Books published by Princeton University Press

"In this capstone book, fairy tale expert Jack Zipes has assembled what he describes as his last theoretical and critical study of fairy tales. His purpose is to create a coherent collection that pays tribute to a group of writers that he views as "survivors with a mission" whose tales inspire readers to this day. The book begins with a substantial introduction in which Zipes discusses the history of his interest in fairy tales and the motivation for his scholarship in the field. In a world filled with conflict, he writes, "fairy tales can be used for enlightenment by all of us or abused by small groups of powerful people who seek domination." The main text includes thirteen essays on notable authors of fairy tales-âEdouard Laboulaye, Kurt Schwitters, Bâela Bâalazs, Christian Bèarmann, Charles Godfrey Leland, Mariette Lydis, Ernst Bloch, Paul Vaillant-Couturier, Hermynia zur Mèuhlen, Lisa Teztner, Felix Salten, Emery Kelen, and Gianni Rodari-many of whom lived through revolutions and world wars or were otherwise compelled to confront political oppression during their lives. Zipes considers their cultural significance and their contributions to fairy tale literature, arguing that each deserves greater attention and appreciation. Some of the chapters have been adapted from previously published introductions Zipes wrote for the Oddly Modern Fairy Tales series, which he edits, and others are adapted from scholarly volumes that Zipes has published over his long career as a self-identified "scholarly scavenger" of largely forgotten tales. Together, they create a portrait of the political stakes that have animated Zipes's lifelong fascination with the fairy tale, and explain why readers and writers alike continue to return to this narrative form"--

"Songs, barks, roars, hoots, squeals, and growls: exploring the mysteries of how animal communicate by soundWhat is the meaning of a bird's song, a baboon's bark, an owl's hoot, a dolphin's clicks? In The Voices of Nature, Nicolas Mathevon explores the mysteries of animal sound. Putting readers in the middle of animal soundscapes that range from the steamy heat of the Amazon jungle to the icy terrain of the Arctic, Mathevon reveals the amazing variety of animal vocalizations. He describes how animals use sound to express emotion, to choose a mate, to trick others, to mark their territory, to call for help, and much more. What may seem like random chirps, squawks, and cries are actually signals that, like our human words, allow animals to carry on conversations with others.Mathevon explains how the science of bioacoustics works to decipher the ways animals make and hear sounds, what information is encoded in these sound signals, and what this information is used for in daily life. Drawing on these findings as well as observations in the wild, Mathevon describes, among many other things, how animals communicate with their offspring, how they exchange information despite ambient noise, how sound travels underwater, how birds and mammals learn to vocalize, and even how animals express emotion though sound. Finally, Mathevon asks if these vocalization, complex and expressive as they are, amount to language.For readers who have wondered about the meaning behind a robin's song or the cicadas' relentless "tchik-tchik-tchik," this book offers a listening guide for the endlessly varied concert of nature"--]cProvided by publisher.

"A definitive reframing of the economic, institutional, and intellectual history of the managerial eraThe twentieth century was the managerial century in the United States. An organizational transformation, from entrepreneurial to managerial capitalism, brought forth what became a dominant narrative: that administrative coordination by trained professional managers is essential to the efficient running of organizations both public and private. And yet if managerialism was the apotheosis of administrative efficiency, why did both its practice and the accompanying narrative lie in ruins by the end of the century? In The Corporation and the Twentieth Century, Richard Langlois offers an alternative version: a comprehensive and nuanced reframing and reassessment of the the economic, institutional, and intellectual history of the managerial era.Langlois argues that managerialism rose to prominence not because of its inherent superiority but because of its contingent value in a young and rapidly developing American economy. The structures of managerialism solidified their dominance only because the century's great catastrophes of war, depression, and war again superseded markets, scrambled relative prices, and weakened market-supporting institutions. By the end of the twentieth century, Langlois writes, these market-supporting institutions had reemerged to shift advantage toward entrepreneurial and market-driven modes of organization.This magisterial new account of the rise and fall of managerialism holds significant implications for contemporary debates about industrial and antitrust policies and the role of the corporation in the twenty-first century"--

Leading art historians, architects, designers, artists, and urbanists share new perspectives on this visionary architect’s material legacyLina Bo Bardi (1914–1992) is renowned for her boldly modernist designs like the São Paulo Museum of Art and the culture and leisure center SESC Pompéia. An artist, architect, designer, writer, and activist, she was a tireless champion for local craft and materials. Her democratic designs were inclusive and stood as an open invitation to those typically excluded from elitist institutions, embodying an aesthetic that stood out among the modernist movement in Brazil and abroad. This collection of essays presents new perspectives on Bo Bardi from leading contemporary artists, architects, curators, and scholars. Contributors engage with the conceptual, social, and political philosophies latent in the architectural materials she chose—from her application of concrete to her implementation of nature and her reuse of vernacular materials.Beautifully illustrated and featuring seven gatefolds, Lina Bo Bardi: Material Ideologies sheds vital new light on the ideological strategies inherent in Bo Bardi’s iconic projects and lesser-known work.Distributed for the Princeton University School of Architecture

"Set amid the glimmering lakes and disappearing forests of the United States in the 1830s, The Forest: A Fable of America in the 1830s imagines how individuals at the time experienced their lives. Part truth, part fiction, this book follows painters, poets, enslaved individuals, farmers, and artisans through various settings. Some, such as Nathaniel Hawthorne, Nat Turner, Thomas Cole, and Edgar Allan Poe, are well-known; others are not. All are creators of private and grand designs, and makers of the worlds they inhabited. The Forest unfolds in brief stories. Each is an episode revealing a lost world of intricate relations: human beings going their own ways or crossing paths, in a place that is known to history, or is remote and unknown. For Alex Nemerov, the forest is a description of American society, as he writes, "the dense and discontinuous woods of nation, the foliating thoughts of different people, each with their separate life to lead." Nemerov's art history is at its center an experiment in writing, in how to write differently about visual culture. The Forest examines the history of the United States on a human scale, displaying the patterns of life alongside examples of paintings, prints, photographs and objects"--

Appearing for the first time in paperback and illustrated with line drawings, diagrams, and 26 half-tone plates, this study of the iconographic aspect of Japanese Buddhist sculpture surveys the significance of eight principal and six secondary hand gestures (mudra), in addition to the postures (asana), such as the "e;lotus,"e; and the symbolic attributes. A pictorial index helps the reader in identifying the gestures.

Muslim intellectuals who sought to establish the boundaries of modern Muslim identity Muslim modernism was a political and intellectual movement that sought to redefine the relationship between Islam and the colonial West in the late nineteenth and early twentieth centuries. Spearheaded by Muslim leaders in Asia and the Middle East, the modernist project arose from a desire to reconcile Islamic beliefs and practices with European ideas of secularism, scientific progress, women's rights, and democratic representation. Teena Purohit provides innovative readings of the foundational thinkers of Muslim modernism, showing how their calls for unity and reform led to the marginalization of Muslim minority communities that is still with us today. Sunni Chauvinism and the Roots of Muslim Modernism offers fresh perspectives on figures such as Jamal al-Din al-Afghani, Muhammad Abduh, Muhammad Iqbal, and Abul A'la Mawdudi. It sheds light on the exclusionary impulses and Sunni normative biases of modernist Muslim writers and explores how their aim to unite the global Muslim community--which was stagnant and fragmented in their eyes--also created lasting divisions. While modernists claimed to represent all Muslims when they asserted the centrality and significance of unity, they questioned the status of groups such as Ahmadis, Bahais, and the Shia more broadly. Addressing timely questions about religious authority and reform in modern Islam, this incisive book reveals how modernist notions of Islam as a single homogeneous tradition gave rise to enduring debates about who belongs to the Muslim community and who should be excluded.

"Belize has become a very popular destination for birders, divers, and general tourists. Its extensive coral reefs, Mayan sites, stable infrastructure (and political system), attract a wide range of tourists. The country has an excellent system of parks and lodges for those interested in wildlife. To date, 608 bird species have been recorded in the country, and while there are no endemic birds, it is one of the best places to see sought-after species such as Harpy Eagle. English is the official language, even though most Belizeans speak Belizean Creole or Spanish. This handy, portable field guide will treat all 608 species, illustrating each and every one, and providing concise ID-oriented text alongside distribution maps. It will immediately become the go-to field reference for resident and visiting birder alike"--

Sherpas are portrayed by Westerners as heroic mountain guides, or "e;tigers of the snow,"e; as Buddhist adepts, and as a people in touch with intimate ways of life that seem no longer available in the Western world. In this book, Vincanne Adams explores how attempts to characterize an "e;authentic"e; Sherpa are complicated by Western fascination with Sherpas and by the Sherpas' desires to live up to Western portrayals of them. Noting that diplomatic aides at world summit meetings go by the name "e;Sherpa,"e; as do a van in the U.K. built for rough terrain and a software product from Silicon Valley, Adams examines the "e;authenticating"e; effects of this mobile signifier on a community of Himalayan Sherpas who live at the base of Mount Everest, Nepal, and its "e;deauthenticating"e; effects on anthropological representation.This book speaks not only to anthropologists concerned with ethnographic portrayals of Otherness but also to those working in cultural studies who are concerned with ethnographically grounded analyses of representations. Throughout Adams illustrates how one might undertake an ethnography of transnationally produced subjects by using the notion of "e;virtual"e; identities. In a manner informed by both Buddhism and shamanism, virtual Sherpas are always both real and distilled reflections of the desires that produce them.