Books published by Princeton University Press

"The earth's forests are havens of nature supporting a diversity of life. Shaped by climate and geography, these vast and dynamic wooded spaces offer unique ecosystems that shelter complex and interdependent webs of flora, fungi, and animals. The World Atlas of Trees and Forests offers a beautiful introduction to what forests are, how they work, how they grow, and how we map, assess, and conserve them."--Back cover.

"A splendid new translation of an extraordinary work of modern literature-featuring facing-page commentary by Kafka's acclaimed biographer. In 1917 and 1918, Franz Kafka wrote a set of more than 100 aphorisms, known as the Zèurau aphorisms, after the Bohemian village in which he composed them. Among the most mysterious of Kafka's writings, they explore philosophical questions about truth, good and evil, and the spiritual and sensory world. This is the first annotated, bilingual volume of these extraordinary writings, which provide great insight into Kafka's mind. Edited, introduced, and with commentaries by preeminent Kafka biographer and authority Reiner Stach, and freshly translated by Shelley Frisch, this beautiful volume presents each aphorism on its own page in English and the original German, with accessible and enlightening notes on facing pages.The most complex of Kafka's writings, the aphorisms merge literary and analytical thinking and are radical in their ideas, original in their images and metaphors, and exceptionally condensed in their language. Offering up Kafka's characteristically unsettling charms, the aphorisms at times put readers in unfamiliar, even inhospitable territory, which can then turn luminous: "I have never been in this place before: breathing works differently, and a star shines next to the sun, more dazzlingly still."Above all, this volume reveals that these multifaceted gems aren't far removed from Kafka's novels and stories but are instead situated squarely within his cosmos-arguably at its very core. Long neglected by Kafka readers and scholars, his aphorisms have finally been given their full due here"--

"Cantigas are lyric poems in Galician-Portuguese, a language of the Iberian Peninsula, written and performed during the 13th and early 14th centuries. They are divided into three major genres: cantigas de amigo (songs in the voice of women), cantigas de amore (courtly love songs in the voice of men), and cantigas de escarho e mal dizer (joke and insult poetry). The cantigas de amigo, thought to be inspired by popular and indigenous women's songs, represent the largest body of woman-voiced poetry in Europe, although the surviving compositions are attributed to male poets. In this book, the award-winning translator Richard Zenith has revised, expanded, and retitled a volume of cantigas he first published in 1995, in the UK only, with Carcanet Press (113 Galician Portuguese Troubadour Poems, now OP). The new book includes 122 cantigas, including several new translations, with the original text on facing pages, and a new introduction to provide background and context"--

"A powerful photographic survey of the impact of irrigation systems on the landscape of the United StatesIn The One Hundred Circle Farm, renowned photographer Emmet Gowin (b. 1941) presents stunning aerial images of center-pivot irrigation systems in the western and midwestern United States. This type of farming involves a method of watering crops in which equipment rotates around a centrally drilled well, creating enormous, distinct circles of irrigated land, often in the midst of dry terrain. Anyone who has taken a cross-country flight has likely seen countless acres of these iconic symbols of industrial agriculture. Through a faithful yet personal photographic survey, Gowin's powerful images not only bear witness to the ambitions humans wield in shaping the landscape, but also attest to how such primal elements-circles, pivots, and lines-symbolize water depletion and the fragile environment.The stark photographic compositions, more than one hundred in all, were created over the course of a decade. Fields resemble lost civilizations; crops gape like strange new suns. Hauntingly beautiful, the images highlight Earth's nourishing geology, visual evidence of our labors. Inscribed onto the earth, these lines are reminders of the technology extracting unimaginable amounts of water that cannot be replaced, and raise questions about what large-scale irrigation must answer for when the water runs out.With an afterword by anthropologist Lucas Bessire discussing the history and impact of pivot irrigation on American farming, The One Hundred Circle Farm stands as a poetic visual record, evidence of the tenuous connections between human enterprise and our planet's most precious resource"--

This is one of the most important studies in decades on Johannes Kepler, among the towering figures in the history of astronomy. Drawing extensively on Kepler's correspondence and manuscripts, James Voelkel reveals that the strikingly unusual style of Kepler's magnum opus, Astronomia nova (1609), has been traditionally misinterpreted. Kepler laid forth the first two of his three laws of planetary motion in this work. Instead of a straightforward presentation of his results, however, he led readers on a wild goose chase, recounting the many errors and false starts he had experienced. This had long been deemed a ''confessional'' mirror of the daunting technical obstacles Kepler faced. As Voelkel amply demonstrates, it is not. Voelkel argues that Kepler's style can be understood only in the context of the circumstances in which the book was written. Starting with Kepler's earliest writings, he traces the development of the astronomer's ideas of how the planets were moved by a force from the sun and how this could be expressed mathematically. And he shows how Kepler's once broader research program was diverted to a detailed examination of the motion of Mars. Above all, Voelkel shows that Kepler was well aware of the harsh reception his work would receive--both from Tycho Brahe's heirs and from contemporary astronomers; and how this led him to an avowedly rhetorical pseudo-historical presentation of his results. In treating Kepler at last as a figure in time and not as independent of it, this work will be welcomed by historians of science, astronomers, and historians.

A comprehensive account of the origins, evolution, and behavior of South and Central American primatesNew World Monkeys brings to life the beauty of evolution and biodiversity in action among South and Central American primates, who are now at risk. These tree-dwelling rainforest inhabitants display an unparalleled variety in size, shape, hands, feet, tails, brains, locomotion, feeding, social systems, forms of communication, and mating strategies. Primatologist Alfred Rosenberger, one of the foremost experts on these mammals, explains their fascinating adaptations and how they came about.New World Monkeys provides a dramatic picture of the sixteen living genera of New World monkeys and a fossil record that shows that their ancestors have lived in the same ecological niches for up to 20 million years-only to now find themselves imperiled by the extinction crisis. Rosenberger also challenges the argument that these primates originally came to South America from Africa by floating across the Atlantic on a raft of vegetation some 45 million years ago. He explains that they are more likely to have crossed via a land bridge that once connected Western Europe and Canada at a time when many tropical mammals transferred between the northern continents.Based on the most current findings, New World Monkeys offers the first synthesis of decades of fieldwork and laboratory and museum research conducted by hundreds of scientists.

Offers a history of the Bollingen Foundation that confirms its pervasive influence on American intellectual life. This title includes portraits of the central figures, including the Mellons, Jung himself, Heinrich Zimmer, Joseph Campbell, D T Suzuki, Natacha Rambova, Vladimir Nabokov, Gershom Scholem, Herbert Read, and Kurt and Helen Wolff.

What should we do about foreigners? Should we try to make them more like us or keep them at bay to protect our democracy, our culture, our well-being? This dilemma underlies age-old debates about immigration, citizenship, and national identity that are strikingly relevant today. In Democracy and the Foreigner, Bonnie Honig reverses the question: What problems might foreigners solve for us? Hers is not a conventional approach. Instead of lauding the achievements of individual foreigners, she probes a much larger issue--the symbolic politics of foreignness. In doing so she shows not only how our debates over foreignness help shore up our national or democratic identities, but how anxieties endemic to liberal democracy themselves animate ambivalence toward foreignness. Central to Honig's arguments are stories featuring ''foreign-founders,'' in which the origins or revitalization of a people depend upon a foreigner's energy, virtue, insight, or law. From such popular movies as The Wizard of Oz, Shane, and Strictly Ballroom to the biblical stories of Moses and Ruth to the myth of an immigrant America, from Rousseau to Freud, foreignness is represented not just as a threat but as a supplement for communities periodically requiring renewal. Why? Why do people tell stories in which their societies are dependent on strangers? One of Honig's most surprising conclusions is that an appreciation of the role of foreigners in (re)founding peoples works neither solely as a cosmopolitan nor a nationalist resource. For example, in America, nationalists see one archetypal foreign-founder--the naturalized immigrant--as reconfirming the allure of deeply held American values, whereas to cosmopolitans this immigrant represents the deeply transnational character of American democracy. Scholars and students of political theory, and all those concerned with the dilemmas democracy faces in accommodating difference, will find this book rich with valuable and stimulating insights.

Drawing on interviews with Nigeria's writers, publishers, booksellers, and readers, surveys, and a reading of close to 500 Nigerian novels - from lightweight romances to literary masterpieces - this work explores how global cultural flows and local conflicts meet in the production and reception of fiction.