Books published by Pindar Press

The four volumes of Edward Garrison's Studies, published between 1953 and 1962, represented a landmark in the study of medieval Italian painting.

The four volumes of Edward Garrison's Studies, published between 1953 and 1962, represented a landmark in the study of medieval Italian painting.

The four volumes of Edward Garrison's Studies, published between 1953 and 1962, represented a landmark in the study of medieval Italian painting.

The four volumes of Edward Garrison's Studies, published between 1953 and 1962, represented a landmark in the study of medieval Italian painting.

This volume brings together for the first time Rosemary Cramp's seminal studies on Anglo-Saxon crosses and sculptural fragments. The papers are principally concerned with the kingdom of Northumbria but the essays also trace the influence of Northumbria's culture and iconography across Anglo-Saxon England.

This collection contains 22 of George Zarnecki's studies, produced within the last 12 years, which provide a guide to recent research on English Romanesque sculpture.

This volume brings together John Oates' studies on English printing, and the collection at Cambridge University Library, to which he devoted his career. It contains fifteen studies on English printing between the filteenth and the eighteenth centuries, and eleven studies on the collection of Cambridge University Library.

This was the first International Conference specifically devoted to the study of Ethiopian art. The Proccedings of the Conference makes available papers devoted to the study of Ethiopian art, as distinct from papers on other aspects of Ethiopian life and civilization.

Professor Nordenfalk's work over the last forty years has represented perhaps the most important effort made in these decades to clarify the development of book illumination in the late antique and early medieval periods. His papers on late antique and insular manuscript painting in particular are recognized as standard works on the subject.

Professor van Os has spent twenty years working on Tuscan painting, and his contributions to the study of the Sienese school are of great importance. This volume brings together for the first time his articles on Tuscan art in the period leading up to the Renaissance in Florence and Siena.

This second volume of Basil Robinson's Studies concentrates on Persian manuscript illumination, beginning with six studies of artists who worked in this medium. There then follows twenty-two studies of individual manuscripts, from the fourteenth century onwards.

The work of G. D. Hobson on the history of bookbinding, in particular English medieval and Renaissance bindings, is well known. His studies on Romanesque English bookbinding marked a pioneer effort to trace the development of the art of binding in early medieval England, and remain the fundamental introduction to the subject.

The publication of Professor Buchthal's work on Crusader miniature painting represented a landmark in medieval studies, and for nearly thirty years this book has remained the standard work of reference on the subject.

George Henderson's work on English biblical illumination has thrown new light on the sources of some of the most celebrated Anglo-Saxon and Norman illustrated manuscripts and helped to place the astonishing creativity and skill of the artists who worked on these manuscripts within the developing tradition of Bible illumination in the Middle Ages.

George Henderson's work on English biblical illumination has thrown new light on the sources of some of the most celebrated Anglo-Saxon and Norman illustrated manuscripts and helped to place the astonishing creativity and skill of the artists who worked on these manuscripts within the developing tradition of Bible illumination in the Middle Ages.

The Alexander Romance, a fabulous pseudo-history of the life of Alexander the Great compiled in late Antiquity, was one of the most popular secular texts in Europe during the Middle Ages. Its subsequent influence on the development of French and German literature has been significant.

This last volume of The Old English Farming Books brings the series up to 1900, and was completed shortly before the author's death this year. It covers the period of intensive farming in the late nineteenth century, and the spread of agricultural education and textbooks.

Over the past fifty years, Francoise Henry has been the leading authority on the history of early Irish art.

Over the past fifty years, Francoise Henry has been the leading authority on the history of early Irish art.

This fourth volume of Dr. Fussell's bibliography covers the period from the foundation of the Royal Agricultural Society of England to the agricultural repercussions of the abolition of the Corn Laws.