Books published by Paul Holberton Publishing Ltd

Stunning artwork and illustrated essays illuminate the modernist home and studio of artists Vanessa Bell and Duncan Grant. Accompanying an exhibition at Philip Mould & Company in London, this lavish catalog tells the story of Vanessa Bell and Duncan Grant's enduring attachment to their home at Charleston Farmhouse in East Sussex through the work of the artists produced between the two world wars. Members of the Bloomsbury Group, Bell and Grant's family home functioned as the collective's country retreat and became a venue for progressive social self-expression. Their fondness for their Charleston Farmhouse, its idyllic surroundings, and its constant flow of visitors can be witnessed through their art. Beginning with radical modern works influenced by European trends--from painted furniture to depictions of food preparation in the kitchen, from the barns to the pond, from people to the household cat--this catalog tells a story of more than thirty years of astonishing artistic output. Focusing on Vanessa and Duncan's most productive creative years, this volume illustrates how Charleston fed their artistic impulses and inspired a glorious canon of art.

This handsome catalogue accompanies an exhibition celebrating the bicentenary of the 60-year reign of King George III. It presents one mezzotint portrait for each year of his reign. Mad about Mezzotint traces the history of mezzotint in the reign of King George III by looking at three aspects of the art form: the astonishing method of mezzotint, the absorbing history of the form in the late eighteenth century and Regency period and the endless fascination with London as a subject. Although the mezzotint originated in Germany as early as 1642, its golden age came in England in the eighteenth century. Its beauty lay in its ability to create the subtlety of tone found in an oil painting. Crowds marvelled at the new technique and seized upon the opportunity to popularize their work and disseminate their images more widely. Conditions in eighteenth-century London were ripe for this revolution in printing. England had a new king and queen on the throne, an ever-expanding court and flourishing commercial interests overseas. The city of London was expanding at an astonishing rate and money was pouring into the capital. This fully illustrated publication includes an introduction on the history of mezzotint and full catalogue of the works, as well as indexes of artists and persons depicted. Artists featured include Valentine Green, John Hoppner, John Jones, Joshua Reynolds, George Romney and Charles Turner. People depicted include King George, George, Prince of Wales, the Duke and Duchess of Marlborough, Admiral Horatio Nelson and Earl and Lady Spencer.

A showcase of eighteen masterworks by one of the world's greatest modern artists. This important publication accompanies a major exhibition at the Courtauld Gallery, London, of paintings by Edvard Munch (1863-1944). The catalog and accompanying exhibition showcase eighteen major works from the collection of KODE Art Museums in Bergen, one of the most important collections of Munch paintings in the world. The works span the most significant part of Munch's artistic development and have never before been shown as a group outside of Scandinavia. This book explores this group of remarkable works in detail and considers the important role of its collector, Rasmus Meyer. The exhibition and publication include seminal paintings from Munch's early "realist" phase of the 1880s, such as Morning and Summer Night, pivotal works that show the artist's move towards the expressive and psychologically charged work for which he became famous. These paintings launched Munch's career and set the stage for his renowned, highly expressive paintings of the 1890s. Such works are a major feature of the exhibition that includes remarkable canvases from Munch's famous Frieze of Life series, which address profound themes of human existence, from love to death. Munch's powerful use of color and form marked him as one of the most radical painters at the turn of the twentieth century. This fully illustrated publication includes a catalog of the works, with contributions by leading experts in their field from KODE and the Courtauld.

This fascinating book tells the story of Thomas Hardy's Wessex. Accompanying a multi-venue exhibition, it explores Hardy's life and work. Internationally-acclaimed writer Thomas Hardy (1840-1928) is best known for his evocative depictions of the West Country landscape and its people, a region that he called 'Wessex'. What is less well-known is that this landscape also inspired him in many other aspects of his life, from campaigning for animal welfare to questioning the way society viewed women. This publication accompanies a blockbuster, multi-venue exhibition of the largest collection of Thomas Hardy memorabilia ever to be displayed at once.  Hardy was born in the West Country, a few years after Queen Victoria came to the throne, and spent most of the rest of his life among its landscapes and people. When he turned writer, these landscapes and people re-emerged as his 'partly-real, partlydream country' of Wessex, in novels like Tess of the d'Urbervilles, Far from the Madding Crowd and Jude the Obscure. Hardy's Wessex now conjures up a range of mental images: from raging seas on the coast to haunting ancient monuments, Victorian towns packed with life to peaceful hillsides grazed by sheep. However, through Hardy's 87-year life span, the West Country changed dramatically. Ideas of the role of women, humans' responsibility to animals, the realities of war, love and courtship, superstition, social structure, religion and how people related to the world around them altered fundamentally. Through his stories and campaigning, Hardy was keen to show not only the rural idyll, but also the tensions and difficulties that lay beneath these views. These dramatic landscapes were the lens through which Hardy presented his worldview to his readership. From the tragedy of a woman saying farewell to her sailorlover on the end of Portland Bill, to a shepherd losing his flock and facing ultimate ruin on the chalky hills. The landscapes shape his characters, whose stories in turn convey his messages of social change to his readers. This publication will explore the impact that Wessex had on Hardy's works, and how living there shaped his views on the often divisive social issues of the period. Uniting beautiful landscape imagery with a selection of personal items from Hardy's life, this book will show you the man behind the literature.

Catalog of an exhibition of the same name held at the Courtauld Gallery, London, 3 February-8 May 2022.

Accompanying an exhibition at the Frist Art Museum, this lavishly illustrated catalogue is the first major study in English about manuscript illumination, painting, and sculpture in the northern Italian city of Bologna between the years 1200 and 1400.

Explores key sites visited by artist-travellers and investigates the artists.

Charts Diana Armfield's personal and artistic journey with over 200 beautiful reproductions of her work.

Drawing on works of art spanning four thousand years and from across the globe, this book explores the fundamental role of touch in human experience, and offers new ways of looking.

This book recounts the exciting rediscovery of Giorgio Vasari's painting Allegory of Patience, painted in 1551-52 for the Bishop of Arezzo, Vasari's hometown. The painting was conceived in Rome with the aid of Michelangelo, as many surviving letters reveal.

The goldsmith and mineralogist Johann Christian Neuber (1736-1808) was one of the greatest masters of the gold objet - gold boxes, watch cases, chatelaines, etc. - which he in particular decorated to splendid effect with semiprecious stones - agate, jasper, carnelian and a host of others.

To celebrate the recent opening of the Thomson Collection galleries at the transformed Art Gallery of Ontario, Torontoredesigned by Canadian architect Frank Gehryfive new books recording Ken Thomsons historic donation of 2,000 superb works of art have been published by Skylet in association with the AGO. All five jacketed paperbacks are available in a box set.

Illustrating the pictorial, this is a catalogue containing a display of paintings by the finest painters in Europe (1621 - 1665) and decoration of the major focus of the Golden Age of Spanish painting, the new Buen Retiro Palace built by Philip IV. While many of these are very famous, others have remained unidentified in the Prado's storerooms.

This volume, with full entries on Oskar Reinhart's entire collection of 207 works by 45 leading scholars in their field, and superb plates carefully checked against the originals, sets out to give the important works in Reinhart's collection (including a number of Old Masters and many French ninteenth century paintings) the attention they deserve.