Books published by Oxford University Press, USA

"From Washington to Jefferson, Lincoln to Franklin Delano Roosevelt, Kennedy to Nixon, Reagan to Obama and Biden, the 45 United States presidents have left lasting impacts on our nation. Some of their legacies continue today, some are justly forgotten, and some have changed as America has changed. ... The authors' ... research has uncovered never before seen historical facts based on private correspondence and newly discovered documentation, such as George Washington's troubled relationship with his mother. In [their book], O'Reilly and Dugard present 45 ... entertaining and insightful portraits of each president, with no-spin commentary on their achievements--or lack thereof. Who best served America, and who undermined the founding ideals? Who were the first ladies, and what were their surprising roles in making history? Which presidents were the best, which the worst, and which didn't have much impact?"--

The handbook represents an important step towards dissemination of skills and knowledge in cardiovascular CT. It is a concise and practical companion, to benefit students, trainees or advanced users; cardiologists, radiologists, cardiac surgeons or technicians, in their everyday practice.

"[Kaufman] tells the story brilliantly. Anyone interested in the Middle East or military history will appreciate Kaufman's work."-Senator Joseph I. Lieberman "Stimulating and insightful...will no doubt find a permanent place on the Arab-Israeli bookshelf."-Michael Oren, New York Times bestselling author of Six Days of WarOctober 2023 marks the 50th anniversary of the Yom Kippur War, a conflict that shaped the modern Middle East. The War was a trauma for Israel, a dangerous superpower showdown, and, following the oil embargo, a pivotal reordering of the global economic order. The Jewish State came shockingly close to defeat. A panicky cabinet meeting debated the use of nuclear weapons. After the war, Prime Minister Golda Meir resigned in disgrace, and a 9/11-style commission investigated the "debacle."But, argues Uri Kaufman, from the perspective of a half century, the War can be seen as a pivotal victory for Israel. After nearly being routed, the Israeli Defense Force clawed its way back to threaten Cairo and Damascus. In the war's aftermath both sides had to accept unwelcome truths: Israel could no longer take military superiority for granted-but the Arabs could no longer hope to wipe Israel off the map. A straight line leads from the battlefields of 1973 to the Camp David Accords of 1978 and all the treaties since. Like Michael Oren's Six Days of War, this is the definitive account of a critical moment in history.

Part of the bestselling Surrounded by Idiots series!Internationally bestselling author Thomas Erikson shares the secrets of dealing with everyday narcissists.Are the narcissists in your life making you miserable? Are you worn out by their constant demands for attention, their absolute conviction they are right (even when they're clearly not), their determination to do whatever they want (regardless of the impact), and their baffling need to control everyone and everything around them?In this thought-provoking, sanity-saving book, Thomas Erikson helps you understand what makes narcissists tick and, crucially, how to handle them without wearing yourself out in the process. With the help of the simple, four-color behavioral model made famous in Surrounded by Idiots, Erikson provides all the tools you need to manage not just the narcissists around you but everyday narcissistic behaviors as well-something that is becoming more widespread in the age of social media. Engaging and practical, Surrounded by Narcissists will help you free yourself from the thrall of others' toxic agendas so you can pursue a happier, more fulfilling and successful life.

'I liv'd indeed like a Queen; or if you will have me confess, that my Condition had still the Reproach of a Whore, I may say, I was sure, the Queen of Whores.' Left destitute by her husband, the heroine of Defoe's final novel has to choose between her virtue and her life. Choosing survival, she makes her way as a kept woman and courtesan. The Fortunate Mistress (1724), also known under the title Roxana, tells the story of how she climbs society's ladder by dint of her own enterprise, shedding and gaining multiple identities as she moves through the worlds of business and finance, and across the trade capitals of Europe. Amassing a fortune, her taste for men and luxuries veers increasingly to the aristocratic and exotic, culminating when she dances before the King at a masquerade dressed in the garb of a Turkish Sultana--at which point she is granted the name by which she is known to history, Roxana. Despite her rise, Roxana's past never recedes from view, and her choices eventally begin to weigh on her, prompting an excruciating self-reckoning that is only compounded as the children she has abandoned return, threatening to expose this past to public view. Defoe resists easy solutions in a sprawling and complex novel which shows an unprecedented degree of psychological realism: readers experience the interplay of circumstance, need, desire, religion, and social convention that can allow the development of a moral sense, or conspire to suppress it. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

'This travel book is truly a labyrinth--or, more precisely, a piece of the labyrinth that it has been my fate to wander, from the cradle to the grave.' Jens Baggesen's The Labyrinth (1792-93) is a genre-bending and highly personal travel book that follows the young Danish author's journey, made in 1789, from Copenhagen through Germany to the Swiss border at Basel. In its outer form, it follows the conventions of travel writing: describing the cities, landscapes, and notable people encountered on the route, while also offering critical commentary on art, architecture, theatre, and literature, mixed with reactions to the unfolding French Revolution. However, Baggesen finds contemporary travel writing to be pedantic and dry and is determined to make his own account as engaging and personal as possible. Based on the principle that 'nothing is more necessary in a volume of travels than a traveller', the narrative eschews a focus on prescribed sights and instead foregrounds his individual responses to the places and people he encounters. Baggesen's account of his journey is not simply sentimental, but rather moves through an array of different, often conflicting affective and intellectual register: from dejection to wit, whimsy, and ebullient joy, including enchanted observations of nature as well as cosmopolitan reveries about the brotherhood of nations. Similarly, the prose style of the book---always acknowledged as a key feature--is determinedly eclectic. A richly varied compendium of literary styles, attitudes, and philosophical ideas, brought to life in a new English translation by Jesper Gulddal, The Labyrinth offers a rare glimpse into the mind of an endlessly thinking, feeling, and imagining traveller at a pivotal moment in European history. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Very Short Introductions: Brilliant, Sharp, InspiringSocial science is the study of human behaviour. It offers the tools to understand and explain people's choices and actions, and how they live together in communities. With insights from social science, organisations and individuals may be persuaded to change their behaviour, making a difference in addressing societal challenges, from climate change to fighting pandemics and alleviating poverty. Social science can offer us the answers to key questions, such as why do some people gamble, eat unhealthy foods, or hold racist beliefs? How do families allocate household tasks, raise children effectively, or manage grief? How do companies weigh profit against environment sustainability, decide to invest in innovation, or adopt policies to address unequal pay between women and men? Why do countries sign international treaties, commit human rights atrocities, or transition from authoritarianism to democracy? Taking an interdisciplinary approach, this Very Short Introduction offers an accessible overview of social science, explaining how methods and theory from different disciplines can be applied and combined to address major global challenges. It aims to equip students, scholars, and practitioners to analyse, interpret, and undertake social science research. Drawing upon inspiring examples, it shows how social scientists can have real-world impact and change the world for the better. It unpacks cutting-edge themes such as behavioural science, human data science, and the ways in which social science can work collaboratively with the natural sciences and humanities. It offers a vision for the future of social science that is interdisciplinary, inclusive, and impactful. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

'Forget the years, forget norms, let yourself be stirred by the boundless.' The Zhuangzi -- an anthology of anonymous writings produced in China between the fourth and second centuries BC -- is one of the world's great literary treasures and the single most important source for early Daoist philosophy. It has exerted a profound influence on Chinese thought, literature, and culture, inspiring philosophy, poetry, idioms, proverbs, and even visual art. This volume provides a complete, annotated English translation of the Zhuangzi with a philosophical focus that guides readers in understanding and appreciating the text's world of thought. Informed by traditional and recent scholarship, the translation presents the ideas, reasoning, and worldview of the Zhuangzi in smooth, idiomatic English carefully formulated to reflect the phrasing and philosophical nuances of the original Chinese. Providing a lucid, lively translation, this edition is a guidebook into the philosophy of the Zhuangzi. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Itchycoo Park, 1964-1970--the second volume of Sixties British Pop, Outside In--explores how London songwriters, musicians, and production crews navigated the era's cultural upheavals by reimagining the pop-music envelope. As the generation born during the postwar years approached adulthood, they gravitated to music that resonated with their lives. Mainstream pop remained true to the basics, but some British artists conjured up sophisticated hybrid forms by recombining elements of jazz, folk, blues, Indian ragas, and western classical music while others returned to the raw essentials. Encouraging these experiments, youth culture's economic power challenged the authority of their parents' generation. Improved amplification opened larger and more lucrative concert venues while the spread of studios with enhanced technologies allowed artists and production crews the means to improve performances and recordings. British charts began to reflect London's postcolonial heritage as groups such as the Beatles, the Rolling Stones, the Kinks, and the Who all listened for ideas and sounds that would distinguish their recordings. On stage, the Yardbirds, Cream, Led Zeppelin, the Nice, and others led by instrumental virtuosi developed British versions of American blues and rhythm and blues while the Moody Blues, Pink Floyd, and King Crimson painted imaginary worlds. And, although Engelbert Humperdinck and other men lamented independent women, Dusty Springfield, Sandie Shaw, and Lulu used their cultural capital to question systemic sexism. Based on extensive research, including vintage and original interviews, Itchycoo Park, 1964-1970 presents sixties British pop, not as lists of discrete people and events, but as an interwoven story. Communities of musicians, producers, music directors, engineers, songwriters, publishers, promoters, broadcasters, and journalists interacted as they provided songs, made and played recordings, organized concerts, and celebrated the optimism of youth. They brought audiences together and gave individuals identity while establishing the musical world in which we live today.

Downtown, 1956-1965--the first volume of Sixties British Pop, Outside In--describes the rise of London's music and recording cultures through the stories of those who empowered Britain's youth to be young. As the generations born in the postwar world entered adolescence and demanded a say in their lives, British musicians responded by creating music reflecting youth's quest for love and recognition. With waves of technological innovation sweeping through a world where political and economic superpowers postured for domination, deep-seated English values helped shape both pop music and its audiences. The music that reverberated in hundreds of local clubs and halls began as fervent attempts to imitate an ongoing American cultural invasion that television helped bring into front rooms across Britain. The emergence of British blues and rock 'n' roll began when broadcasters allowed teens to discover Tommy Steele, Cliff Richard and the Shadows, Adam Faith, Helen Shapiro, and others. These pioneers provided an opening for the Beatles to lead a northwest invasion of an unsuspecting London. Soon, from across the nation, the Rolling Stones, the Animals, the Kinks, and a host of other groups, and singers such as Petula Clark, Tom Jones, and Donovan were feeding their music into the same media stream that the US had dominated. Americans, reeling from the assassination of a president, embraced the unmitigated joy and optimism they heard and called it the British invasion. Based on extensive research and drawing on vintage and original interviews, Downtown, 1956-1965 frames the extraordinary rise of British pop in an era when pharmaceutical discoveries and electromagnetic innovation were altering lives. A community of musicians, producers, music directors, engineers, songwriters, publishers, promoters, broadcasters, and journalists provided songs, made and played recordings, organized concerts, and wrote about music expressing the exuberance of youth culture. They brought audiences together and gave individuals identity. Moreover, the fruits of their efforts set in motion the musical world in which we live today.

Cadence is a comprehensive examination of how formal units in European art music of the tonal era achieve closure. The book brings together the author's decades-long investigations into cadence, a compositional device that is readily experienced both by musicians and non-musicians, but one that has proven intractable to clear and precise theoretical formulation. Rooted in Caplin's broader theory of formal functions, the book first develops concepts of cadence for music of the high classical style and then extends these ideas to gauge cadential practice in earlier and later style periods. Throughout the study, various manifestations of cadence are defined in terms of their morphology (their harmonic and melodic profiles) as well as their function (the specific formal contexts in which they are deployed). Cadence introduces a host of theoretical concepts illustrated by copious musical examples, all of which contain extensive analytical annotations of harmony, melody and form. Though the book is addressed primarily to music theorists, the many issues of compositional practice raised in this study will resonate with the interests of composers, historians, and performers alike.

Gaston Crunelle (1898--1990) was a remarkable flutist and a beloved teacher, yet his name is hardly known today. Gaston Crunelle and Flute Playing in Twentieth-Century France restores Crunelle's place in the pantheon of flutists while revealing details of musical life in France during his lifetime. Crunelle was Professor of Flute at the Paris Conservatory from 1941 to 1969--the longest tenure of any flute professor in the Conservatory's history--and taught an entire generation of the world's leading flutists, including Michel Debost, James Galway, Christian Lardé, Maxence Larrieu, and Jean-Pierre Rampal. He took an active interest in the annual commissions of morceaux de concours or contest pieces--including works by Dutilleux, Jolivet, Messiaen, and Sancan--which the book discusses in detail. As a performer, Crunelle was principal flutist of the Opéra-Comique and the Pasdeloup Orchestra and a member of the Quintette Instrumental de Paris, an ensemble of flute, harp, and string trio that left a rich legacy of about fifty commissioned works. His recordings of solo and chamber music of Bach, Mozart, and Baroque and twentieth-century French composers are among the best of the 78-rpm and early LP eras. In following Crunelle's early development through to his storied career as performer and pedagogue, Gaston Crunelle and Flute Playing in Twentieth-Century France also chronicles the evolution of musical life in France during the twentieth century, covering music during the silent film era, the interruptions of World War I, the apogee of Paris as a musical center between the wars, the German Occupation of 1940--1944, and the many changes in music and education after May 1968, including the increased participation by women. Through thorough archival research Garrison reveals previously unknown details about the relationships between Crunelle and other French flutists of his time, especially Marcel Moyse and René LeRoy. Oral histories showcase Crunelle's pedagogy, and discographies cover Crunelle and the Quintette Instrumental de Paris. From these rich resources emerges the sympathetic figure of flutist Gaston Crunelle, unjustly forgotten until now.

Democracy is struggling in an age of populism and post-truth. In a world swirling with competing political groups stating conflicting facts, citizens are left unsure whom to trust and which facts are true. The role of honesty in civic life is in jeopardy. When we lose sight of the importance of honesty, it hampers our ability to solve pressing problems. Teaching Honesty in a Populist Era asserts that to better enable young citizens to successfully engage in civic inquiry, the role of honesty must be foregrounded within education. The book posits that honesty is a key component of a well-functioning democracy. Building upon this foundation, Sarah M. Stitzlein defines what honesty is, how it is connected to truth, and why both are important to and at risk in democracies today. Furthermore, the chapters offer guidance on how honesty and truth should be taught in schools. Situated within the philosophical perspective of pragmatism, the book examines the relationships between honesty, truth, trust, and healthy democratic living and provides recommendations for improving citizenship education and our ability to engage in civic reasoning. Teaching Honesty in a Populist Era offers an improved path forward within our schools by detailing how to cultivate habits of truth-seeking and truth-telling. Such honesty will better enable citizens to navigate our difficult political moment and increase the likelihood that citizens can craft long-term solutions for democratic life together.

Why are conspiracy theories, extremist rhetoric, and acts of antagonism by fringe elements of society so much more visible today than in years past? The Capitol Insurrection of January 6, 2021, and the surge of medical skepticism during the global COVID-19 pandemic have highlighted the challenge of extreme rhetoric in global society, with increasing attention paid to the enabling role of the Internet. But beyond the ways in which the Internet allows for connection, how do fringe ideas travel into the mainstream to become more significant movements? In Subversion 2.0, Christopher Whyte describes the transformation of societal subversion in the digital age. Whyte makes the case that "leaderlessness"--characterized by an evolving and uneven feedback loop linking fringe spaces to mainstream elite rhetoric and popular discourse--has emerged in recent years as the default format of subversive activity. Through case explorations and novel data, Whyte shows how extreme narratives that originate in conspiratorial, restrictive virtual spaces are rapidly filtered into mainstream settings due to a series of socio-technological conditions present in the Web 2.0 era. As a result, fringe narratives and symbols often become the lens through which social and political elites interpret information that they then spread through public speech, which is projected back to subversive spaces and used to perpetuate fringe narratives. By examining the uneven feedback loop of leaderlessness, Whyte argues that social Internet platforms act as a vehicle for transmitting and amplifying extreme rhetoric but often fail to moderate extremism in turn. He ultimately shows how societal subversion, an activity that is about degrading existing power structures without directly attacking them, has taken on a new, dynamic form in the digital age.

An authoritative account of Xi Jinping's worldview and how it drives Chinese behaviour both domestically and on the world stage.In his new book, On Xi Jinping, former Australian Prime Minister Kevin Rudd provides an authoritative account of the ideological worldview driving Chinese behaviour both domestically and on the world stage--that of President Xi Jinping, who now hold near-total control over the Chinese Communist Party and is now, in effect, president-for-life. Rudd argues that Xi's worldview differs significantly from those of the leaders who preceded him, and that this ideological shift is reflected in the real world of Chinese policy and behaviour. Focusing on China's domestic politics, political economy, and foreign policy, Rudd characterises Xi Jinping's ideological framing of the world as "Marxist-Leninist nationalism." According to Rudd, Xi's notion of Leninism has taken the party and Chinese politics further to the left in comparison to his predecessors. Also, his Marxism has also taken Chinese economic thinking to the left-in a more decisively more statist direction and away from the historical dynamism of the private sector. However, Chinese nationalism under Xi has moved further to the right- towards a much, harder-edged, foreign policy vision of China and a new determination to change the international status quo. Xi's worldview is an integrated one, where his national ideological vision for China's future is ultimately inseparable from his view on China's position in the region and the world. These changes in worldview are also reflected in Xi's broader rehabilitation of the concept of "struggle" as a legitimate concept for the conduct of both Chinese domestic and foreign policy--a struggle that need not necessarily always be peaceful. Finally, Xi's ideological worldview also exhibits a new level of nationalist self-confidence about China's future--derived from China's historical and civilizational strengths but reinforced by his Marxist-Leninist concept of historical determinism and the belief that the tides of history are now on firmly China's side. A powerful analysis of the worldview of arguably the most consequential world leader of our era, this will be essential reading for anyone interested in how Xi is transforming both China and the international order, and, most importantly, why?

Suppressed for centuries, the ideas of French philosopher Émilie Du Châtelet's are ever relevant today... Just as the Enlightenment was gaining momentum throughout Europe, philosopher Émilie Du Châtelet broke through the many barriers facing women at the time and published a major philosophical treatise in French. Within a few short years, she became famous: she was read and debated from Russia to Prussia, from Switzerland to England, from up north in Sweden to down south in Italy. This was not just remarkable because she was a woman, but because of the substance of her contributions. While the men in her milieu like Voltaire and Kant sought disciples to promote their ideas, Du Châtelet promoted intellectual autonomy. She counselled her readers to read the classics, but never to become a follower of another's ideas. Her proclamation that a true philosopher must remain an independent thinker, rather than a disciple of some supposedly "great man" like Isaac Newton or René Descartes, posed a threat to an emerging consensus in the Enlightenment. And that made her dangerous. After all, if young women took Du Châtelet's advice to heart, if they insisted on thinking for themselves, they might demand a proper education--the exclusion of women from the colleges and academies of Europe might finally end. And if young women thought for themselves, rather than listening to the ideas of the men around them, that might rupture the gender-based social order itself. Because of the threat that she posed, the men who created the modern philosophy canon eventually wrote Du Châtelet out of their official histories. After she achieved immense fame in the middle of the eighteenth century, her ideas were later suppressed, or attributed to the men around her. For generations afterwards, she was forgotten. Now we can hear her voice anew when we need her more than ever. Her lessons of intellectual independence and her rejection of hero worship remain ever relevant today.

Between c. 700-300 BCE, the ancient Greeks developed a vivid imaginary of the world's peoples. Ranging from the light-skinned, "gray-eyed Thracians" of the distant north to the "dark-skinned Ethiopians" of the far south, as the poet Xenophanes described them around 540 BCE, Greeks envisioned a world populated by human groups with distinct physiognomies. Racialized Commodities traces how Greece's "racial imaginary"--a confluence of thinking about cultural geography, commodity production, and human physiognomy--emerged from cross-cultural trade between Greece and its Mediterranean neighbors during the Archaic and Classical Periods. It adopts the model of a "commodity biography" to investigate how trade led to the entanglement of cultures, bodies, and things in Archaic and Classical Greece. For merchants, the racial imaginary might be used to play up the "exotic" provenance of their goods to consumers. It might also circulate practical information about customs, pricing, navigation, and doing business in foreign ports. Archaic Greek attempts to explain foreign bodies were rarely pejorative, and Racialized Commodities begins with some of their earliest images of African peoples, described by Greeks as Egyptians or Ethiopians, before seeking to explain what changed in the early Classical Period. As the Persian Empire loomed and Greek cities became increasingly dependent on enslaved labor, negative stereotypes of Thracians and Scythians became widespread and coalesced into the charged idea of the barbarous--the "barbarian."

Learn to become a great writer and master modern grammar rules with the U.S. Supreme Court justices as your guide. In The Supreme Guide to Writing, law professor Jill Barton cuts through competing advice to detail definitive grammar rules based on the nation's unequivocal authority: the U.S. Supreme Court. The book details a revolution in legal writing, with the justices progressing beyond the drab and technical for the deft and lyrical. With the first-ever analysis of 10,000 pages of Court opinions, the book pinpoints grammar and style rules that the justices follow--and describes the outdated rules they leave behind. Today's Court casts aside formality in favor of pop-culture references, contractions, and approachable language. In addition to establishing grammar and style rules, the book illustrates best practices with hundreds of examples of the justices' most brilliant sentences from the past several years. With step-by-step instructions, the book describes how to emulate the justices' writing styles by breaking down their strategies and techniques. It shows how Justice Elena Kagan lands amusing quips and weaves together down-to-earth analogies, how Justice Neil Gorsuch executes witty retorts, and how Chief Justice John Roberts pens unforgettable lines with understated style and humor. The best writing appears effortless, but it also takes tremendous effort. Legal writing even more so. The Supreme Guide to Writing provides a nonpartisan look at how the justices present their words to the world.

Across the last fifty years, epidemiology has developed into a vibrant scientific discipline that brings together the social and biological sciences, incorporating everything from statistics to the philosophy of science in its aim to study and track the distribution and determinants of health events. A now-classic text, the third edition of this essential introductory textbook gives an overview of the core concepts that form the underpinnings of epidemiology and epidemiologic research. Rather than focusing on statistics or formulas, Epidemiology presents the underlying epidemiologic principles and concepts in a coherent and straightforward exposition. This core content is supplemented with historical notes, a discussion of scientific inference, details about infectious disease epidemiology, and some advanced topics--including how to deal with missing data, the use of causal diagrams, and quantitative bias analysis techniques--that serve as an on-ramp into further study for those who elect to pursue it. By emphasizing a unifying set of ideas, students will develop a strong foundation for understanding the principles of epidemiologic research.

Erich Fromm, the prominent twentieth-century public intellectual and psychoanalyst, was recognized for his courageous stand against fascism, racism, and human destructiveness. Until now, however, little has been known about the extent to which Fromm's personal experience of Nazi Germany and the Holocaust shaped his outlook and work. In Edge of Catastrophe, Roger Frie introduces for the first time the unpublished Holocaust correspondence in Fromm's family. The letters provide insight into Fromm's life as a German-Jewish refugee and help us to understand the effect of Nazi Germany's racial terror on Fromm and his German-Jewish family. In the aftermath of the genocide, Fromm returned again and again to the themes of responsibility, social justice, and human solidarity, yet without revealing his own experience. As this book powerfully shows, Fromm's social, political, and psychological writings take on new meaning in light of the traumas and tragedies that he and his family experienced. The image of Fromm that emerges from this book enriches our understanding of what it means to be both a social critic and practicing psychologist. In light of the racial hatred and antisemitism we see today, Frie demonstrates that a politics of engagement and a psychology of well-being go hand in hand. Frie suggests that there is much to be learned from the urgency in Fromm's writings as we seek to respond to the social crises and the renewed threat of fascism in our present age.

Scholars have sometimes maintained that the study of the history of African religions is an impossible endeavor. Some have contended that African religions do not have a history unto themselves, apart from their interaction with the newer religious traditions of Islam and Christianity. Others concede that such a history exists, but believe the source materials are insufficient to reconstruct such a history. This book speaks directly to these critics. The history of African religions becomes in many ways like a pentathlon, expecting the scholar who conducts such research to work with written texts, to learn African languages, to live within a community where these religious traditions are practiced, to study material culture, both sacred and mundane, and a variety of archaeological sources from tree rings to stone circles and gravesites. By relying on the existing corpus of written texts, oral traditions, linguistic analyses, descriptions based on participant observation, and various types of archaeology, Robert M. Baum demonstrates that African religious history is nearly as old as humanity itself. Baum has spent his entire academic career focused on the historical study of African religious traditions, as far back as accessible sources will permit. This volume traces the history of African religions beginning with early hominids and their ritual and burial sites through ancient Egypt, North and Northeast Africa, and Africa south of the Sahara from the Fourth Millennium BCE to the birth of Islam in the Seventh Century.

What does a sanctuary for Hawaiian crows have in common with a troop of robots programmed to perform the Māori haka, or recreations of World Heritage Sites built in Minecraft?A family heirloom. An endangered species. An ancient piece of pottery. A threatened language. These things differ in myriad ways, but they are tied together by a common thread: they are all examples of things that call out to be saved. The world is brimming with things worth saving, and we have limited time and resources. How do we decide what to save? Why do we make these choices? Philosopher Erich Hatala Matthes explores these questions as they surface in radically diverse contexts--from museums to TikTok, and from National Parks to the corner of your attic. Matthes illustrates the deep relationship between the things we might save and our sense of self. If our cares and concerns are a fundamental part of our identity, then what we care for and preserve will play a significant role in shaping and maintaining our understanding of who we are. In a world in which everything that we care about is subject to powerful forces of change--from climate disturbance and armed conflict, to social transformation and the wear and tear of time--the terms on which we confront change will be key to whether and how we can save the things we care about in the ways that really matter to us. Will change be foisted upon us? Or is there a role for us to play in rejecting, influencing, or managing change? As he explores these questions, Matthes tackles related themes such as authenticity, agency, and appropriation: Who exactly should be responsible for saving things, and on whose behalf should such efforts be pursued? These are all essential elements to a fuller understanding of what to save and why.

Growing Songwriting is a groundbreaking book on the pedagogy of songwriting that starts with the essential question: How do I begin to write songs myself and with my students? In this book, Randles suggests that we start with cover songs, then explore the middle ground of remixes and sampling, and finally, jump into the world of lyric writing and the musical world of original songs. A growing metaphor also features throughout: lesson "seeds" are presented along with "water" in the form of stories of how people have written songs in the past and "sunlight" in the shape of ideas for continuation and inspiration. It is all about growing! In this book, you will be inspired by stories of how riffs were created, how lines were penned, and how songwriters capture their ideas in journals. Original music making is part inspiration and mostly hard work. This book gives you a window into the world of craft that surrounds the working lives of professional songwriters and pulls you into that world in small manageable steps. In looking to the metaphor of nature for pedagogical answers--answers that may very well usher in the most profound curricular growth period in the history of music education--Growing Songwriting aims to sow the seeds of songwriting in your life so that it can also flourish in the lives of your students.

The dramatic story of a mutiny aboard an eighteenth-century British ship and how its owners effectively rallied the power of the British Crown to protect their investment and expand their wealth and political power across multiple generations. In 1768, the British slave ship Black Prince, departed the port of Bristol, bound for West Africa. It never arrived. Before reaching Old Calabar, the crew mutinied, murdering the captain and his officers. The mutineers renamed the ship Liberty, elected new officers, and set out for Brazil. By the time the ship arrived there, the crew had disintegrated into a violent mob and fired into the port city. After the Black Prince wrecked off the coast of Hispaniola, the rebels fled to outposts around the Atlantic world. An eight-year manhunt ensued. This book follows the crew's turn to piracy and the merchant-owners' response to the uprising. At the very moment that the American Revolution unfolded in North America, the Black Prince's owners conducted a "shadow" revolution, mobilizing the power of the British Crown to seek justice and restitution on their behalf. These private merchants used state surveillance, policing, extradition, capital punishment, international diplomacy, and even warfare in order to protect their wealth. During an era of professed liberty and freedom, the privatization of state power was already emerging, replacing monarchies with corporate oligarchies, presaging a new kind of political power in the Atlantic world. The eighteenth-century Bristol slave merchants and subsequent generations of their families accrued great fortunes from the trade and invested it in early British banks, railroads, insurance companies, industrial manufacturing, and even the Anglican Church. Mutiny on the Black Prince narrates the dramatic story of the events onboard and the merchant owners' efforts to capture the rebels from around the Atlantic world, as well as the way that British slavery shaped the industrializing Atlantic economy and the evolution of the modern corporate state.

Lupus, a disease of the immune system, can be quite deadly, claiming the lives of thousands of patients yearly. Dr. Daniel J. Wallace is one of the world's leading authorities on this disorder, an eminent clinician who has treated over 3,000 lupus patients, the largest such practice in America. His The Lupus Book, originally published in 1995, immediately established itself as the most readable and helpful book on the disease. Now Dr. Wallace has once again completely revised The Lupus Book, incorporating a wealth of new information. This book discusses new drug information and newly discovered information about the pathology of the disease all laid out in user-friendly language that any patient could understand. In particular, Wallace discusses the first drug for lupus to be approved by the FDA--belimumab (Benlysta)--as well as other drugs in clinical trials. Readers will also discover sections on the science of lupus and breakthroughs in research including: genetics, microbiome, and clinical trial methodology. And as in past editions, the book provides absolutely lucid answers to such questions as: What causes lupus? How and where is the body affected? Can a woman with lupus have a baby? And how can one manage this disease? Indeed, Dr. Wallace has distilled his extensive experience, providing the most up-to-date information on causes, prevention, cure, exercise, diet, and many other important topics. There is also a glossary of terms and an appendix of lupus resource materials compiled by Dr. Wallace. This new seventh edition discusses new treatments, review of pathogenesis, new laboratory tests

Politicians, judges, and citizens commonly use the phrase "rule of law" to describe some good that flows from a legal system. But what precisely is that good? Even in Aristotle's time, there was no agreement on either its nature, and on whether it counted as an unqualified good. Even now, a core rule-of-law aspiration is that law can constrain how power is flexed. But how or when? Disagreement persists as to whether the rule of law is a matter of how law is used or why it is deployed. In consequence, the World Bank, the leaders of Singapore's one-party state, and the Communist Party in China can all offer their own spins on the concept. By charting these disagreements and showing the overlap and the conflicts between different understandings of the concept, Aziz Z. Huq shows how the rule of law can still be used as an important tool for framing and evaluating the goals and functions of a legal system. He traces the idea's historical origins from ancient Greece to the constitutional theorist Albert Venn Dicey to the economist and political philosopher Friedrich Hayek. And he explores how that value is coming under pressure from terrorist threats, macroeconomic crisis, pandemics, autocratic populism, and climate change.

"The daughter of Freddy Trump, the highly accomplished, dashing eldest son of wealthy real estate developer Fred Trump, ... Mary lived in the shadow of Freddy's humiliation at the hands of his father. Fred Trump embodied the ethos of the zero-sum game and among his five children, there could only be one winner. That was supposed to be Freddy, his namesake, but Fred found him wanting--too sensitive, too kind, too interested in pursuits beyond the realm of the real estate empire he was meant to inherit. In Donald, Fred found a kindred spirit, a 'killer,' who would stop at nothing to get his own way. ... At the age of forty-two, [Freddy] succumbed to Fred's lethal contempt and died alone in an emergency room. ... Mary Trump brings us inside the twisted family whose patriarch ignored, froze out, and eventually destroyed his own. Freddy Trump's decline into alcoholism and illness, along with [his wife] Linda's suffering after their divorce, left Mary dangerously vulnerable as a very young girl. Inadequately and only conditionally loved, there were no adults in her life except for the father she loved, but lost before she could know him; and a mother abandoned by her ex-husband's rich and powerful family who demanded her loyalty but left her with nothing"

Musical representations of Europe in myth and allegory are well known, but when and under what circumstances did the words "European" and "music" become linked together? What did the resulting term mean in music before 1800 and how did it evolve into the label "Western music," which features so prominently in pedagogical and scholarly discourses? In The Making of European Music in the Long Eighteenth Century, author D. R. M. Irving traces the emergence of such large-scale categories in Western European thought. Beginning in the 1670s, Jesuit missionaries in China began to refer to "European music," and for the next hundred years the term appeared almost exclusively in comparison with musics from other parts of the world. It entered common use from the 1770s, and in the 1830s became synonymous with a new concept of "Western music." Western European writers also associated these terms with notions of "progress" and "perfection." Meanwhile, changing ideas about "modern" Europe's cultural relationship with classical antiquity, together with theories that systematically and condescendingly racialized people from other continents, influenced the ways that these scholars imagined and interpreted musical pasts around the globe. Irving weaves his analyses throughout the book's historical examinations, suggesting that "European music" originates from self-fashioning in contexts of intercultural comparison outside the continent, rather than from the resolution of national aesthetic differences within it. He shows that "Western music" as understood today arose in line with the growth of Orientalism and increasing awareness of musics of "the East." All such reductive terms often imply homogeneity and essentialism, and Irving asks what a reassessment of their beginnings might mean for music history. Taken as a whole, the book shows how a renewed critique of primary sources can help dismantle historiographical constructs that arose within narratives of musical pasts involving Europe.

Harold Arlen and His Songs is the first comprehensive book about the music of one of the great song composers of the twentieth century. Arlen wrote many standards of the American Songbook-including "Get Happy," "Over the Rainbow, "Stormy Weather," "Come Rain or Come Shine," and "The Man That Got Away" - that today rank among the best known and loved. Author Walter Frisch places these and other songs in the context of a long career that took Arlen from Buffalo, New York; to Harlem's Cotton Club; to Broadway stages; and to the film studios of Hollywood. Even with their complex melodies, harmonies, and formal structures, Arlen's tunes remain accessible and memorable. As Frisch shows, he blended influences from his father's Jewish cantorial tradition, his experience as a jazz arranger and performer, and peers like Gershwin, Kern, and Berlin. Arlen always emphasized the collaborative nature of songwriting, and he worked with the top lyricists of his day, including Ted Koehler, Yip Harburg, Johnny Mercer, and Ira Gershwin. Harold Arlen and His Songs is structured around these and Arlen's other partnerships, analyzing individual songs as well as the shows or films in which they appear. The book also treats Arlen's performances of his own music as a vocalist and pianist, through numerous recordings and appearances on radio and television. A final chapter explores the interpretations of his songs by great singers, including many who worked with him, among them Ethel Waters, Lena Horne, Judy Garland, Frank Sinatra, and Ella Fitzgerald.