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The 300 spectacular photographs in Call of the Blue are the culmination of a five-year project by photographer and ocean conservationist Philip Hamilton to witness and photograph marine life around the world.
An in-depth examination of one of the most important ancient works in America, the exquisite Farnese Sarcophagus.
Accompanying an exhibition at the Morgan Library & Museum, New York, Thomas Gainsborough: Experiments in Drawing off ers an overview of his work as a draftsman, with a particular look at his technical innovations and his mastery of material.
Published to coincide with the first major retrospective on the artist in over 30 years, and featuring a number of rediscovered masterpieces, Henry Lamb: Out of the Shadows aims to cement his rightful position in the forefront of early 20th-century British art.
Written with a sparkle matching Townley's own enthusiasm, this beautiful and engaging publication tells the story of 14 Queen Anne's Gate and examines the extraordinary life of Charles Townley and his remarkable collection of over 150 Roman marble statues.
This exceptional collection of Islamic textiles published here ranges widely in region, material and technique. There are exquisite textiles and garments from North Africa, Syria, Arabia, Iran, Turkey and the Indian subcontinent, mainly from the 19th and early 20th centuries, which continue the traditions established in the medieval Islamic world.
A lively and engaging introduction to one of the most charismatic figures in the history of British art, G.F. Watts. Covering all aspects of Watts's career, it places him back at the centre of the visual culture of the 19th century. Published to celebrate the 200th anniversary of his birth.
First serious study of Rodin's late sculptural series known as the Dance Movements (from 1911), comprising essays from leading scholars in the field of sculpture.
Accompanying a display at The Courtauld Gallery that will bring together for the first time Pieter Bruegel the Elder's only 3 known grisaille paintings, this book will examine the sources, function and reception of these 3 exquisite and unusual masterpieces.
Jonathan Richardson (1667-1745) was one of 18th-century England's most significant cultural figures. At the age of 61, shortly before his retirement, Richardson began to create a remarkable series of self-portrait drawings. Not intended for public display, these were unguarded explorations of his own character.
A masterpiece of medieval Arab metalwork revealed, shedding light on courtly life in northern Iraq under the Mongol governorship.
This groundbreaking reconstruction of Goya's so-called 'Witches and Old Women' album will offer rich insights into the artist's concerns and preoccupations and will immeasurably deepen our understanding of the artist.
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