations in wood- and steel-engraving techniques changed how Victorian readers consumed and conceptualized fiction. A new type of novel was born, often published in serial form, one that melded text and image as partners in meaning-making.
David Rawson draws on declassified documents and his own experiences as the initial US observer of the 1993 Rwandan peace talks at Arusha to seek out what led to the Rwandan genocide. The result is a commanding blend of diplomatic history and analysis of the crisis and of what happens generally when conflict resolution and diplomacy fall short.
Each of the crystalline worlds Cary Holladay brings us in the short stories and novella that make up Brides in the Sky has sisterhood, in all its urgency and peril, at its heart. She crafts these stories with subtle humor, a stunning sense of place, and an unerring eye for character.
There is currently in Madagascar a rich literary production (short stories, poetry, novels, plays) that has not yet reached the United States for lack of diffusion outside the country. Until recently, Madagascar suffered from political isolation resulting from its breakup with France in the 1970s and the eighteen years of Marxism that followed.Wit
Jacksonian democracy; sectionalism; secession; history of Congress; American history
Heretical Hellenism examines sources such as theater history and popular journals to uncover the ways women acquired knowledge of Greek literature, history, and philosophy and challenged traditional humanist assumptions about the uniformity of classical knowledge and about women's place in literary history.
Helen Papanikolas has been honored frequently for her work in ethnic and labor history. Among her many publications are Toil and Rage in a New Land: The Greek Immigrants in Utah, Peoples of Utah (ed.), and her parents' own story of migration, Emily-George. With Small Bird, Tell Me, she joins a long and ancient tradition of Greek story-tellers whose art informs and enriches our lives.
Nigerian video films-dramatic features shot on video and sold as cassettes-are being produced at the rate of nearly one a day, making them the major contemporary art form in Nigeria. The history of African film offers no precedent for such a huge, popularly based industry.
Patrice Lumumba was a leader of the independence struggle in what is today the Democratic Republic of the Congo, as well as the country's first democratically elected prime minister. After a meteoric rise in the colonial civil service and the African political elite, he became a major figure in the decolonization movement of the 1950s.
Eloquent and thought-provoking, this classic novel by the Eritrean novelist Gebreyesus Hailu, written in Tigrinya in 1927 and published in 1950, is one of the earliest novels written in an African language and will have a major impact on the reception and critical appraisal of African literature.
Ralph J Bunche (1904-1971), winner of the Nobel Peace Prize in 1950, was a key U.S. diplomat in the planning and creation of the United Nations in 1945. This book examines the totality of Bunche's unrivalled role in the struggle for African independence both as a key intellectual and an international diplomat.
In the summer of 1807 more than a thousand subscribers from New England to Tennessee paid for the initial printing of The Life and Travels of John Robert Shaw: A Narrative of the Life and Travels of the Well-Digger, now resident of Lexington, Kentucky, Written by Himself. Shaw had come to Rhode Island as a British redcoat to put down the colonial rebellion. Through various quirks of fate, including being taken a prisoner of war, he ended up fighting with the Americans. Shaw was an exuberant spirit whose rowdy drinking bouts and related predicaments alternated with periods of wholehearted efforts at reform. His autobiography, written while he recuperated from injuries from one of several explosions (an occupational hazard for the frontier well-digger), is an articulate and entertaining record of the Revolutionary War era.A 1930 printing of Shaw’s autobiography was rescued from the trash by an alert librarian in Kentucky in 1950. She passed the tattered copy on to journalist Oressa M. Teagarden, who became intrigued with Shaw’s story and spent much of her free time over the next two decades finding out more about the ebullient American. On Teagarden’s death, co-editor Jeanne Crabtree assumed the task of making Shaw’s authentic and colorful view of early America available to a new generation of readers.
In addition to having a reputation as an epicenter for middle American values, Indiana is a cultural crossroads that has produced a legal and constitutional heritage. This book traces this history by identifying the themes that mark the state's legal development and establish its broader context in the Midwest and nation.
Sue Studebaker documents samplers made by young girls in Ohio prior to 1850, the girls who made them, their families, and the teachers who taught them to stitch. Illustrations of these highly prized works are presented, along with the stories behind their creation.
In her startling collection of short stories, Broken Lives and Other Stories, Anthonia C. Kalu creates a series of memorable characters who struggle to hold displaced but dynamic communities together in a country that is at war with itself.Broken
Rosamund Marriott Watson was a gifted poet, an erudite literary and art critic, and a daring beauty whose life illuminates fin-de-siecle London. In Graham R., Linda K. Hughes traces the poet's development from accomplished ballads and sonnets, to avant-garde urban impressionism and New Woman poetry, to her anticipation of literary modernism.
The abolition of the slave trade is normally understood to be the singular achievement of eighteenth-century British liberalism. Abolitionism and Imperialism in Britain, Africa, and the Atlantic expands both the temporal and the geographic framework in which the history of abolitionism is conceived.
Perfect for the general reader of poetry, students and teachers of literature, and aspiring poets, All the Fun's in How You Say a Thing is a lively and comprehensive study of versification by one of our best contemporary practitioners of traditional poetic forms.
Czeslaw Milosz (1911-2004) often seemed austere and forbidding to Americans, but those who got to know him found him warm, witty, and endlessly enriching. An Invisible Rope: Portraits of Czeslaw Milosz presents a collection of remembrances from his colleagues, his students, and his fellow writers and poets in America and Poland.
Witchcraft Dialogues analyzes the complex manner in which human beings construct, experience, and think about the "occult."
Explores the meteoric rise, sudden fall, and legendary resurgence of Oscar Wilde's reputation from his hectic 1881 American lecture tour to Hollywood adaptations of his dramas. This volume reveals why Wilde's value in the academic world, the auction house, and the entertainment industry stands higher than that of any modern writer.
Presents a collection of essays that celebrates the contributions of scores of newspapers, newsletters, and magazines that confronted the state in the generation after 1960.
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