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This book investigates the role Nietzsche's dance images play in his project of "revaluing all values" alongside the religious rhetoric and subject matter evident in the work of Isadora Duncan and Martha Graham, who found justification and guidance in Nietzsche's texts for developing dance as a medium of religious expression.
Ever since the revival of Kant's Perpetual Peace thesis, the linkages between democracy and peace has been a central topic in international relations research, with sustained debate over whether it exists and if it does, why it does.
The British Eighteenth Century and the Postcolonial Moment challenges reigning cliches about 'modernity'. Indeed, rather than 'applying' postcolonial theory to eighteenth-century texts, the book instead refines postcolonial theory by using such eighteenth-century authors as Swift, Gay, Johnson, Sterne, and Equiano.
This collection demonstrates the persistence of the initial anxieties about a united Germany and its rapid absorption of the German Democratic Republic, and also suggests a potential optimism that, despite much contemporary domestic disenchantment, the new Germany continues to thrive as a European democracy endeavouring to confront its past.
Telling Our Stories investigates the continuities and divergences in selected Black autobiographies from Africa, the Caribbean, and the United States.
Shamanism, Racism and Hip Hop Culture is a groundbreaking collection of essays exploring the five hundred year history of white Christian hegemony that has so profoundly shaped American society.
This is a collection of essays on the spatial dimensions of motherhood. Engaging both theoretical and empirical perspectives, contributors describe the intersection of space and gender across a variety of contexts with both familiar and unexpected territories explored.
Hannah Arendt's approach to politics focuses on action and conduct, rather than institutions, constitutions, and states. The contributions on structure explore how Arendt provides new critical purchase upon often reified structures and categories.
The essays represent a wide spectrum of new approaches and new areas of subject matter that are changing the landscape of knowledge of modern and contemporary Chinese culture: women's literature, theatre (performance), film, graphic arts, popular literature, as well as literature of the Chinese diaspora.
Democracy requires very special 'enabling conditions' before it can be supported by a state, conditions that require decades to evolve. As a result, attempts to export democracy through nation-building to states without these enabling conditions are doomed to failure.
Providing a distinctive and generalizable approach drawing on concepts from psychology and organizational behavior, this book refines theories of foreign policy to include observational learning to identify when imitation is likely and what behaviors are most imitated.
Calling for inclusion and dialogue, these essays by an international group of feminist scholars and activists stress the need to put into relation seemingly discrepant approaches to reality and to scholarship in order to build coalitions across the usual North/South and East/West divides.
Forging Chivalric Communities in Marlory's Morte D'Arthur shows that Malory treats chivalry not as a static institution but as a dynamic, continually evolving ideal. Le Morte D'arthur is structured to trace how communities and individuals adapt or create chivalric codes for their own purposes;
This book explores a provocative area of inquiry for critical theory and research into world politics and popular culture: music.
Writing Catholic Women examines the interplay of gender, race, ethnicity, nationality, and sexuality through the lens of Catholicism in a wide range of works by women writers, forging interdisciplinary connections among women's studies, religion, and late twentieth-century literature.
Italian anarchists Nicola Sacco and Bartolomeo Vanzetti were arrested outside Boston in 1920 and charged with robbing and killing a shoe factory paymaster and his guard.
Leaving the traditional focus on Arthurian romance and Gothic tales, the essays in this collection address how the Victorians looked back to the Middle Ages to create a sense of authority for their own ideas in areas such as art, religion, gender expectations, and social services.
This book illuminates the pervasive interplay of 'sacred' and 'secular' phenomena in the literature, history, politics, and religion of the Middle Ages and Early Modern periods. The essays gathered here constitute a new way of applying a classic dichotomy to major cultural phenomena of the pre-modern era.
Unruly women constantly speak out in lyric poetry, their voices brought to life in the bodies of female singers, dancers, and instrumentalists.
Skilfully integrating domestic and international factors, and placing the analysis of sanctions directly into the mainstream of strategic studies and decision theory, this book breaks new ground with its innovative argument and thorough testing using a variety of databases.
Performing Libertinism in Charles II's Court examines the performative nature of Restoration libertinism through reports of libertine activities and texts of libertine plays within the context of the fraternization between George Villiers, Duke of Buckingham, John Wilmot, Earl of Rochester, Sir Charles Sedley, Sir George Etherege, and William Wycherley. Webster argues that libertines, both real and imagined, performed traditionally secretive acts, including excessive drinking, sex, sedition, and sacrilege, in the public sphere. This eruption of the private into the public challenged a Stuart ideology that distinguished between the nation's public life and the king's and his subjects' private consciences.
Engendering Human Rights brings together distinguished scholars and feminist activists in a collection of essays on human rights in Africa. The individual chapters examine how human rights frameworks and practices differ in various political, economic, social, cultural, racial and gendered contexts througout Africa.
Necessary Conjunctions is an original study of how regular medieval people created their public social identities. Employing a highly interdisciplinary methodology and an original theory makes it possible to see how personal agency and identity developed within the framework of later medieval power structures.
Latin American Fiction and the Narratives of the Perverse contains analysis of sexual perversion and narrative creativity in fictions from the Latin American boom and post-boom.
Putting into question the conventional view that the military is detrimental to democratic development, Dolman provides a multifaceted examination of the institutional incentives of the military and its relations with civilian authorities.
Hollywood Knights examines Hollywood Arthuriana as political nostalgia offered to American viewers during times of cultural crisis: the red scare of the 1950s, the breakdown of traditional authority in the 1960s and 1970s, the turn to the right in the 1980s and the redemption of masculine and national authority in the 1990s.
The Figure of the Crowd in Early Modern London examines the cultural phenomenon of the urban crowd in the context of early modern London's population crisis.
This book studies the print culture of the nineteenth century as it shaped the meanings and the cultural significance of literary works by women writers - Mary Robinson, Felicia Hemans, Elizabeth Barrett Browning, Lady Blessington, Lady Morgan, Caroline Norton, Letitia Elizabeth Landon, and others.
Emily Dickinson (1830-86) recasts British-Romantic themes of natural and spiritual perception for an American audience. Her lyrics about natural history build on this empiricism and develop her commitment to natural religion. Her counterintuitive combination of natural models with spiritual metaphors champions immortality.
This book is a critical biography of Grant Allen, (1848-1899), the first for a century, based on all the surviving primary sources. The Better End of Grub Street uses Allen's career to examine the role and status of the freelance author/journalist in the late-Victorian period.
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