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The 7 Earl Beauchamp was a prominent figure in English public life in the years 1900¿30, but his career ended in scandal. He was barred from English soil, his reputation was destroyed and his papers were withheld from public view. In this book, Peter Raina uses previously unreleased documents to reassess Beauchamp¿s life and legacy. Born into the aristocracy, Beauchamp was driven by a sense of noblesse oblige and devoted his life to public service. Though some of this was ceremonial, Beauchamp was keen to involve himself in practical politics, where he showed his independence of mind. He joined the Liberals as they pushed through change against obstruction from his own landowning class. He championed Irish Home Rule. In 1914 he opposed entry into the war and lost any chance of promotion. However, he remained deeply loyal to his party even after its split and decline, and worked tirelessly in its cause. His life touched on great events such as the formation of Australia and, in Britain, the great reforms of 1906¿9, the 1911 Parliament Act, the crisis of 1914, the creation of the Irish Free State, the Liberal collapse, the first Labour government and the economic slump. Through all these, he busied himself in party affairs, but one aspect of his private life worked against him and, in a Sophoclean twist, he fell from grace. This book documents the Earl¿s involvement in politics, explores his personality and looks carefully at the issues that brought him down. In the light of this analysis, it is hoped that historians will recognize his significant contribution to the events of his day.
The fortieth anniversary of the independence of the African countries colonized by Portugal presents a valuable opportunity to reassess how colonialism has been «imagined» through the medium of the moving image. The essays collected in this volume investigate Portuguese colonialism and its filmic and audio-visual imaginaries both during and after the Estado Novo regime, examining political propaganda films shot during the liberation wars and exploring the questions and debates these generate. The book also highlights common aspects in the emergence of a national cinema in Angola, Mozambique and Guinea-Bissau. By reanimating (and decolonizing) the archive, it represents an important contribution to Portuguese colonial history, as well as to the history of cinema and the visual arts.
A long history of poverty, discrimination, colonialism and struggle for social justice has provided, over the last fifty years, the context for the development of a vast amount of critical scholarship targeting marginalization in Brazil: Freireian pedagogics, theology of liberation, critical sociology, anthropology and ethnomathematics, critical social psychology and discourse analysis. Most of this scholarship has unfortunately been accessible only to the Portuguese-speaking readership. This volume presents, for the first time to an international audience, the novel understandings of critical research that have emerged in this frame. While Brazil is entering a new phase of socio-economic and political turmoil, distinguished representatives of the various critical research traditions from all over Brazil explore the voices and practices of those who are usually hardly heard: the helpless, the mentally ill, the landless, the homeless, the voiceless youth, delinquents, indigenous people, the powerless. The volume proposes original theoretical tools and arguments that can inspire social-scientific discussions on facing poverty and marginalization not only with regard to Brazil, but also other parts of the world. It is the first book of its kind in English and a unique tool for undergraduate and graduate students, researchers and specialists across the social sciences.
This edited volume brings together perspectives on embodied queerness within the complicated parameters of hegemonic normativities, biopolitics and social-religious governmentalities. Queering Paradigms VI offers queer interventions, explores value-production in socio-corporeal normative frameworks, and exemplifies and highlights the complexity of queering in the global-local continuum. Queer maintains its revolutionary subversive functionality as an impulse and catalyst for cultural shifts challenging status quos, advancing cultural philosophy and activism/artivism and subverting harmful discourses at work among communities of practice and academic disciplines. The authors of this volume demonstrate the discoursive power of value-production and show pathways of global-local queer resistance, virtuosity and failure in the fields of philosophy, pedagogy, psychology, art, criminology, health, social media, history, religion and politics. The volume features a particular South Asia focus and a balanced mix of early career researchers and established scholars, which reflects Queering Paradigms¿ ethos for fostering a genial academic community of practice and to proffer intergenerational support and voice.
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