Books published by Princeton University Press

From famed zoologist Anthony Sinclair, an account of his decades-long quest to understand one of Earth's most spectacular ecosystemsWith its rich biodiversity, astounding wildlife, and breathtaking animal migrations, Serengeti is like no other ecosystem on the planet. A Place like No Other is Anthony Sinclair's firsthand account of how he and other scientists discovered the biological principles that regulate life in Serengeti and how they rule all of the natural world.When Sinclair first began studying this spectacular ecosystem in 1965, a host of questions confronted him. What environmental features make its annual migration possible? What determines the size of animal populations and the stunning diversity of species? What factors enable Serengeti to endure over time? In the five decades that followed, Sinclair and others sought answers. What they learned is that seven principles of regulation govern all natural processes in the Serengeti ecosystem. Sinclair shows how these principles can help us to understand and overcome the challenges facing Serengeti today, and how they can be used to repair damaged habitats throughout the world.Blending vivid storytelling with invaluable scientific insights from Sinclair's pioneering fieldwork in Africa, A Place like No Other reveals how Serengeti holds timely lessons for the restoration and conservation of our vital ecosystems.

The surprising story of how Greek classics are being pressed into use in contemporary China to support the regime's political agendaAs improbable as it may sound, an illuminating way to understand today's China and how it views the West is to look at the astonishing ways Chinese intellectuals are interpreting-or is it misinterpreting?-the Greek classics. In Plato Goes to China, Shadi Bartsch offers a provocative look at Chinese politics and ideology by exploring Chinese readings of Plato, Aristotle, Thucydides, and other ancient writers. She shows how Chinese thinkers have dramatically recast the Greek classics to support China's political agenda, diagnose the ills of the West, and assert the superiority of China's own Confucian classical tradition.In a lively account that ranges from the Jesuits to Xi Jinping, Bartsch traces how the fortunes of the Greek classics have changed in China since the seventeenth century. Before the Tiananmen Square crackdown, the Chinese typically read Greek philosophy and political theory in order to promote democratic reform or discover the secrets of the success of Western democracy and science. No longer. Today, many Chinese intellectuals use these texts to critique concepts such as democracy, citizenship, and rationality. Plato's "e;Noble Lie,"e; in which citizens are kept in their castes through deception, is lauded; Aristotle's Politics is seen as civic brainwashing; and Thucydides's criticism of Athenian democracy is applied to modern America.What do antiquity's "e;dead white men"e; have left to teach? By uncovering the unusual ways Chinese thinkers are answering that question, Plato Goes to China opens a surprising new window on China today.

From one of today’s leading historians of the early medieval period, an enthralling chronicle of Æthelstan, England’s founder king whose achievements of 927 rival the Norman Conquest of 1066 in shaping Britain as we know itThe First King of England is a foundational biography of Æthelstan (d. 939), the early medieval king whose territorial conquests and shrewd statesmanship united the peoples, languages, and cultures that would come to be known as the “kingdom of the English.” In this panoramic work, David Woodman blends masterful storytelling with the latest scholarship to paint a multifaceted portrait of this immensely important but neglected figure, a man celebrated in his day as much for his benevolence, piety, and love of learning as he was for his ambitious reign.Set against the backdrop of warring powers in early medieval Europe, The First King of England sheds new light on Æthelstan’s early life, his spectacular military victories and the innovative way he governed his kingdom, his fostering of the church, the deft political alliances he forged with Europe’s royal houses, and his death and enduring legacy. It begins with the reigns of Alfred the Great and Edward the Elder, Æthelstan’s grandfather and father, describing how they consolidated and expanded the “kingdom of the Anglo-Saxons.” But it was Æthelstan who would declare himself the first king of all England when, in 927, he conquered the viking kingdom at York, required the submission of a Scottish king, and secured an annual tribute from the Welsh kings.Beautifully illustrated and breathtaking in scope, The First King of England is the most comprehensive, up-to-date biography of Æthelstan available, bringing a magisterial richness of detail to the life of a consequential British monarch whose strategic and political sophistication was unprecedented for his time.

For the first time in English, Jung's landmark lecture on Nerval's hallucinatory memoirIn 1945, at the end of the Second World War and after a long illness, C. G. Jung delivered a lecture in Zurich on the French Romantic poet Gerard de Nerval. The lecture focused on Nerval's visionary memoir, Aurelia, which the poet wrote in an ambivalent attempt to emerge from madness. Published here for the first time, Jung's lecture is both a cautionary psychological tale and a validation of Nerval's visionary experience as a genuine encounter.Nerval explored the irrational with lucidity and exquisite craft. He privileged the subjective imagination as a way of fathoming the divine to reconnect with what the Romantics called the life principle. During the years of his greatest creativity, he suffered from madness and was institutionalized eight times. Contrasting an orthodox psychoanalytic interpretation with his own synthetic approach to the unconscious, Jung explains why Nerval was unable to make use of his visionary experiences in his own life. At the same time, Jung emphasizes the validity of Nerval's visions, differentiating the psychology of a work of art from the psychology of the artist. The lecture suggests how Jung's own experiments with active imagination influenced his reading of Nerval's Aurelia as a parallel text to his own Red Book.With Craig Stephenson's authoritative introduction, Richard Sieburth's award-winning translation of Aurelia, and Alfred Kubin's haunting illustrations to the text, and featuring Jung's reading marginalia, preliminary notes, and revisions to a 1942 lecture, On Psychological and Visionary Art documents the stages of Jung's creative process as he responds to an essential Romantic text.

An invigorating exploration of the pleasures and social benefits of conversationTalking Cure is a timely and enticing excursion into the art of good conversation. Paula Marantz Cohen reveals how conversation connects us in ways that social media never can and explains why simply talking to each other freely and without guile may be the cure to what ails our troubled society.Drawing on her lifelong immersion in literature and culture and her decades of experience as a teacher and critic, Cohen argues that we learn to converse in our families and then carry that knowledge into a broader world where we encounter diverse opinions and sensibilities. She discusses the role of food in encouraging conversation, the challenges of writing dialogue in fiction, the pros and cons of Zoom, the relationship of conversation to vaudeville acts, and the educational value of a good college seminar where students learn to talk about ideas. Cohen looks at some of the famous groups of writers and artists in history whose conversation fed their creativity, and details some of the habits that can result in bad conversation.Blending the immediacy of a beautifully crafted memoir with the conviviality of an intimate gathering with friends, Talking Cure makes a persuasive case for the civilizing value of conversation and is essential reading for anyone interested in the chatter that fuels culture.

Jung's lectures on consciousness and the unconscious-in English for the first timeBetween 1933 and 1941, C. G. Jung delivered a series of public lectures at the Swiss Federal Institute of Technology (ETH) in Zurich. Intended for a general audience, these lectures addressed a broad range of topics, from dream analysis and yoga to the history of psychology. They are at the center of Jung's intellectual activity in this period and provide the basis of his later work. Here for the first time in English is Jung's introduction to his core psychological theories and methods, delivered in the summer of 1934.With candor and wit, Jung shares with his audience the path he himself took to understanding the nature of consciousness and the unconscious. He describes their respective characteristics using examples from his clinical experience as well as from literature, his travels, and everyday life. For Jung, consciousness is like a small island in the ocean of the unconscious, while the unconscious is part of the primordial condition of humankind. Jung explains various methods for uncovering the contents of the unconscious, in particular talk therapy and dream analysis.Complete with explanations of Jungian concepts and terminology, Consciousness and the Unconscious painstakingly reconstructs and translates these talks from detailed shorthand notes by attendees, making a critical part of Jung's work available to today's readers.

"How eighteenth-century literature depended on misinterpretation--and how this still shapes the way we read. Reading It Wrong is a new history of eighteenth-century English literature that explores what has been everywhere evident but rarely talked about: the misunderstanding, muddle and confusion of readers of the past when they first met the uniquely elusive writings of the period. Abigail Williams uses the marginal marks and jottings of these readers to show that flawed interpretation has its own history--and its own important role to play--in understanding how, why and what we read. Focusing on the first half of the eighteenth century, the golden age of satire, Reading It Wrong tells how a combination of changing readerships and fantastically tricky literature created the perfect grounds for puzzlement and partial comprehension. Through the lens of a history of imperfect reading, we see that many of the period's major works--by writers including Daniel Defoe, Eliza Haywood, Mary Wortley Montagu, Alexander Pope and Jonathan Swift--both generated and depended upon widespread misreading. Being foxed by a satire, coded fiction or allegory was, like Wordle or the cryptic crossword, a form of entertainment, and perhaps a group sport. Rather than worrying that we don't have all the answers, we should instead recognize the cultural importance of not knowing"--

The case for an eco-emancipatory politics to release the Earth from human domination and free us all from lives that are both exploitative and exploitedHuman domination of nature shapes every aspect of our lives today, even as it remains virtually invisible to us. Because human beings are a part of nature, the human domination of nature circles back to confine and exploit people as well-and not only the poor and marginalized but also the privileged and affluent, even in the world's most prosperous societies. Although modern democracy establishes constraints intended to protect people from domination as the arbitrary exercise of power, it offers few such protections for nonhuman parts of nature. The result is that, wherever we fall in human hierarchies, we inevitably find ourselves both complicit in and entrapped by a system that makes sustainable living all but impossible. It confines and exploits not only nature but people too, albeit in different ways. In Eco-Emancipation, Sharon Krause argues that we can find our way to a better, freer life by constraining the use of human power in relation to nature and promoting nature's well-being alongside our own, thereby releasing the Earth from human domination and freeing us from a way of life that is both exploitative and exploited, complicit and entrapped. Eco-emancipation calls for new, more-than-human political communities that incorporate nonhuman parts of nature through institutions of representation and regimes of rights, combining these new institutional arrangements with political activism, a public ethos of respect for nature, and a culture of eco-responsibility.

A riveting history of vampire panics across cultures and down through the millennia—and why killing the dead is better than killing the livingKilling the Dead provides the first in-depth, global account of one of the world’s most widespread yet misunderstood forms of mass hysteria—the vampire epidemic. In a spellbinding narrative, John Blair takes readers from ancient Mesopotamia to present-day Haiti to explore a macabre frontier of life and death where corpses are believed to wander or do harm from the grave, and where the vampire is a physical expression of society’s inexplicable terrors and anxieties.In 1732, the British public opened their morning papers to read of lurid happenings in eastern Europe. Serbian villagers had dug up several corpses and had found them to be undecayed and bloated with blood. Recognizing the marks of vampirism, they mutilated and burned them. Centuries earlier, the English themselves engaged in the same behavior. In fact, vampire epidemics have flared up throughout history—in ancient Assyria, China, and Rome, medieval and early modern Europe, and the Americas. Blair blends the latest findings in archaeology, anthropology, and psychology with vampire lore from literature and popular culture to show how these episodes occur at traumatic moments in societies that upend all sense of security, and how the European vampire is just one species in a larger family of predatory supernatural entities that includes the female flying demons of Southeast Asia and the lustful yogin¿s of India.Richly illustrated, Killing the Dead provocatively argues that corpse-killing, far from being pathological or unhealthy, served as a therapeutic and largely harmless outlet for fear, hatred, and paranoia that would otherwise result in violence against marginalized groups and individuals.

The essential illustrated guide to the ingenious techniques that insects use to design and construct an astounding array of natural structures, from nests to shelters to trapsInsect Architecture takes you inside the amazing structures that insects build, from the paper galleries of yellowjacket wasps to elaborate termite mounds complete with royal chambers and air-conditioning systems. Each chapter focuses on a group of insect architects, describing the materials and methods they use while exploring the structures themselves in detail. Blending spectacular illustrations with illuminating case studies of representative species from around the world, this is the ultimate guide to insect artistry, innovation, and design.Features a wealth of color photos, explanatory diagrams and blueprints, step-by-step sequences, and visual spreadsCovers all major groups of insect architects and the broad array of structures they buildExplains how anatomy, life cycle, and habitat are the ingredients to extraordinary creationsProfiles the insect world’s most accomplished builders—from beetles, bees, and cicadas to moths, wasps, ants, and termitesDiscusses the ecological impacts of insect architectureReveals how insect builders have inspired human design innovations

A comprehensive and authoritative collection of Thoreau quotations on more than 150 subjects, from beauty to wisdomFew writers are more quotable than Henry David Thoreau. His books, essays, journals, poems, letters, and unpublished manuscripts contain an inexhaustible treasure of epigrams and witticisms, from the famous ("The mass of men lead lives of quiet desperation") to the obscure ("Who are the estranged? Two friends explaining") and the surprising ("I would exchange my immortality for a glass of small beer this hot weather"). The Quotable Thoreau, the most comprehensive and authoritative collection of Thoreau quotations ever assembled, gathers more than 2,000 memorable passages from this iconoclastic American author, social reformer, environmentalist, and self-reliant thinker. Including Thoreau's thoughts on topics ranging from sex to solitude, manners to miracles, government to God, life to death, and everything in between, the book captures Thoreau's profundity as well as his humor ("If misery loves company, misery has company enough"). Drawing primarily on The Writings of Henry D. Thoreau, published by Princeton University Press, The Quotable Thoreau is thematically arranged, fully indexed, richly illustrated, and thoroughly documented. For the student of Thoreau, it will be invaluable. For those who think they know Thoreau, it will be a revelation. And for the reader seeking sheer pleasure, it will be a joy. Over 2,000 quotations on more than 150 subjectsRichly illustrated with historic photographs and drawingsThoreau on himself and his contemporariesThoreau's contemporaries on ThoreauBiographical time lineAppendix of misquotations and misattributionsFully indexedSuggestions for further reading

A fascinating account of the use and meaning of visual and spatial distortions in seventeenth-century art and architectureDuring the Catholic Reformation, patrons, artists, architects, and viewers, especially in Rome, were strongly drawn to visual and spatial distortions or "deformations"-works of art and architecture that were designed to be visually incomprehensible, at least initially. From Borromini's San Carlo alle Quattro Fontane in Rome to the attention-grabbing prospettiva in the city's Palazzo Spada and the anamorphoses that define the corridors and walls of Minim and Jesuit buildings, The Deformation explores what this intriguing phenomenon reveals about contemporary religious belief, optics, and the natural sciences, as well as wider questions about attention and discernment. Failing to conform to an established ideal, deformations required a "reformation" to achieve that ideal. Anamorphic deformations, for example, could only be reformed into clarity when viewed from a particular angle or through a special mirror. Susanna Berger examines how deformations were experienced by beholders, and how they were embraced or opposed by critics. The book shows how deformations and related works-whether altar tabernacles, ephemeral religious architecture, churches, monumental sundials, colonnades with accelerated perspective, illusionistic frescoes, turned ivories, or painted anamorphoses-focused observers' attention on theological mysteries and the social power and sophistication of patrons. The book's rich illustrations include two gatefolds and some anamorphic images that can be seen without distortion by using an included reflective insert as a mirror. Looking at writings as well as visual works in multiple artistic media not typically considered in relation to each other, The Deformation offers a new interpretation of deformation that highlights the delay between perception and discernment. Susanna Berger is associate professor of art history and philosophy at the University of Southern California. She is the author of The Art of Philosophy: Visual Thinking in Europe from the Late Renaissance to the Early Enlightenment (Princeton).