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Dennis Nilsen was one of Britain's most notorious serial killers, jailed for life in 1983 after the murders of 12 men and the attempted murders of many more.Seven years after his conviction, Nilsen began to write his autobiography, and over a period of 18 years he typed 6,000 pages of introspection, reflection, comment and explanation.History of a Drowning Boy - taken exclusively from these astonishing writings - uncovers, for the first time, the motives behind the murders, and delivers a clear understanding of how such horrific events could have happened, tracing the origins back to early childhood.In another first, it provides an insight into his 35 years inside the maximum-security prison system, including his everyday life on the wings; his interactions with the authorities and other notorious prisoners; and his artistic endeavours of music, writing and drama. It also reveals the truth behind many of the myths surrounding Dennis Nilsen, as reported in the media.Nilsen was determined to have his memoir published but to his frustration, the Home Office blocked publication during his lifetime. He died in 2018 entrusting the manuscript to his closest friend and it is now being published with the latter's permission.Any autobiography presents the writer's story from just one perspective: his own, and as such this record should be treated with some caution. An excellent foreword by criminologist Dr Mark Pettigrew offers some context to Nilsen's words, and this important work provides an extraordinary journey through the life of a remarkable and inadequate man.
A tale of two very different sisters whose 1890s voyage from London into remote outback Australia becomes a journey of self-discovery, set against a landscape of wild beauty and savage dispossession.
From the BESTSELLING author of DustLife can change in a split second, and so it does for twenty-eight-year-old photographer Finn Chambers. One careless decision at the Cimitero Acattolico in the eternal city of Rome, finds him falling head first onto Shelley' s tomb, to his death.He awakes to a beautiful afterlife surrounded by long-dead poets, artists and thinkers, including Shelley, Keats, Gramsci, Sanchez and the delightful Lady Mary von Haas, and these luminaries test Finn' s values and principles in a way they have never been tested before.Uncomfortable truths require honest assessment when the 21st century' s lust for celebrity, drugs, and fifteen minutes of fame, is questioned by others from centuries past but his new life finds much in common with his previous life, with love, art, sex, music, humour and irreverence, all experienced on this different and fascinating plane.For Finn Chambers there is life after death – and it' s a life worth living.
'A penetrating view into what it means to grieve, and then to heal ... a captivating story'Karen HarradineTalented composer Alison Connaught has spent her career writing music for big names, but when her actress daughter, Ria, dies from an overdose, Alison is numb and can no longer compose.Haunted by the feeling that she has somehow let Ria down, Alison searches for answers, first during an intense stay with a Hopi shaman and then by travelling to Hollywood to try to piece together the many parts of Ria' s life that have so far eluded her.As she meets her daughter' s friends, colleagues and therapists, Alison finally begins to understand the realities of Ria' s life, opening the door to self expression and a different kind of music, inspired by stirred/raw feelings and the spirit of Ria.Michelle Shine' s skill as a storyteller brings Alison' s thoughts and actions to life in this visceral and deeply moving tale of grief, regret and ultimately, hope.
Set in an incredibly exciting period of history, a pacy debut, brimming with adventure and romance
WESSEX 893 as King Alfred readies his defences against another Viking invasionAmong his many concerns is the plight of Edward, his stable boy, who he believes to be the bastard son of Matthew, a renowned warrior who died fighting for the Saxon cause. If Edward's heritage could be proved, he would stand to inherit a vast fortune which Alfred fears would attract every fraudster in the realm. Worse still, given his noble lineage, the boy could well be used to usurp him as King.Alfred therefore sends Edward to the burh at Wareham on the pretext of having him train Fleet, a magnificent black stallion so spirited it's thought to be unrideable. The boy soon proves his skill with horses but is considered too puny to be a warrior. However, when the fyrd find themselves outnumbered and confronting a Viking warband, Edward's quick thinking and extraordinary courage leave no doubt about his bloodline.
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