Books published by OR Books

The WikiLeaks publisher and free speech campaigner Julian Assange has, since April 2019, been remanded at a maximum security prison in London facing extradition to the United States over WikiLeaks' groundbreaking 2010 publications. Now, in this crisp anthology, Assange's voice emerges erudite, analytic and prophetic.Julian Assange In His Own Words provides a highly accessible survey of Assange's philosophy and politics, conveying his views on how governments, corporations, intelligence agencies and the media function. As well as addressing the significance of the vast trove of leaked documents published by WikiLeaks, Assange draws on a polymathic intelligence to range freely over quantum physics, Greek mythology, macroeconomics, modern literature, and empires old and new.Drawing on his insights as the world's most famous free speech activist Assange invites us to ask further questions about how power operates in a world increasingly dominated by a ubiquitous internet.Assange may be gagged, but in these pages his words run free, providing both an exhortation to fight for a better world and an inspiration when doing so.

In this characteristically turbocharged book, now in a new post-election edition, celebrated Rolling Stone journalist Matt Taibbi provides an insider's guide to the variety of ways today's mainstream media tells us lies. Part tirade, part confessional, it reveals that what most people think of as "e;the news"e; is, in fact, a twisted wing of the entertainment business.In the Internet age, the press have mastered the art of monetizing anger, paranoia, and distrust. Taibbi, who has spent much of his career covering elections in which this kind of manipulative activity is most egregious, provides a rich taxonomic survey of American political journalism's dirty tricks.After a 2020 election season that proved to be a Great Giza Pyramid Complex of invective and digital ugliness, Hate Inc. is an invaluable antidote to the hidden poisons dished up by those we rely on to tell us what is happening in the world.

In real life, there is a person like "e;Anonymous"e;, who, for the sake of this story, I'll call Huey Carmichael. I was friends with this person for a while before I learned about his other life. The real Huey knows more than a thing or two about the weed business. He keeps rules.The Business Secrets of Drug Dealingtells the story of a hyper-observant, politically-minded, but humorously pragmatic weed dealer who has spent a working life compiling rules for how to a) make money and b) avoid prison.Each rule shapes a chapter of this fast-paced outlaw tale, all delivered in Huey's deliciously trenchant argot. Here are a few of them: No guns but keep shooters. Stay behind the white guy. Don't snitch. Always have a job. Be multi-sourced. Get your money and get out.Part edge-of-the-seat suspense story, part how-to manual in the tradition ofThe Anarchist Cookbook,The Business Secrets of Drug Dealingis as scintillating as it is subversive. Just reading it feels illegal.

At the height of the COVID-19 pandemic, Maximillian Alvarez conducted a series of intimate interviews with workers of various stripes, from all around the United States, about their jobs, their lives, dreams, and struggles, and about their experiences living through a year when the world itself seemed to break apart.--Adapted from back cover summary.

The November 2020 US election was arguably the most consequential since the 1860 election of Abraham Lincoln—and grassroots leaders and organizers played crucial roles in the contention for the presidency and control of both houses of Congress.Power Concedes Nothing tells the stories behind a victory that won both the White House and the Senate and powered progressive candidates to new levels of influence. It describes the on-the-ground efforts that mobilized a record-breaking turnout by registering new voters and motivating an electorate both old and new. In doing so it charts a viable path to victory for the vital contests upcoming in 2022 and 2024.Contributors include: Cliff Albright, Yong Jung Cho, Larry Cohen, Sendolo Diaminah, Neidi Dominguez, David Duhalde, Alicia Garza, Ryan Greenwood, Arisha Michelle Hatch , Jon Liss, Thenjiwe McHarris, Andrea Cristina Mercado, Maurice Mitchell, Rafael Návar, Deepak Pateriya, Ai-jen Poo, W. Mondale Robinson, Art Reyes III, Nsé Ufot and Mario Yedidia

Racism is like a Cadillac, they bring out a new model every year. Malcolm X (a former auto worker)Written in a lively, accessible fashion and drawing extensively on interviews with people who were formerly incarcerated,Cars and Jailsexamines how the costs of car ownership and use are deeply enmeshed with the U.S. prison system.American consumer lore has long held the automobile to be a freedom machine, consecrating the mobility of a free people. Yet, paradoxically, the car also functions at the cross-roads of two great systems of entrapment and immobility the American debt economy and the carceral state.Cars and Jailsinvestigates this paradox, showing how auto debt, traffic fines, over-policing, and automated surveillance systems work in tandem to entrap and criminalize poor people. The authors describe how racialization and poverty take their toll on populations with no alternative, in a country poorly served by public transport, to taking out loans for cars and exposing themselves to predatory and often racist policing.Looking skeptically at the frothy promises of the mobility revolution, Livingston and Ross close with thought-provoking ideas for a radical overhaul of transportation.

Reluctant Reformers explores the centrality of racism to American politics through the origins, internal dynamics, and leadership of the major democratic and social justice movements between the early nineteenth century and the end of World War II. It focuses in particular on the abolitionists, the Populist Party, the Progressive reformers, and the women's suffrage, labor, and socialist and communist movements.Despite their achievements, virtually all these predominantly white movements failed to oppose, capitulated to, or even advocated racism at critical junctures in their history, with their efforts undercut by their inability to build and sustain a mass movement of both Black and white Americans.Reluctant Reformersexamines both the structural roots of racism in US radical movements and the impact of racist ideologies on the white-dominated core of each movement, how some whites resisted these pressures, and how Black people engaged with these movements. This edition includes a postscript describing the Black freedom movement of the 1960s and the central role it has played in the development of today's radical social justice movements.

It is all worse than we think. It is even worse than Mike Davis, for whom ¿every day is judgment day¿ (The Nation), could have imagined. The contributions to this volume are explorations of what Davis¿in typical wry fashion¿once referred to as the field of ¿disaster studies.¿ Collectively, they show how our ¿disaster imaginary¿ has been rendered inadequate by the existing order¿s ability to feed off and coopt our resistance to it.Contemporary mass protests are now subsumed as instances of an established, profitable politics of rage. Geopolitical conflict poses not as a threat to hegemonic power but rather serves the interests of a global market which capitalizes on lucrative, permanent war. Climate change itself, if it was ever thought to be a universalizing phenomenon, is now treated as an extensive market opportunity by global risk insurance conglomerates and predatory lenders who bet against any rescue of the planet.Such catastrophic developments resist the language we use to describe and deconstruct them. The contributions to this volume seek to reimagine our understanding of disaster, and, following the example of Davis himself, to refuse outdated models of political transcendence as vigorously as they reject narratives of resignation.

A collection with a feminist ethos that cuts across race, gender identity, and sexuality. Creative activists have reacted to the 2016 Presidential election in myriad ways. Editors Danielle Barnhart and Iris Mahan have drawn on their profound knowledge of the poetry scene to put together an extraordinary list of poets taking a feminist stance against the new authority. What began as an informal collaboration of like-minded poets to be released as a handbound chapbook has grown into something far more substantial and ambitious: a fully fledged anthology of women's resistance, with a portion of proceeds supporting Planned Parenthood and the Center for Reproductive Rights.

Behold thesleazy logic of museums: plunder dressed up as charity, conservation, and care.The idealizedWestern museum, as typified by the Metropolitan Museum of Art, the BritishMuseum, and the Museum of Natural History, has remained much the same for overa century: a uniquely rarified public space of cool stone, providing anexperience of leisure and education for the general public while carefullytending fragile artifacts from distant lands. As questions about representationand ethics have increasingly arisen, these institutions have proclaimed theirinterest in diversity and responsible conservation, asserting both theiradaptability and their immovably essential role in a flourishing and culturallyrich society.WithDecolonizeMuseums, Shimrit Lee punctures this fantasy, tracing the essentiallycolonial origins of the concept of the museum. White Europeans atrocities werereimagined through narratives of benign curiosity and abundant respect for theoccupied or annihilated culture, and these racist narratives, Lee argues,remain integral to the authority exercised by museums today. Citing pop culturereferences fromIndiana JonestoBlack Panther,and highlighting crucial activist campaigns and legal action to redress theharms perpetrated by museums and their proxies,Decolonize Museumsarguesthat we must face a dismantling of these seemingly eternal edifices, andconsider what, if anything, might take their place.

As we emerge (though perhaps only temporarily) from the pandemic, other crises move center stage: outrageous inequality, climate disaster, desperate refugees, mounting tensions of a new cold war. The abiding motif of our time is relentless chaos.Acknowledging the possibilities for new beginnings at such moments, Mao Zedong famously proclaimed "e;There is great disorder under heaven; the situation is excellent."e; The contemporary relevance of Mao's observation depends on whether today's catastrophes can be a catalyst for progress or have passed over into something terrible and irretrievable. Perhaps the disorder is no longer under, but in heaven itself.Characteristically rich in paradoxes and reversals that entertain as well as illuminate, Slavoj A iA ek's new book treats with equal analytical depth the lessons of Rammstein and Corbyn, Morales and Orwell, Lenin and Christ. It excavates universal truths from local political sites across Palestine and Chile, France and Kurdistan, and beyond.Heaven In Disorder looks with fervid dispassion at the fracturing of the Left, the empty promises of liberal democracy, and the tepid compromises offered by the powerful. From the ashes of these failures, A iA ek asserts the need for international solidarity, economic transformation, and-above all-an urgent, "e;wartime"e; communism.

Charlie Parker is an African Grey Parrot. He entered the life of the Smith family three decades ago when they first encountered him in a downtown Manhattan bird shop and found him so irresistible, they had to bring him home.Charlie is many things in the Smith family, articulating them all in an astonishingly diverse and colorful vocabulary. He can be demanding, squawking imperiously "e;Clean my cage"e; or "e;Want some water."e; He can be very direct, warning an aggressive business associate who had been yelling at Debby "e;I'm going to kick your ass, you sonofabitch"e; He can be mischievous, making meowing noises to a neighbor's confused dog in the elevator. He is a survivor, who ended up recovering on an IV after the collapse of the World Trade Center filled the Smiths neighboring apartment with toxic dust. He is often the entertainer, with a songbook that extends across the opening bars of "e;Home on the Range"e; and "e;The Yellow Rose of Texas."e; Most of the time he is affectionate, as when he hangs upside down against the side of the cage and asks for his tummy to be tickled.In hearing Charlie's tales in this charming book, we come to realize that parrots are intelligent, sociable and loving creatures, to an extent that, as the renowned avian scientist Professor Irene Pepperberg insists in her introduction, they cannot meaningfully be owned by humans but should rather be enjoyed as companions.

Few urban critters are more reviled than the hipster. They are notoriously difficult to define, and yet we know one when we see one. No wonder: they were among the global cultural phenomena that ushered in the 21st century. They have become a bulwark of mainstream culture, cultural commodity, status, butt of all jokes and ready-made meme.But frightening as it is to imagine, for more than a century hipsters have been lurking among us. Defined by their appearances and the cloud of meaning attached to them-the cool vanguard of gentrification, the personification of capitalism with a conscience-hipsters are all looks, and these looks are a visual timeline to America's past and present.Underlining this timeline is the pattern of American popular culture's love/hate/theft relationship with Black culture. Yet the pattern of recycling has reached a chilling point: the 21st century hipster made all possible past fads into new trends, including and especially the old uncool. InDecolonize Hipsters, Grgory Pierrot gives us a field guide to the phenomenon, a symptom and vanguard of the wave of aggressive white supremacist sentiment now oozing from around the globe.

An audacious collaboration between an award-winning novelist and a leading environmental philosopher,Love in the Anthropocenetaps into one of the hottest topics of the day, literally and figurativelyour corrupted environmentto deliver five related stories (Flyfishing, Carbon, Holiday, Shanghai, and Zoo) that investigate a future bereft of natural environments, introduced with a discussion on the Anthropocenethe Age of Humanityand concluding with an essay on love.The love these writer/philosophers investigate and celebrate is as much a constant as is human despoliation of the planet; it is what defines us, and it is what may save us. Science fiction, literary fiction, philosophical meditation, manifesto? All the above. This unique work is destined to become an essential companiona primer, reallyto life in the 21st century.

A mesmerizing mix of Charles Bukowski, Hunter S. Thompson, and Philip K. Dick, Chameleo is a true account of what happened in a seedy Southern California town when an enthusiastic and unrepentant heroin addict named Dion Fuller sheltered a U.S. Marine who'd stolen night vision goggles and perhaps a few top secret files from a nearby military base.Dion found himself arrested (under the ostensible auspices of The Patriot Act) for conspiring with international terrorists to smuggle Top Secret military equipment out of Camp Pendleton. The fact that Dion had absolutely nothing to do with international terrorists, smuggling, Top Secret military equipment, or Camp Pendleton didn't seem to bother the military. He was released from jail after a six-day-long Abu-Ghraib-style interrogation. Subsequently, he believed himself under intense government scrutiny - and, he suspected, the subject of bizarre experimentation involving "e;cloaking"e;- electro-optical camouflage so extreme it renders observers practically invisible from a distance of some meters - by the Department of Homeland Security. Hallucination? Perhaps - except Robert Guffey, an English teacher and Dion's friend, tracked down and interviewed one of the scientists behind the project codenamed "e;Chameleo,"e; experimental technology which appears to have been stolen by the U.S. Department of Defense and deployed on American soil. More shocking still, Guffey discovered that the DoD has been experimenting with its newest technologies on a number of American citizens.A condensed version of this story was the cover feature ofFortean Times Magazine(September 2013).

With Joe Biden stepping back into the national scene, the time is ripe for a close assessment of the administration in which he served as vice-president.The Center Did Not Holdweighs the progressive-and not so progressive-contributions of the Obama-Biden White House across more than a hundred issues involving international relations, domestic cultural and economic matters, and social justice.While Obama and Biden campaigned in the early 2000s on a host of progressive promises, Eisenberg's meticulous accounting shows that, over eight years, they failed to achieve any substantial, lasting change to that end, instead perpetuating a tradition of cautious centrism.Among the disappointments, the former president and vice-president reneged on environmental promises, pandered to lobbyists, prosecuted a record number of whistle-blowers, and failed to implement the simplest of financial reforms in response to the 2008 crisis. Under Biden's trademark "e;counterterrorism plus"e; strategy, they oversaw tens of thousands of civilian deaths in Afghanistan, and escalated violence in the Middle East.

Bernie Sanders' tilt at the US presidency has come under fire from an establishment that derides his social democratic policies as alien to the American way. But, as Ted Hamm reveals in this engaging and concise history, the sort of socialism Bernie advocates was commonplace in the Brooklyn where he grew up in the 1940s and 50s.Policies like free college tuition, rent control, and infrastructure projects including extensive public housing, parks and swimming pools were part of the New Deal city run by a progressive Mayor, Fiorello La Guardia, and supported by FDR and Eleanor Roosevelt. While Arthur Miller, resident in Brooklyn Heights, was stagingDeath of a Salesman, a play with which Bernie's dad closely identified, Woody Guthrie was penning his paeans to the American worker in Coney Island and Jackie Robinson was breaking the color bar on Ebbets Field in a Dodgers team yet to be relocated in California.Drawing deeply on interviews with his brother and friends, and delving skillfully into the history of the borough,Bernie's Brooklynshows how, far from being an anomaly in US politics, Sanders' 2020 platform is rooted firmly in the progressivism of the New Deal.

"e;When I first committed to three full months in El Salvador, the feeling that I was signing up for the equivalent of marriage and reproduction was assuaged only by the awareness that, come March 2020, I'd be dashing around Mexico before flying to Istanbul and resuming freneticism in that hemisphere. Little did I know that the scribbled itinerary would never come to fruition, and that I'd only get as far as the coastal village of Zipolite in the Mexican state of Oaxaca, where March 13-25 would turn into March 13 until further notice."e;Since leaving her American homeland in 2003 Beln Fernndez had been an inveterate traveler. Ceaselessly wandering the world, the only constant in her itinerary was a conviction never to return to the country of her childhood. Then the COVID-19 lockdown happened and Fernandez found herself stranded in a small village on the Pacific coast of Mexico.This charming, wryly humorous account of nine months stuck in one place nevertheless roams freely: over reflections on previous excursions to the wilder regions of North Africa, Asia and Eastern Europe; over her new-found friendship with Javier, the mezcal-drinking, chain-smoking near-septuagenarian she encounters in his plastic chair on Mexico's only clothing-optional beach; over her protracted struggle to obtain a life-saving supply of yerba mate; and over, literally, the rope of a COVID-19 checkpoint, set up directly outside her front door and manned by armed guards who require her to don a mask every time she returns home.

It's tough being an author these days, and it's getting harder. A recent Authors Guild survey showed that the median income for all published authors in 2017, based solely on book-related activities, was just over $3,000, down more than 20% from eight years previously. Roughly 25% of authors earned nothing at all. Price cutting by retailers, notably Amazon, has forced publishers to pay their writers less. A stagnant economy, with only the rich seeing significant income increases, has hit writers along with everyone else.But, as Jason Boog shows in a rich mix of history and politics, this is not the first period when writers have struggled to scratch a living. Between accounts of contemporary layoffs and shrinking paychecks for authors and publishing professionals are stories from the 1930s when writers, hard hit by the Great Depression, fought to create unions and New Deal projects like the Federal Writers Project that helped to put wordsmiths back to work.By revisiting these stories, Boog points the way to how writers today can stand with other progressive forces fighting for economic justice and, in doing so, help save a vital cultural profession under existential threat.