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This book examines the dramatic rewritings that emerged in the period 1970-2007, during which stage adaptations flourished in Ireland. The year 1970 marked the beginning of a significant theatrical renaissance in Ireland, recalling that which occurred in the early twentieth century. This renewal was characterized by the prominence of major playwrights such as Brian Friel, Tom Murphy and Thomas Kilroy. The essays collected in this volume seek to provide new perspectives on theatre adaptation in Ireland, while shedding light on the particular features of the contemporary Irish theatre landscape. Far from being an exhaustive history of theatre adaptation, these articles, using differing methodologies, investigate the many ways in which adaptation has left its imprint on Irish theatre since the 1970s. Appended to this book is a DVD that offers excerpts from a staged reading of Enda Walsh¿s Pondlife Angels. This DVD also includes the recording of a roundtable discussion, in which two Irish directors express their views on contemporary Irish theatre.
This book has been shortlisted for an ESSE book award 2012 in Literatures in the English Language, Junior Scholars. This book gives an account of the significance of the rogue in contemporary British literature and culture, focusing on this character¿s survival and metamorphosis from the second half of the 20 century onwards. While the character of the rogue is most often associated with the 16 and 17 centuries, the author focuses on contemporary literary texts, as well as cinematographic adaptations. She discusses the revival of the rogue mainly in the 1950s, adopting a comparative approach, establishing connections to other fields of representation besides literature. Thus, the originality of this book lies in its interdisciplinary nature. The focus on contemporary writers who have put the character of the rogue at the forefront in their works, particularly Martin Amis and Irvine Welsh, and the author¿s awareness of the socio-political circumstances in which the books were written, adds substantially to our understanding of the rogue character.
Behind the conflicts and the crises, the agreements and the severing of ties, the oil sector is above all a global business, number one in terms of the scale of trading. The sector is not only essential to the world economy, but it is generally thought to be of strategic importance. The history of oil gives scholars the chance to track and analyse changes in the world in the twentieth century, especially through the transition from unequal trading towards more balanced solutions, in which oil-producing countries can really profit from their resources. Numerous solutions have been proposed to ensure that oil revenue is not lost, but also to ensure that profits are made and supplies are secure. In order to examine the diversity and complexity of the recent history of the oil industry, this book considers the twentieth century across different continents, using original examples and new research on regions such as Latin America and Africa. Different views are analysed and changes in the industry are put into context. Today¿s realities are brought into focus by putting the spotlight on long-term changes. The volume concludes that the oil sector has not yet fully established itself as a sector of strategic importance.
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