Books published by Palgrave MacMillan

Expanding Austenland: The Pride and Prejudice Fanfiction Archive explores Jane Austen's reception in popular culture through an exploration of the ever-expanding terrain of online fanfiction, professionally published (profic) texts, and other intertextual reworkings inspired by the author's most popular novel, Pride and Prejudice. The book argues that given its pervasiveness, Pride and Prejudice could be usefully considered not as a single novel, but as an entire 'archive' of interrelated texts, or as a portal that opens a 'virtual world' for readers to expand and explore. By examining the Pride and Prejudice archive of interrelated texts, this book analyses the process through which an individual novel can develop a virtual life, or afterlife. The evolving world that is opened by Pride and Prejudice, and extended and enriched through fanfiction, is conceptualised in the monograph as 'Austenland'.

This book provides a history of Imperial Chemical Industries (ICI), a large Britain- based chemical firm which was a major industrial player in the twentieth century. Once a model for Britain's industrial reach and dominance, ICI collapsed in the mid-2000s, with some still profitable elements sold off to other chemical firms. The book focuses on the firm's origin site in the Northeast of England, around Middlesbrough, engaging the remnants of the company magazine, oral histories and social media posts, and material artifacts in the world, to relate a history of the social, environmental, cultural and imaginative and bodily impact of the presence (and then absence) of ICI. This unique work is open to coincidence and speculation, drawing on science fictional and urban myth narratives which emanate from the area. Through the lens of global narratives of industrial and philosophical innovation, it inquires into uncommon and diverse themes, such as the manufacture of Quorn, the place of photographic mediation of the factory, and industrial disease. Setting out from a context of heavy industry and material processing, the book seeks to stimulate poetic and creative thinking around the ways in which people's lives were enmeshed with synthetic chemicals and the dreams that seemed to ooze and seep from them as by-products.

This book gathers contributions on the topic of astrology in the West during the twentieth and twenty-first centuries, from 1914-2022. It is the first collection exclusively devoted to a period that has been mostly neglected by historians of astrology, who have mostly devoted themselves to the ancient, medieval and early modern periods. Uninterested in vindicating or debunking astrology, contributors consider its cultural impact, its relation to historical events, and the ways in which it has changed in the last century. The broad range of subjects on modern Europe and the US include the relation of astrology with indigenous thought, interwar Polish astrology, and the relation of American astrologers to COVID. A bibliography of studies of modern astrology on a global basis is also included. This collection is a thoughtful contribution to the history of astrology and the sociology of belief as well as carrying significant implications for twentieth and twenty-first century history broadly.

This book brings together a collection of case studies that explore the relationship between health and masculinity. It covers various topics related to health, such as mental health, sexual health, eating disorders and coronavirus, and offers health-based perspectives on issues such as migration and gender identity, as these relate to masculinities. In exploring these themes, this book addresses a wide range of communicative contexts, including online forums, interviews, advertising, sex education materials, migrant integration classes, and suicide notes. This book will appeal to linguists interested in health and gender (particularly masculinities), as well as scholars in fields such as psychology, media studies, cultural studies, and other humanities and social science disciplines with a focus on discourse.

This much-awarded work by one of Italy's most esteemed historians of fascism, Mauro Canali, is now available in English translation. Based on a wealth of previously unavailable judicial and archival material, it sheds light on how fascism exercised power through violence and corruption from the very beginning. The book reveals the motives that led Mussolini to order the kidnapping and murder of Socialist leader Giacomo Matteotti in 1924, a turning point in Mussolini's grasp of total power in Italy. Canali further explores the corrupt dealings between the Mussolini family and the American Sinclair Oil Company that Matteotti had intended to denounce in the Italian parliament the day after his death.

This book, first of its kind in the Indian context, brings together both a theoretical understanding of various aspects of the humour, aesthetics and politics of stand-up comedy, and case studies of various forms of stand-up comedy in India. This volume is interdisciplinary wherein the contributors raise pertinent issues about the role of stand-up comedy in India in contemporary times. With an increased presence of OTT platforms and internet penetration that allows for easy access to this art form, stand-up comedy in India cannot be ignored anymore. The book includes chapters on Indian stand-up comedy related to the themes of: interrogating the term 'Indian stand-up comedy'; historical lineage of stand-up in India; the politics of language and laughter; 'charged humour' vs 'safe'/profitable comedy; stand-up comics as parrhesiastes, performance of the self and comic personas; comedy and other forms of artistic expression; laughter clubs, urbanism and stand-up comedy; surveillance, censorship and trolling; the economy of production and consumption of stand-up comedy and the 'silences' and limitations in the contemporary form of stand-up in India.

This book explores how endangered local interpreters in Afghanistan were seen through Western eyes in the period from 2014, when the West drew down the bulk of its military forces, to the summer of 2021, when NATO forces withdrew completely. The author examines how these interpreters were understood and represented by Western governments, militaries, agencies, press and lobby organisations, how the understandings changed over time, and to what extent the representations reflect distinct rationales for intervention/historic relationships with Afghanistan, specific immigration and anti-terrorism policies, and notions of citizenship. The book will be of interest to students and scholars of translation and interpreting, history, war studies, and migration studies.

Shedding light on the role of India within twentieth-century international relations, this book explores the life and career of Kavalam Madhava (K. M.) Panikkar (1894-1963), an Indian historian, statesman and diplomat. Having been involved in Indian intellectual and political life throughout the transition from the British Empire to the Nehruvian era, Panikkar was an important figure in the evolution of the modern Indian state. Based on over four years of extensive research both in India and Europe, and the analysis of public writings and unpublished archival documents, this book examines Panikkar's role in the Indian national movement, the governance of several Princely states, and India's foreign policy, notably with China. Not only do the authors critically re-evaluate Panikkar's intellectual and political thoughts, but also his influence on the broader issue of India's path towards independence. Offering a valuable contribution to modern Indian diplomatic history and wider international relations, this comprehensive book emphasises Panikkar's importance in shaping the modern idea of India and crucial elements of Indian foreign policy.

This book examines representations of precocity in Victorian textual culture - canonical literature, children's fiction, scientific texts, and writing by children - to argue that precocity challenges the idea of progress. It considers how practitioners of literature and science from Wordsworth to Freud represented human development, and the way in which Darwin's "non-progressive model of evolution" troubled the existing model of progression by stages (from childhood inexperience to adult maturity and understanding). Roisín Laing argues that the precocious child undermines the equation of growth with progress, and thereby facilitates other ways of imagining both individual and species development. The idea represented by the precocious child in Victorian culture - that the adult is not necessarily an improvement on the child, the human not necessarily an improvement on the ape - still troubles us today.

This book explores a spectrum of contemporary photographic practices across the fields of image-making, curating, archiving, teaching, community development and activism that have envisioned photography as ontologically and ethically collaborative. By looking specifically into the contexts where collaborative projects are produced and shown, and into the dialogical relation to the people they engage with -in hospitals, in prisons, in working-class neighbourhoods, with indigenous people, refugees, women, persons experiencing homelessness, young people- the contributions from practitioners, scholars, and curators show participatory practices to create the conditions for building new subjectivities, or making visible a multiplicity of identities, thus opening up a new politics of visibility. Therefore, this book specifically addresses the political, counter-cultural dimension of collaborative projects, but also their subversiveness in relation to dominant practices within the field of photography: this includes a reinvention of the position of the photographer -in turns facilitator or project leader- of curating and exhibition models, of archiving methodologies, of photographic education and of market practices.​

It is almost impossible to imagine the United States without making reference to Italy. There is scarcely any aspect of American culture untouched by Italy--its history, art, architecture, fashion, film, music, the mafia, or even more viscerally its food. Italy occupies a space of near mythical proportion in the American imagination. When many Americans think of, or dream about and imagine, the good life, how and where they would like to live, they think most often of Italy; the beauty, the life-style, the romance, the excitement and sense of adventure that Italy offers.By looking at the fluid and multi-dimensional imaginative interactions Americans have with Italian culture and society, this comprehensive and robust volume offers a new and novel way of exploring the influence of Italy upon the United States. University of New South Wales historian Ian James Bickerton argues that if we wish to understand the United States, and how Americans define themselves and their nation, it is vital to examine how they imagine themselves, and he demonstrates that throughout U.S. history one of the most powerful stimulants shaping the imaginary world of Americans has been Italy.

This book provides an in-depth history of three US-based communal societies that operated in the late 1960s and 1970s-Soul City, Stelle and Twin Oaks-with an emphasis on their financing, marketing, and entrepreneurship processes. These communities reflect the diversity of people who were dissatisfied with the direction in which American society was heading-often underpinned by concerns over racism, sexism, the environment, and capitalism-and decided to take the radical step of joining a communal society. A moral economy approach offers a lens on how these communities were prevented from fully realizing their visions due to the confines of capitalism, as embedded in banking practices, zoning laws, and systemic racism.

This open access book shows how geographical scales are made through music.Scales are sets of spatial frames, abstractions or categories that denote the size, proportion, level, extent or hierarchical relations of phenomena. They are neither natural nor neutral but actively produced, with real political effects. But what role do cultural practices play in the production of scale? Phil Dodds addresses this question by focusing on music, arguing that music scholarship has both most to gain from and most to offer to a fuller conceptualisation of how geographical scale is culturally produced. Dodds suggests that music scholars should treat scales as open questions, and as phenomena potentially made through musical practices, rather than as stable categories for framing other arguments about, say, 'local' or 'global' music. He analyses how the meaning of 'the local' is affected by the aesthetics of popular music, and how the relationship between the particular and the general is fused through common musical conventions. Music and the Cultural Production of Scale explores diverse musical examples - including Janelle Monáe's concept albums, key tracks in the grime genre, protest songs at environmental and anti-fascist demonstrations, and nineteenth-century colonial hymn-singing - to demonstrate how we already live in a world whose scales are made by music. The book also shows that music has the potential to produce a world scaled otherwise.

Taking as its starting point an investigation into the physical topography and symbolism of the two cities of Athens and Jerusalem, this book offers a cultural history of the rival superpowers¿the Byzantine Empire and Fatimid Caliphate¿that between them dominated the Mediterranean world during the Central Middle Ages. It shows that the destruction of the Church of the Holy Sepulchre in Jerusalem on the orders of al-Hakim punctuated a century of heightened interaction resulting from changing patterns of warfare, trade and pilgrimage. Resettlement of both Christians and Muslims from Syria-Palestine in Asia Minor and the Balkans introduced these migrants¿ host culture to new forms of religious and artistic expression. In Hellas, a flurry of building projects reinvented Athens as a New Jerusalem and the Parthenon as a New Temple. The Acropolis became famous for its miraculous lamp and elaborate liturgy. The clergy who performed the sacred mysteries justified them with reference to concepts of hierarchy, illumination and divinisation. These concepts were derived from a philosophical tradition over whose ownership the two superpowers competed. The resulting political theology was the creation of male intellectuals, but female patrons and worshippers also had an impact.

Literary Cultures and Nineteenth-Century Childhoods explores the construction of the child and the development of texts for children in the nineteenth century through the application of fresh theoretical approaches and attention to aspects of literary childhoods that have only recently begun to be illuminated. This scope enables examination of the child in canonical nineteenth-century novels by Charles Dickens, Elizabeth Gaskell, Charlotte Bronte, and Thomas Hardy alongside well-known fiction intended for young readers by George MacDonald, Christabel Coleridge, and Kate Greenaway. The century was also distinctive for the rise of the children's magazine, and this book broadens the definition of literary cultures to include magazines produced both by, and for, young people. The volume examines how the child and family are conceptualised, how children are positioned as readers in genres including the domestic novel, school story, Robinsonade, and fantasy fiction, how literary childhoods are written and politicised, and how childhood intersects with perceptions of animals and the natural environment. The range of chapters in this collection and the texts they consider demonstrates the variability and fluidity of literary cultures and nineteenth-century childhoods.

This handbook provides an extensive overview of traditional and emerging research areas within the field of intermediality studies, understood broadly as the study of interrelations among all forms of communicative media types, including transmedial phenomena. Section I offers accounts of the development of the field of intermediality - its histories, theories and methods. Section II and III then explore intermedial facets of communication from ancient times until the 21st century, with discussion on a wide range of cultural and geographical settings, media types, and topics, by contributors from a diverse set of disciplines. It concludes in Section IV with an emphasis on urgent societal issues that an intermedial perspective might help understand.

This book analyses the evolution of the city of Rome, in particular, papal Rome, from the plague of 1656 until 1870 when it became the capital of the Kingdom of Italy. The authors explore papal Rome as a resilient city that had to cope with numerous crises during this period. By focusing on a selection of different crises in Rome, the book combines cultural, political, and economic history to examine key turning points in the city's history. The book is split into chapters exploring themes such as diplomacy and international relations, disease, environmental disasters, famine, public debt, and unravels the political, economic, and social consequences of these transformative events. All the chapters are based on untapped original sources, chiefly from the State Archive in Rome, the Vatican Archives, the Rome Municipal Archives, the École Française Library, the National Library, and the Capitoline Library.

This book offers a critical analysis of global mobilities across China and Italy in history. In three periods in the twentieth century, new patterns of physical mobilities and cultural contact were established between the two countries which were either novel at the time of their emergence or impactful on subsequent periods. The first two chapters provide overviews of writings by Italians in China and by Chinese in Italy in the twentieth century. The remaining chapters cover: Republican China's relationships with Italy and Italian Fascist colonialism in China during the 1920s-1930s; Italian travelers to China during the Cold War from the 1950s to the 1970s; migrations between China and Italy during the 2000s-2010s. In analyzing these cultural mobilities, this book opens a new line of inquiry in Chinese-Italian Cultural Studies, which has been dominated by historical study, and contributes a significant case study to the scholarship on global cultural mobilities.

The Modern Feminine in the Medusa Satire of Fanny Fern argues that Sara Parton and her literary alter ego, Fanny Fern, occupy a star-power position within the antebellum literary marketplace dominated by women authors of sentimental fiction, writers Nathaniel Hawthorne (in)famously called ¿the damn mob of scribbling women.¿ The Fanny Fern persona represents a nineteenth-century woman voicing the modern feminine within a laughter-provoking bourgeois carnival, a forerunner of Hélène Cixous¿s laughing Medusa figure and her theory about écriture féminine. By advancing an innovative theory about an Anglo-American aesthetic, comic belles lettres, Caron explains the comic nuances of Parton¿s persona, capable of both an amiable and a caustic satire. The book traces Parton¿s burgeoning celebrity, analyzes her satires on cultural expectations of gendered behavior, and provides a close look at her variegated comic style. The book then makes two first-order conclusions: Parton not only offers a unique profile for antebellum women comic writers, but her Fanny Fern persona also anchors a potential genealogy of women comic writers and activists, down to the present day, who could fit Kate Clinton¿s concept of fumerism, a feminist style of humor that fumes, that embraces the comic power of a Medusa satire.

Vegetarianism and Science Fiction: A History of Utopian Animal Ethics examines how vegetarian ideals promoted within science fiction and utopian literature have had a real-world impact on the awareness and spread of vegetarianism and animal advocacy, as well as how the genres' engagements have been altered to reflect changes in ethical and environmental philosophy. Author Joshua Bulleid examines the representation of vegetarianism in the works of major science fiction authors, including Mary Shelley, H. G. Wells, Arthur C. Clarke, Philip K. Dick, Ursula K. Le Guin, Ernest Callenbach, Marge Piercy, Octavia E. Butler, Kim Stanley Robinson and Margaret Atwood within their evolving social contexts, tracing the development of vegetarian trends and their science fictional representations from the early-nineteenth century to the present day.

This book is about dance's relationship to language. It investigates how dance bodies work with the micromovements elicited by language's affective forces, and the micropolitics of the thought-sensations that arise when movement and words accompany one another within choreographic contexts. Situating itself where theory meets practice--the zone where ideas arise to be tested, the book draws on embodied research in practices within the lineages of American postmodern dance and Japanese butoh, set in dialog with affect-based philosophies and somatics. Understanding that language is felt, both when uttered and when unspoken, this book speaks to the choreographic thinking that takes place when language is considered a primary element in creating the sensorium.

This Handbook MRW will be a unique encompassing overview of the figure of the vampire. Not only covering the list of usual suspects, this volume will provide coverage from the very first reports of vampire-like creatures in the 17th century to film and media representations in the 21st century. The Palgrave Handbook of the Vampire will show that what you thought you knew about vampires is only a fraction of the real and fascinating story.

This book deals with the ways Netflix influenced the contemporary television landscape and built the infrastructures of streaming. It focusses on various ways Netflix reconceptualises television as part of the process of TV IV. As television continues to undergo a myriad of changes, Netflix has proven itself to be the dominant force in this development, simultaneously driving a number of these changes and challenging television's existing institutional structures. This comprehensive study explores the pre-history of Netflix, the role of binge-watching in its organisation and marketing, and Netflix's position as a transnational broadcaster. Netflix and the Re-invention of Television illuminates the importance of Netflix's role within the processes of TV IV. This Second Edition highlights the role Netflix plays in the so-called streaming wars and incorporates recent research in television studies. It also re-evaluates the companies' incorporation of issues of diversity in its focus on middlebrow television. The book also includes a new chapter on the transnational streaming franchise, networks of texts developed internal to platforms to build infrastructures of transnational streaming.

This book explores the efforts of marginalized communities to address the health inequalities that characterize life in many deprived areas of post-industrialized cities in the UK. Spread over six chapters, the book maps the role of small-scale and community-based media in contextualizing a link between people's experiences and expression to validate marginalized points of view. It takes an ethnographic approach and demonstrates that a multi-agency and faith-based community broadcasting initiative can be an empowering platform for communicative interaction.

This open access book demonstrates that despite different epistemological starting points, history and speculative fiction perform similar work in "making the strange familiar" and "making the familiar strange" by taking their readers on journeys through space and time. Excellent history, like excellent speculative fiction, should cause readers to reconsider crucial aspects of their society that they normally overlook or lead them to reflect on radically different forms of social organization. Drawing on Gunlög Fur's postcolonial concept of concurrences, and with contributions that explore diverse examples of speculative fiction and historical encounters using a variety of disciplinary approaches, this volume provides new perspectives on colonialism, ecological destruction, the nature of humanity, and how to envision a better future.

This book explores how incels use language and other semiotic resources to construct ideologies of gender and race/ethnicity. The author theorises and positions incels' performances of masculinity against a backdrop of broader social sciences and linguistic literature, and discusses some of the limitations of different lenses through which incels have previously been understood, as well some of the ethical issues involved with researching a hostile community. Corpus linguistic methods and netnographic reflections are used to explore how incels construct ideologies about gender, gendered social actors, and race/ethnicity, as well as where these concepts intersect. Taking a post-structuralist critical analysis to this community reveals a number of way ideologies towards different groups based on social identities are linguistically constructed. This book will be relevant to those researching or studying language, gender, and sexuality, sociology, and criminology. Outside of academic applications, it is also written in a way that is accessible to external organisations interested in equality and the prevention of incel-ideology-motivated offline attacks.

Environment and Narrative in Vietnam brings together essays about Vietnam's natural environments and environmental crises from the perspective of culture, with particular attention to narrative templates that have shaped perceptions and interactions with nature on the part of different communities. The essays in this volume explore theoretical problems in the assessment of ecological stewardship and attitudes toward nature across cultures. They focus on both majority (Kinh) and ethnic minority narratives about nature and seek to outline how different ideas of modernization, from the French colonial project to the Marxist understanding of nature on the part of the Communist government, have shaped perceptions, policies, and activism regarding the environment. The essays also highlight the tensions and confluences between nationalist nation-building projects and economic integration into global markets for environmental thinking over the last half-century, and they analyze how texts from literary fiction to contemporary news media represent different environmental cultures in Vietnam. Taken together, the essays in Environment and Narrative in Vietnam begin to fill a significant gap in the understanding of environmental cultures in Asia and in the Environmental Humanities. This is an open access book.

​This book presents a unique perspective from an underrepresented region in the Global South. The volume features four different countries in the region: Barbados, Guyana, St. Lucia, and Trinidad and Tobago, as well as Martinique, an island located just north of St. Lucia which is an overseas region of France. It documents innovations in learning and teaching Spanish, French, and Chinese in the case of the English-speaking countries, and English as a foreign language (EFL) in the case of Martinique. The chapters cover different aspects of language education in the Caribbean and will be of particular interest to those involved in managing change in language education that attempts to mediate between global trends and local needs.

This collection examines the relationship between illustration and adaptation from an intermedial and transcultural perspective. It aims to foster a dialogue between two fields that co-exist without necessarily acknowledging advances in each other's domains, providing an argument for defining illustration as a form of adaptation, as well as an intermedial practice that redefines what we mean by adaptation. The volume embraces both a specific and an extended definition of illustration that accounts for its inclusion among the web of adaptive practices that developed with the rise of new media and intermediality. The contributors explore how crossovers may contribute to reappraise their objects, and rely on a transmedial and interdisciplinary corpus exploring the boundaries between illustration and other media such as texts, graphic novels, comics, theatre, film and mobile applications. Arguably adaptation, like intermediality, is an umbrella term that covers a variety of practices and products, and both of them have been shaped by intense debates over their boundaries and internal definitions. Illustration belongs to each of these areas, and this volume proposes insight into how illustration not only relates to adaptation and intermediality but how each field is redefined, enriched and also challenged by such interactions.