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Exposing the political and cultural failure to address the challenges of postcolonial Trinidad, this insightful novel portrays a world where the working man must face the crime and violence that is destroying the social body. Walter Castle is dissatisfied with his regular job in the Laventille slum in Port of Spain. As the prospect of promotion is bleak and crime and lawless youth become insupportable, he dreams of going back to the village community he grew up in. Unfortunately, the force of nostalgia is not supported by actual memories and as Walter abandons his dreams he is forced to choose between turning into a drone who passes through life without leaving a mark, or standing up for himself. Originally published in 1965, this story remains surprisingly contemporary with its astringent critique of the top-down authoritarianism of nationalist politics.
Inspired by the word "red," this collection of poems written by black British writers--including both established authors and new, exciting poets--explores the subjects and ideas stirred by a single trigger, from the word's usual associations with blood, violence, passion, and anger, as well as with sensuality and sexuality, to more surprising interpretations such as the link to a particular mood, the quality of light in the sky, the color of skin, and the sound of a song. This remarkable compilation succeeds in generating poems that find an intriguing resonance with each other while also revealing images and themes unique to the individual poets.
Exploring rites of passage in London's Asian community, this semiautobiographical novel follows a young Indo-Guyanese narrator from his South American village to Great Britain. With determination and self-discipline he seizes opportunities of education and upward mobility, but struggles to keep his cultural identity alive through memories of his childhood. This sophisticated postcolonial text links language and character to reveal the social divisions, educational obstacles, and self-exploration of a struggling foreigner in the mid-20th century.
Nick Makoha's debut collection is named for the title poem, the 2015 Brunel University African Poetry Prize poem "Kingdom of Gravity".
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