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In the early 1800s, books were largely unillustrated. By the 1830s and 1840s, however, innovations in wood- and steel-engraving techniques changed how Victorian readers consumed and conceptualized fiction. A new type of novel was born, often published in serial form, one that melded text and image as partners in meaning-making.
There is currently in Madagascar a rich literary production (short stories, poetry, novels, plays) that has not yet reached the United States for lack of diffusion outside the country. Until recently, Madagascar suffered from political isolation resulting from its breakup with France in the 1970s and the eighteen years of Marxism that followed.Wit
Patrice Lumumba was a leader of the independence struggle in what is today the Democratic Republic of the Congo, as well as the country's first democratically elected prime minister. After a meteoric rise in the colonial civil service and the African political elite, he became a major figure in the decolonization movement of the 1950s.
Eloquent and thought-provoking, this classic novel by the Eritrean novelist Gebreyesus Hailu, written in Tigrinya in 1927 and published in 1950, is one of the earliest novels written in an African language and will have a major impact on the reception and critical appraisal of African literature.
Ralph J Bunche (1904-1971), winner of the Nobel Peace Prize in 1950, was a key U.S. diplomat in the planning and creation of the United Nations in 1945. This book examines the totality of Bunche's unrivalled role in the struggle for African independence both as a key intellectual and an international diplomat.
The abolition of the slave trade is normally understood to be the singular achievement of eighteenth-century British liberalism. Abolitionism and Imperialism in Britain, Africa, and the Atlantic expands both the temporal and the geographic framework in which the history of abolitionism is conceived.
Perfect for the general reader of poetry, students and teachers of literature, and aspiring poets, All the Fun's in How You Say a Thing is a lively and comprehensive study of versification by one of our best contemporary practitioners of traditional poetic forms.
Explores the meteoric rise, sudden fall, and legendary resurgence of Oscar Wilde's reputation from his hectic 1881 American lecture tour to Hollywood adaptations of his dramas. This volume reveals why Wilde's value in the academic world, the auction house, and the entertainment industry stands higher than that of any modern writer.
Presents a collection of essays that celebrates the contributions of scores of newspapers, newsletters, and magazines that confronted the state in the generation after 1960.
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