Books published by Oxford University Press, USA

Beginning in 1968 a wave of airline hijackings swept across the skies over America. There were nearly 150 hijackings of U.S. commercial flight over the next five years. The most audacious of these air pirates were the parachute hijackers, starting with "D.B. Cooper" and ending with the hijacking of American Airlines Flight 119, the most daring of them all. John Wigger's gripping account of this period is based on fresh interviews and first-hand accounts from FBI agents, flight attendants, pilots, and passengers who were swept up in the heist and the hunt for the hijacker.

Drawing on personal journals and letters, underground newsletters, and alternative publications, this first history of polyamory reconstructs its intellectual foundations over a century and demonstrates its unique blend of conservative political thought and countercultural spiritualism.

In Blue-Footed Boobies, Hugh Drummond presents a lifetime field study of one of the planet's most charismatic and observable birds, focused on two themes of human relevance: aggressive competition between siblings and monogamous pair-bonding combined with frequent infidelity. In an account peppered with research anecdotes, he immerses readers in a bustling blue-footed booby colony where social manipulation and life-and-death dramas are the stuff of family life.

In Applications of the Unified Protocol in Health Conditions, the leading Unified Protocol (UP) experts provide valuable insights to clinicians into how the UP--a single, scalable, cognitive behavioral therapy protocol--can be modified in relatively minor ways to address the emotional difficulties that often accompany various health conditions in different treatment settings. This book provides clinicians with a "how to" guide for using the UP to treat a range of commonly encountered mental health issues that are present in health conditions in adults.

This volume is about how and whether art can be morally bad (or morally good). Politicians, media pundits, and others frequently complain that particular works of art are morally dangerous, or, sometimes, that particular works are morally edifying (the "great works" of literature, for example). But little attention is often given to the question of what makes art morally good in the first place. This comprehensive volume explores a wide variety of historical and theoretical perspectives, looking at different art forms and different problems.

The state makes law. But the state is also subject to law in two realms: international law and constitutional law. But how in the international realm can law be enforced against powerful states in the absence of a super-state standing above them? How far can moral and legal frameworks developed around ordinary persons be extended to apply to personified Leviathans? The book argues that these kinds of questions are equally applicable to the second major regime of law for states, constitutional law. By assimilating constitutional and international law as parallel projects of imposing law upon the state, this book brings focus to the concept of "law for Leviathan" as a distinctive legal form.

Provides a semi-structured interview to assess DSM-5 anxiety and related disorders and includes addendum on other autism-related expressions of anxiety in children and adolescents on the autism spectrum.

PPC spine 22mm, 274 x 374mm 'A wonderfully wide-ranging collection of essays, critical and yet hopeful, presenting a compelling cultural map of the "New Turkey" and in so doing making a significant contribution to the globalisation of Turkish cultural studies.' John Storey, Emeritus Professor of Cultural Studies, University of Sunderland Investigates the relationship between culture, politics and power in present-day Turkey Since coming to power, President Erdoğan's Justice and Development Party (AKP) have focused on narrating their vision of a 'New Turkey' - an ideal that has resulted in the politicisation of popular culture and people's everyday lives. Exposing the strategy of Turkey's ruling elite to obtain cultural hegemony, this book examines the AKP's efforts to rewrite Turkish public memory by promoting its ideas through TV series, movies, propaganda videos, school curricula and material culture in urban public spaces. It also explores the tactics of cultural resistance developed by the politically weak to counter the ruling elite's dominant culture of pious conservatism. Key Features - Provides a comprehensive view of the politics of culture in Turkey under the rule of the AKP - Analyses the success of authoritarian populism and the decline of democracy in Turkey from a cultural studies perspective - Brings together 16 empirical studies which explore a variety of cultural aspects, from heavy metal music and arthouse films to headscarf politics and national memory Pierre Hecker is a Senior Researcher and Lecturer at the Centre for Near and Middle Eastern Studies (CNMS), Philipps-University Marburg. Ivo Furman is Assistant Professor at the Faculty of New Media and Communication, Istanbul Bilgi University. Kaya Akyıldız is Assistant Professor at the Department of Sociology, Istanbul Bahçeşehir University. Cover image: (c) Sumeyye Kesgin, Turkish illustrator and comic book artist, co-creator of Elsewhere series by Image Comics. (Instagram: @kesgin1 and Twitter: sumeyyekesgin1). Cover design: www.paulsmithdesign.com [EUP logo] edinburghuniversitypress.com ISBN 978-1-4744-9028-3 Barcode

'Through a meticulous examination of the Friday sermons, Elisabeth Özdalga analyses the public role of religion in Turkey - from containment by the secular state to instrumentalisation by the Islamist government. This is a most valuable contribution to our understanding of state-religion configurations in modern Turkey.' Sami Zubaida, Emeritus Professor of Politics and Sociology at Birkbeck, University of London 'In her innovative and timely study, Özdalga shows that it is not so much the rather bland and repetitive contents of the Friday sermon that makes it influential, but the rather the fact of its performance. Attended by over half of the male population, the Friday prayer and sermon form a communal act that plays a key role in installing in the audience "oneness and togetherness" that is the foundation stone of Turkish republican nationalism.' Erik-Jan Zurcher, Emeritus Professor of Turkish Studies, Leiden University A historical and sociological analysis of the role of Friday sermons in the nation building process in modern Turkey Since the formation of the Republic in 1923, Friday sermons (hutbe) have been an important platform that allows the state to engage and communicate with the Turkish people. Sermon topics vary from religious and ethical issues to matters concerning family, women, health, education, business and the environment. Even if politics, in the name of secularism, has been banned from mosques and sermons, questions of how to be a good citizen and honour the Turkish nation have been of utmost importance. With an all-pervading sermon theme of social, national and political unity, Elisabeth Özdalga explores how long-standing religious rituals are utilised and mobilised in the formation of modern political loyalties and national identities. Key Features - Presents a new field of research, which focuses the role of Islamic oratory in the nation building process in modern Turkey - Analyses various forms and contents (including a large number of translations from Turkish to English) of Friday prayer oratory - Highlights how state patronage conducted through a secular political order has controlled religion, but also how an overpowering state has been challenged by various religious groups and institutions - Synthesises three basic analytical dimensions of official Muslim oratory: the religious ritual; political and ideological discourses; and, governmental supervision through the official religious institution Diyanet Elisabeth Özdalga is a retired Senior Researcher and former Director of the Swedish Research Institute in Istanbul. Cover image: Blue Mosque, Sultan Ahmed Mosque, Istanbul, Turkey (c) Look-foto / LOOK-foto Cover design: Andrew McColm [EUP logo] edinburghuniversitypress.com ISBN 978-1-4744-8820-4 Barcode

Illuminating the industrial, cultural, and aesthetic significance of the later years of one of American cinema's most influential auteurs, this anthology combines scholarly essays, original interviews with Robert Altman's collaborators, and previously unseen photographs from the Robert Altman Papers held at the Special Collections Research Center, University of Michigan Library. The book considers post-1970s Altman as a way to rethink and reconceive his authorship, expanding our understanding of the development of Altman's personal aesthetic and production practices; his adaptation of existing source material; the representation of sex, gender, and identity in his films; his relation to the changing landscape of American independent cinema; and his unfinished projects. Interviews with key Altman collaborators like Alan Rudolph, Ira Deutchman, and Anne Rapp highlight their contributions to Altman's career. Rather than place aside the extensive work on Robert Altman to date, this comprehensive book offers texture and depth to previous ways of thinking about Altman's creativity and contribution to American cinema. Lisa Dombrowski is a Professor of Film Studies and Professor of East Asian Studies at Wesleyan University Justin Wyatt is an Associate Professor of Communication Studies, Journalism, and Film/Media at the University of Rhode Island

From pop culture podcaster and a voice of a generation, Kate Kennedy, a celebration of the millennial zeitgeistOne In a Millennial is an exploration of pop culture, nostalgia, the millennial zeitgeist, and the life lessons learned (for better and for worse) from coming of age as a member of a much-maligned generation.Kate is a pop culture commentator and host of the popular millennial-focused podcast Be There in Five. Part-funny, part-serious, Kate navigates the complicated nature of celebrating and criticizing the culture that shaped her as a woman, while arguing that great depths can come from surface-level interests.With her trademark style and vulnerability, One In a Millennial is sharp, hilarious, and heartwarming all at once. She tackles AOL Instant Messenger, purity culture, American Girl Dolls, going out tops, Spice Girl feminism, her feelings about millennial motherhood, and more. Kate's laugh-out-loud asides and keen observations will have you nodding your head and maybe even tearing up.

Aesthetic Life and Why It Matters offers three new answers to Socrates's great question about how we should live, which focus on the place of aesthetic engagement in well-being. Three philosophers offer their perspectives on how aesthetic commitments move us through the world and shape our well-being, our sense of self, and our connections to others.

Shame is a Jekyll-and-Hyde emotion--it can be morally valuable, but it also has a dark side. Thomason presents a philosophically rigorous and nuanced account of shame that accommodates its harmful and helpful aspects. Thomason argues that despite its obvious drawbacks and moral ambiguity, shame's place in our lives is essential.

From 1880 to 1940, the communal villages, coal-mining towns, and sugar beet districts of Colorado and New Mexico formed a cross-cultural frontier in which Hispanics and Anglos interacted both culturally and economically. A new preface of this pioneering work reflects on its place in the history of the Anglo-Hispanic borderland, class, and gender over the past thirty-five years.

The Eternal Decline and Fall of Rome tells the story of 2200 years of the use and misuse of the idea of Roman decline by ambitious politicians, authors, and autocrats as well as the people scapegoated and victimized in the name of Roman renewal. It focuses on the long history of a way of describing change that might seem innocuous, but which has cost countless people their lives, liberty, or property across two millennia.

In Chasing the Intact Mind, Amy Lutz traces the history of the "intact mind" concept, explaining how it influences current disability policy and practice in the United States. Lutz describes how we got to this moment, where the severely autistic are elided out of public discourse and the intensive, disability-specific supports they need defunded or closed altogether. Lutz argues that focusing on the intact mind and marginalizing those with severe disability reproduces historic patterns of discrimination that yoked human worth to intelligence, and that it is only by making space for the impaired mind that we will be able to resolve these ongoing clashes--as well as even larger questions of personhood, dependency, and care.

High Wire provides a novel and comprehensive analysis of how China regulates its tech sector and more broadly governs its economy. It focuses on electronic platform regulation in three key areas: antitrust, data, and labor. It also explains how Chinese platforms regulate themselves outside of state control, and how the two modes--public and self-regulation--interact. Finally, High Wire shows how the current tech crackdown in China is shaping the country's transition from soft-tech to hard-tech and considers how China will regulate the rapidly expanding field of generative artificial intelligence.

How the Qur'an Works: Reading Sacred Narrative focuses on Qur'anic narrative, and specifically, repetition in Qur'anic stories. This book begins its analysis looking at repetition on a large scale-structure-and moves to a small scale-root letters. The book takes a journey through the Qur'an, often expansive, moving from one verse to another, one story to another, focusing on narratological elements while conducting a fine reading of Qur'anic material in order to understand how these techniques enhance a theological agenda. It helps us to better understand particular Qur'anic stories, Qur'anic literary style and Qur'anic theology.

Essays in The Oxford Handbook of New Science Fiction Cinemas address the impact of new theoretical approaches and recent cultural attitudes on a changing science fiction cinema. Essay topics include (but are not limited to) Afrofuturism, biopunk science fiction, feminist science fiction, heterotopic spaces, steampunk cinema, ethno-Gothic films, superhero cinema, queer theory, and posthumanism.

As human actions erase habitats and raise the planet's temperature, plant diversity is dropping and a growing list of pollinators faces decline or even extinction. Paths of Pollen chronicles pollen's vital mission to spread plant genes, from the prehistoric past to the present, while looking towards an ecologically uncertain future.

This book features pathways to children and young people's collective participation in changing child protection policies and services in multiple countries. It showcases concrete examples of participatory research and practices promoting children and young people's participation in child protection. It highlights the change actions and voices of empowered and marginalized children and youth in various international contexts.

The Moving Form of Film: Historicizing the Medium through Other Media charts the ways in which crossing borders between film and other arts and media can provide an encompassing, inclusive, and non-teleological understanding of film history.

Christian theology is monotheistic, but the idea of the trinity problematises this: how can there be one god, but also Father, Son, and Spirit? Jc Beall provides a simple but logically rigorous solution, arguing that the apparent contradictions of the trinity cannot be rejected without thereby rejecting fundamental truths of divine reality.

Maurice (1987), a British film based on the novel by E.M. Forster, follows an Edwardian man's journey to self-acceptance as someone who loves and desires men. Rebutting its critical reception, this volume champions the film as a sympathetic adaptation, making a case for its underappreciated positive depiction of gay love.