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Arab cultural discourse has been slow to respond to changing sexual behaviour. The contributors to this collection pick up the slack, ranging across such disciplines as literature, history, sociology and psychology.
Reveals how, military and political leaders in Belgrade followed the pattern of manipulating cultural motifs in order to justify their repression of Kosovans, and their aggression in Croatia and Bosnia. This work also reveals how Croatian and Bosnian military and political elites mobilized their own social memories during post-Yugoslav wars.
Ugandan Mary Tendo worked for many years in the white middle-class Henman household in London, cleaning for Vanessa and looking after her only child, Justin. More than ten years after Mary has left, Justin is too depressed to get out of bed. To his mother's surprise, he asks for Mary. This work confronts racism and class conflict with humour.
Features stories of dysfunctional marriages, abnormal goings on in rural outposts, urban alienation and kitchen sink dramas where the woman is no longer tied to the kitchen sink, but railing against past wrongs. This work also talks about various issues of domestic violence, child abuse, and abortion.
All Tom's friends really are superheroes. Tom even married a superhero, the Perfectionist. But six months later, the Perfectionist is sure that Tom has abandoned her, so she's moving to Vancouver. With no idea that Tom's beside her, she boards the plane. Tom has, until they touch down, to convince her he's there, or he loses her forever.
"Victims of a Map" presents fifteen translated poems by each poet. It includes thirteen poems by Darwish never before published in book form, even in Arabic, and a long work by Adonis written during the 1982 siege of Beirut, also published here for the first time.
Mohammad Rawas stands at the peak of an artistic career. This work presents an introduction to his work in 235 reproductions. It provides an insight into his life and work, his compositional techniques and sources of inspiration. It constructs the narratives around the diverse elements of his paintings.
Samir Khalaf, a Beirut resident and an internationally acclaimed sociologist, is an ardent admirer of the Bourj's cosmopolitan history and argues passionately that its reinvention is at hand, and must be encouraged: the Bourj must reclaim its disinherited legacy of pluralism and tolerance.
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