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This richly illustrated pamphlet seeks to contextualize the mass evictions by focussing on the ideological and economic factors as well as the role of religious and racial prejudice in prompting owners to rid their estates of what was known as a "surplus population."
Luke Gibbons revisits representations of the Famine, particularly those in Ireland's Great Hunger Museum to argue that images can not only give visual pleasure but demand ethical interventions on the part of spectators.
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