Books published by Regent Press

Beau veut aller à Moscou.Beau est gourmand. Il adore manger. Alors Beau réfléchit: "À Moscou on parle russe."S’il veut bien manger à Moscou, il doit savoir dire poulet, saumon, thon, fromage, souris, crevette, boeuf Stroganoff et pierogis!

One of a series of bi-lingual books for young children based on the adventures of Beau the Cat who likes to travel and likes to eat. He has to learn a series of differrent languages - French, Spanish, Chinese, Russian, English - in order to be able to order his favorite foods when he travels. Designed as a supplemental text for beginning language students. The two languages appear on one page accompanied by charming pictures of Beau the Cat in various states of excitement and repose.

Tales of creative, daring older women have existed for generations. An ancient Athabascan legend tells of two elderly women abandoned by their migrating tribe. Overcoming the terrors of starvation and death, the women survived by depending upon their learned but previously unused skills in hunting, fishing, and shelter-building.Like the legend, the stories in this book remind us: we tell our stories to make sense of our experiences and to point the way to others. This wonderful collection of first-person accounts will encourage you, regardless of age or gender, to think about how you want to live as you grow older. Fortunately, unlike the ancient Athabascans, we live in a time of longer lives and expanding opportunities for women although, obviously, many barriers persist.In this book, you'll see women of different races, classes, and sexual orientations face various challenges and choices as they age. A loving daughter recounts how her mother moved beyond a "bare and unadorned" Mississippi upbringing. A California Chicana counters her mother's denial of her Mexican heritage. A bisexual polyamorist rejects a life like her mother's. There are (relatively) young elders - the writer/teacher/poet grappling with her legacy - and older ones - the nonagenarian New Englander investing (monetarily) in the future. And there are women who refuse to succumb to disabilities - like the retired history professor, with rheumatoid arthritis, now writing poetry. All are embracing new adventures and changing what it means to be an "older woman."

And above all, Pete Najarian, of whose "e;Wash Me On Home, Mama"e; one wants to cry, Perfect! One puts down the book with rinsed eyes and clear heart. How does it happen? Formally the novel is simple: a few pages at a time devoted to the inner moments of a handful of characters living loosely together in a sort of commune, a line to indicate forward movement drawn lightly by an italicized paragraph between each section. The sensation is strangely and liberatingly of space, created by rhythm perhaps, the timing of one quality of thought and being and then another. This is not the device familiar as "e;multiple points of view mutually commented upon, criticizing, and reducing one another. Something new is happening here. The completeness and validity of each heart and mind opens world on world moving in free relations to each other. Yes, here, in this book, is the dance. These characters are given to us below the level of their self-conceptualizing. There is no surface to cut through or interpret: these characters have simply to be known, not outguessed: they are seen and shown without the defenses, self-deceptions, self-fantasizing that comprise ego and what we are accustomed to think of as personality. The mail girl eating her peanut butter sandwich in the box during the rain, a man's sudden terror at nightfall walking his dogs, the secret pleasure of manure in the garden, the kitchen before anyone's awake, the girl putting in her earrings before she sets out for her abortion, the dream of fresh bread-it is not only the precision of the moments, the transparency of language (one is wholly unaware also of Najarian himself), but that a spring is touched where everything is still pristine, significant, free, even the terrible (the political prisoner overseas, the failed commune, the broken loves, the unhappy child, the polluted bay), for all its modesty and even, judging from Najarian's covering paragraph, fiction takes a new turn in the little volume. Qualities we have come to think essential to the novel are unimportant if present at all, and what we have given up as impossible-space, light, air, time, joy-flower, not in the text but in the reader. The invocations to home and the sea that keep the beat are appropriate, for a locus of perception has been found where the heart is at home. This is quiet and consummate art, to be read like a piece of music slowly and luxuriously and then over again. (Harriet Adams Transue, associate professor and Director of Women's and Gender Studies, University of Toledo. For The American Book Review, 1981)

The Tao Te Ching is a principal text of the ancient Spiritual tradition of Chinese Taoism. It is a compilation of 81 wisdom sayings attributed to Lao Tzu, the old boy/philosopher/Master, written down over two-thousand years ago and which has since undergone hundreds of translations, commentaries, adaptations and applications. Tao Te Ching maxims originally were wise counsel given by Taoist sages to feudal rulers on how to harmoniously and peacefully live their lives, order their states and govern their peoples at a time period in Chinese history of pervasive socio-political conflict and upheaval. The wisdom sayings have become universally meaningful and perennially relevant guidelines for enlightened leadership, Spiritual awakening and Soulful living.The present work is an original rendering of the Tao Te Ching, the title of which is typically translated as The Way Virtue/Power Classic but is here rendered as Spirit Soul Passages. The Ultimate Reality of Tao is interpreted as Spirit and its Virtuosity/Te is interpreted as our embodied Spirit, inner Spirit-nature or Human Soul. The textual maxims and their Soul-journeying commentaries and meditations are considered as some passages we human beings can make on our Soul-journeying from being ego-identified to identifying with/as Spirit and Soul and which are relevant, meaningful and useful for some dynamic-kinetic energetic aspects of Soul-work, Soul-making and the enSouling process throughout our human life course, life cycle and life span.

This is author J. Lea Koretsky’s fifteenth book. The anthology contains three novellas about post office crimes. The first novella MURDERS AT BISHOP describes numerous truck rollovers on Interstate 50 and a series of heists of stamp coin on Highway 395. The second novella THE DEAD is about the murders of the Packard vehicle test group who evaluate structural efficacy of early cars. UNDIFFERENTIATED portrays murders of post office appraisers on a train traveling through Vermillion, Ohio.

Lise Pearlman's With Justice for Some: Politically Charged Criminal Trials in the Early 20th Century that Helped Shape Today's America takes a fascinating look back at headline-grabbing criminal trials from the early 1900s as a cultural backdrop for contentious issues we face as a nation today. In her first book The Sky's The Limit: People v. Newton, The REAL Trial of the 20th Century? these early trials were compared to the 1968 death penalty trial of Black Panther leader Huey Newton, which the author considered the real trial of the century neglected by most historians. Here, these riveting trials are reexamined with emphasis on the insights they provide to today's political climate. Pearlman's new book opens with a remarkable admission by former FBI Chief James Comey in a speech on Lincoln's birthday in February 2015: "e;All of us in law enforcement must be honest enough to acknowledge that much of our history is not pretty. At many points in American history, law enforcement enforced the status quo . . . that was often brutally unfair to disfavored groups."e; He invited all Americans to re-examine our "e;cultural inheritance"e; with fresh eyes. That is what Pearlman's new book seeks to do. This well-researched volume takes advantage of the passage of time to put each trial into perspective from work done decades, sometimes even a century, later by investigative journalists and historians who unearthed far more evidence of what really happened in the events that made banner headlines in the early 20th century. She makes the case that by revisiting riveting high-stakes trials that still have ramifications today, we can gain a better understanding of the extent cultural bias has permeated the fabric of our culture -- and a better premise from which to move forward as a nation than the whitewashed history so many of us were taught in school.

As the post-modern world lurches toward the disasters and bereavements that signal the end of an age, we turn to myth to comprehend the elemental forces that move through our lives, to know who we are, to understand which stories inform our consciousness. Madness At the Gates of the City, writes Robert Johnson in his introduction, "e;shows how America regularly re-enacts old patterns that cause us to subvert our goals and miss the deeper meaning in events. But by looking at American history, politics and popular culture through the lenses of Greek mythology, indigenous wisdom and archetypal psychology, the author discovers new hope in very old ways of thinking. This book should appeal to anyone interested in myth, Classics, history, psychology or progressive politics."e;

On the 50th anniversary of the Black Panther Party, Pearlman's new book American Justice on Trial: People v. Newton compares the explosive state of American race relations in 1968 to race relations today with insights from key participants and observers of the internationally-watched Oakland, California death-penalty trial that launched the Black Panther Party and transformed the American jury "e;of one's peers"e; to the diverse cross-section we often take for granted today. The book includes comments from Newton prosecutor Lowell Jensen, pioneering black jury foreman David Harper and TV journalist Belva Davis, as well as from Huey Newton's older brother Melvin Newton, former Panthers Kathleen Cleaver, David Hillliard and Emory Douglas. It also includes comments from civil rights experts including Bryan Stevenson, Barry Scheck and John Burris. This book complements the nonprofit documentary project of the same name for which Pearlman is co-producer/co-director on behalf of Arc of Justice Productions, Inc. [www.americanjusticeontrial.com].

ABOUT THE BOOKMy Mother Did Not Like to Hug: New and Selected Poems is the product of half a century of work, four published books, and a lot of sweat and tears. It is a very special volume by award winning New York poet and teacher Nikki Stiller. Of her work critics have written:"Autobiographical confessionalism is vastly expanded by history, ethnography, religion, and more in the hands of Nikki Stiller. She wants to tell the truth so that the reader can identify his/her deepest secrets with it."- Jeffrey Jullich"Yours is a distinctive voice." - Czeslaw Milosz, Nobel Prize WinnerABOUT THE AUTHORNikki Stiller was born in Hartford, CT in 1947. She holds a Ph.D. in English from CUNY where she won the Parsons Award for Best Dissertation of the Year. She has taught at Hunter College, Tel Aviv University, Ben-Gurion University of the Negev, Baruch College and, for many years, was a professor of English at the New Jersey Institute of Technology where she won two teaching awards. Her work has appeared in a range of periodicals, from The New York Times to Home Planet News, and including Primavera, Response, Midstream, Lilith, and Poetry New York. She is the author of six books, four of them poetry: Notes of a Jewish Nun, On Both Frontiers, Burial Ship, and My Own Afghanistan. Of her work, both Lionel Trilling and Czeslaw Milosz have declared that she has a "distinctive voice" and Gabriel Preil, winner of Israel''s coveted Bialik Prize, has called her poetry "warm, witty, and wise." She is a member of PEN.

Compared to technology, management practices have not really changed much over time. The typewriter and mimeograph machine are artifacts from a lost civilization. Ironically, the way we solve problems, make decisions and resolve issues are also artifacts from that past. The grooves in our brains keep us from embracing new ways of perceing and understanding. Complexity becomes overwhelming when we limit our mental bandwidth this way. Confessions of a Corporate Shaman is about expanding our personal bandwidth. There is a field of greater intelligence available to us. If we embody the parts of a problem and arrange them as a system we can tap into that intelligence and benefit from what we learn. A big problem quickly shrinks. Opaque complexity gains clarity and simplicity. This visual process, powered by the nearly limitless power of the subconscious mind, generates transformative insights and new possibilities. The shaman in some traditions is "e;the one who sees."e; Everyone has this innate capacity. The invitation between these covers is to embark on your personal hero's journey. Whether your challenge is about leading others, leading yourself or trying to understand and resolve the obstacles to organizational change the place to start is within yourself. The compass that will guide you is to be the change you want to see in others. As you explore the inner dynamics that shape your world hopefully you will feel inspired to embrace those dynamics as an essential part of your mission and leadership path.

This is neither fiction nor fantasy. It is a description of events as they actually happened.The death of democracy came quietly and unexpectedly in the year 2018. No one expected the end to come so quickly, although now looking back all the warning signs were there.Within the early years of the twenty-first century the forces of democracy died a painful, slow death in Russia, Venezuela, Poland, Egypt, and many other nations. But because of what we considered our long and stable democratic tradition in the United States, we thought our democracy was safe.Until now.