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There can be few examples of intensive fashioning and self-fashioning by a Renaissance figure more remarkable than Prince Henry (1594-1612).
Sir Peter Lely (1618-1680) was Charles II's Principal Painter and the outstanding artistic figure of Restoration England. When Lely arrived in England in the early 1640s his ambition was to be a painter of narrative scenes and not to work as a portraitist.
The importance of Gombrich's work on the history of taste has yet to be fully recognised, and when it comes to the application of developments in psychology to the visual arts he has remained largely on his own.
Philip de Laszlo, following a meteoric rise to recognition in his native Hungary, settled in Britain in 1907 and became the leading portrait-painter in the country.
Accompanying a landmark exhibition at the Courtauld Gallery, this book examines the remarkable drawings made by Du rer as a young man from 1490 to 1495, especially those made during his journeyman years, or Wanderjahre - considered the final part of a craftsman's training - and a second shorter trip which immediately followed and seems to have ...
In 1966 Mark Gambier-Parry bequeathed to the Courtauld the art collection formed by his grandfather Thomas Gambier Parry (who died in 1888). Since then, of the 28 ivories in the collection, about half have been on permanent display at The Courtauld, yet they have remained largely unknown, even to experts.
This book accompanies an exhibition at Waddesdon that will unite Chardin's four paintings of a boy with a house of cards for the first time (loans come from the Musee du Louvre, Paris; National Gallery, London; National Gallery of Art, Washington DC), allowing us to examine Chardin's treatment of the subject in the context of his fascination ...
Accompanying a major exhibition at Compton Verney, Warwickshire, this book examines the innate human desire to transcend the limitations of physiology and gravity - and to fly.
Published to accompany the first substantial exhibition on the tradition of Spanish drawings to take place in London, this catalogue captures the excitement and importance of this rapidly developing field of study. It presents highlights from The Courtauld Gallerys collection of Spanish drawings, one of the most important in Britain. Comprising some 120 works, the collection ranges from the 16th to the 20th centuries and features examples by many of Spains greatest artists, including Ribera, Murillo, Goya and Picasso.
The Thomson Collection contains examples of the highest quality of most types of medieval ivory carving, both secular and religious.
Isabella Stewart Gardner routinely went toe-to-toe with major museums and titans of industry to purchase masterpieces, created a museum unlike any other, and was famous for consistently flouting the social conventions that governed women of her time. This book shows another side of Isabella that readers may not expect: her love of dogs.
This catalogue accompanied an exhibition at the Groeninge Museum, Bruges, which celebrated one of the greatest European artists of the late fourteenth century, Andre Beauneveu, apparently born in Valenciennes c. 1335.
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