Books published by Pindar Press

This selection of sixteen studies by Dr Fussell covers English topography and farming over a period of three hundred years, from the Tudor era to the aftermath of the Napoleonic Wars.

The work of George D. Painter on incunabula and early printing needs no introduction. Ranging from Gutenberg and Caxton to the first printing in France and Spain, the author has done much to illuminate the tangled history of the earliest editions of some of the rarest and most attractive books in European printing.

In this second volume of Professor White's studies, the emphasis shifts to Italian art in the thirteenth and fourteenth centuries, and the major figures who were responsible for the decisive changes in painting and sculpture that were to lead on to the Renaissance. Here again, however, there is the same concern with the actual monuments.

This second volume of Professor Kurz's studies completes the comprehensive selection in Vol. I with a further thirty articles, published over forty years, and showing the extraordinary breadth of the author's interests.

The two previous volumes in Dr. Fussell's study of The Old English Farming Books have become the standard works of reference on the agricultural literature of England from the fifteenth to the eighteenth centuries, and their value for the study of the development of farming over this period is well recognized.

This selection of 57 studies by Dr. D. E. Rhodes focuses on the history of printing in Italy from the earliest printers of the 15th century to the flourishing of regional presses in the 16th and 17th centuries.

A Festschrift for Christopher Walter featuring studies on ritual and art in the Byzantine church. Subjects include: the Creation of the Marginal Psalter; Early Byzantine enamel in France; Byzantine Imperial Communion Ritual; the miniatures of a palaeologan New Testament at the Hagia Lavra Monastery.

Recent discussions on Byzantine art have been dominated by the question of representing realia . Among these, however, the way works of art reflect the daily life of women have not received much space or attention.

Professor Charles D. Cuttler changed from artist to art historian at New York University s Institute of Fine Arts , studying under distinguished teachers such as Walter Friedlaender and Erwin Panofsky. A specialist in Flemish painting, he spent the major part of his career teaching at the University of Iowa.

Professor Fernie's research has done much to clarify the development of architecture in England and France from the Anglo-Saxon and Carolingian periods, through the Romanesque to the development of Gothic. Of particular interest has been his studies of architectural proportions and systems of length during this period.

This second volume of Professor Sullivan's studies covers his work on modern Chinese art and the art and archaeology of South-East Asia.

This book is a reconsideration of the practice of whitewashing church interiors during the Protestant Reformation in the sixteenth and seventeenth centuries. It is the first detailed study of its kind which challenges the view that whitewash was always only a `cheap coat of paint'.

"Rethinking Malevich" is an English-language collection of sixteen innovative essays by leading international scholars that document new and intriguing aspects of Kazimir Malevich's art and biography.

Dr. Jean Michel Massing is a Reader in the History of Art and a Fellow of King's College, Cambridge. The first volume of Studies in Imagery, Text and Images consists of 25 studies grouped under four sections: Classical Art and its Nachleben; Symbolic Languages; Saints and Devils; Comets, Dreams and Stars.

The present volume gathers together a selection of the editorials, articles, conference papers and essays, though which he has furthered his own attempts to renew art history and participated in those of others.