Books published by Scarecrow Press

This volume captures the late Reva Howitt Clar's memoirs of her colourful career with the legendary brother and sister producing team of Fanchon and Marco. It chronicles the weekly shows, rehearsals, costumes, publicity stunts and backstage intrigues that typified any vaudeville performer.

An Ounce of Prevention is a comprehensive and practical guide to the process of disaster planning. This completely revised and expanded publication builds on the strengths of its award-winning predecessor. Used as a planning tool, it will help you develop strategies for effective disaster prevention and recovery.

New in paper! Proceedings of the May 1991 Richard Reuss Memorial Folk Music Conference, held at Indiana University in Bloomington.

A directory for individuals who need to locate classical instrumental music for specific programme needs. There are over 200 subject headings, including Greek Myths, Love, Death and Animals, and each entry includes composer, title, translation, nickname, opus number, and type of work.

Can you identify the "Bride of the Adriatic"?, the "Home of Bock Beer"?, or the "Sick Man of Europe"? These nicknames and many others - appellations of countries, cities, mountains, rivers, capes and places of historical interest - are identified in Harold Sharp's concise volume.

New in paperback! Heath shows how to use thematic festivals to incorporate the exploration of literature into cooperative learning activities, increasing students' awareness of other cultures. Cloth edition [0-8108-3036-1] previously published in 1996. Paperback edition available May 2002.

This work treats the critical theory of religion of Max Horkheimer, Walter Benjamin, Friedrich Pollock, Herbert Marcuse, Jurgen Habermas and other critical theorists who tried to make sense out of the senseless war experience by exploring the writings of Immanuel Kant and Karl Marx amongst others.

This second edition of Laster's Catalog combines in one volume the listings from the first catalog with the voluminous material that has appeared since 1973, more than doubling the number of citations. It is designed as an aid for the church musician and/or pastor seeking to plan unified worship services. It will also be of use to those church musicians who follow the Liturgical Calendar and plan music appropriate to the appointed lessons, as well as a source for non-church choir directors who would like to locate choral settings based on a particular passage from Scripture. Entries are arranged from Genesis through Revelation. Each main entry citation provides the biblical reference (book, chapter, and verse), as well as a reference to additional passages from Scripture used in the anthem. The composer, arranger, or editor and the title are listed as they appear on the octavo. Information on voicing, solos, and instrumental accompaniment is noted; the name of the publisher, the most recent date of publication and the octavo number appear at the end of each citation, where information on instrumental parts, other versions of the same title, and collections where the work might appear are also listed. Composer and title indexes round off the work.

This title provides details to help calculate the square footage required for elements of library building and contains specifications for computer workstations, and visual representations of complex configurations. It is designed to be consulted after decision to build has been made.

Is the music world clinging to an outdated school of thought in ethnomusicology? Nercessian shows how the theory of cultural relativism continues to detrimentally pervade ethnomusicological thought, and then offers a solution that may better serve musical study in today's more globalized world. At the heart of cultural relativism, which seeks to avoid imposing the standards of an outside culture on a work, is the emic-etic dichotomy, which delineates the perspective of the outsider and that of the culture of origin. Nercessian points out that in our increasingly globalized society, cultures are no longer separate and distinct. A new theory is necessary to account for the cultural overlap.Borrowing from Derrida, the author offers a new solution that will allow for multiple perspectives, without favoring that of the insider or emic.Of importance to students and scholars of ethnomusicology, this book also speaks to other fields of study where cultural relativism continues to dominate.

While John Woo is regarded as a master action director, little attention has been paid to the manner in which Woo's films reflect the director's religious and ethical concerns. This work shows that Woo should be regarded as a predominantly religious director.

A strategic plan is a useful tool for communicating the purpose of the library media center (LMC) to the administrators, teachers, and parents of the school community. An initial benefit is an assessment of the library program's strengths, weaknesses, and impact on the teaching and learning process. The library media specialist should use the planning process to garner greater support, identify priorities for future direction, provide the basis for effective budget development, and articulate the LMC's integral role in the school's instructional program.Based on Information Power, as well as input from focus groups of librarians, computer educators, teachers, administrators, and parents, the authors identified a core of the essential elements found in quality library media programs. Rubrics developed for this core provide a foundation for developing and prioritizing goals and objectives, as well as tools for ongoing evaluation.School library media centers, often short of time and staff, will welcome this easy-to-follow blueprint, packed with forms, questions to consider, templates, rubrics, and charts. From forming a committee and constructing surveys, to good PR and a consistent evaluation process, this essential handbook provides the tools to create a visionary mission statement, the strategic plan that embodies it, and the steps to implement it.

This study provides annotations for 300 translated works of fiction by 97 Japanese women writers from the 1890s through the 1990s. It also includes over 600 annotations of articles, books and reviews that cover biographical and critical materials.

Each year as high school solo and ensemble festivals approach, choir directors and voice teachers search for the right songs for their students to sing. There is so much music available for young developing voices, but how can an overworked teacher keep track of it all? Songs for Young Singers, a careful review of more than 2,000 songs printed in over 70 anthologies, has been written to address the needs of choir directors and voice teachers of junior high and high school age students. Section I lists songs by title as well as the anthologies in which they are found . Teachers wishing to explore the works of a particular composer will turn to section II, where songs are listed by composer. In section III, IV, and V, the songs are categorized by Beginning, Intermediate, and Advanced levels for Quick reference. Section VI lists the anthologies reviewed with a detailed description of the vocal demand of each song in the anthology. The songs have been evaluated on seven criteria: melodic contour (including range), phrase length, language, rhythm, accompaniment, harmonic language, and dynamics, and are listed by title, composer, and level of difficulty.

This book is the first comprehensive biographical study of Bartok as man, composer, and folklorist, including the background and development of his unique musical language and the impact of his pioneering investigations of multinational musical folklore on his composed works.

The book is an outline of the Armenian duduk, a cylindrical double-reed aerophone made of apricot-wood, and its relation to the Armenian identity. It attempts to deepen our understanding of musical instruments not only through an examination of musical and constructional features, but also through the application of a sociocultural framework which allows a theorization of the idea of the instrument as social being.The discussion is centered on the different contexts in which the duduk is played. These are divided into two categories: solo and ensemble. Solo duduk performance includes the remarkable phenomenon of Armenian funeral music activity. Other contexts include special celebrations of national culture, duduk competitions, the recording studio and the film music studio. The main ensemble contexts of duduk performance are the Armenian folk orchestras. These are essentially Soviet creations designed to "e;advance"e; folk music. Their impact on folk music and folk musical life on Armenia is discussed with special attention to the "e;adjustments"e; which were necessary for the success of this institution. Folk ensembles have long been emblems of Armenian national culture which might explain how they have survived the collapse of the Soviet Union and its Marxist-Leninist policies which were these orchestras' very raison d'etre.The book will appeal to anyone with an interest in organological theory, Armenian culture, or world music.

Cooney's large body of work for adolescents defies easy classification. The influences of her talents as an organist who played regularly for her church, the lessons she has learned from her children when they were teenagers, and life experiences that have led her to consider issues of race and gender, are examples of issues that are discussed.

Peckinpah's Women examines the confluence of factors that worked with, and often against, Peckinpah's cinematic voice to divine a recurring positive theme regarding women in those films that form the heart of his body of work: his period Westerns.

These essays offer assistance to the growing number of students, teachers, librarians, and parents who find themselves facing a censorship situation. Part I provides six author's perspectives on censorship by omission and commission and Part II provides responses and defenses of individual books.

This is the first overview of Schulberg's career 1937-2000 (his own autobiography, Moving Pictures, covers his life only to age 17). This book covers his career as a novelist, short story writer, playwright, Oscar-winning screenwriter and boxing historian.

This is the memoir of Richard Bare, director of the television series, "Green Acres". The book follows Bare through his many years in filmmaking, which brought him into contact with some of Hollywood's biggest stars, sometimes in the most unexpected places.

A provocative account of pianist Glenn Gould's philosophy which argues that music is not only a reflection of social dynamics, but can also be a tool for a betterment of society.

This landmark work traces the heritage of thought, from the beginnings of modern science in the seventeenth century, until today, that has influenced the profession of library and information science.

This is a history spanning almost a hundred years. The author, Edward Eliscu, describes the course of his life from his family's emigration to America, his experiences in the Broadway theatre, his migration to Hollywood, and his eventual recognition as a celebrity in the entertainment field.

Now in paperback! Documenting Localities is the first effort to summarize the past decade of renewed discussion about archival appraisal theory and methodology and to provide a practical guide for the documentation of localities.This book discusses the continuing importance of the locality in American historical research and archival practice, traditional methods archivists have used to document localities, and case studies in documenting localities. These chapters draw on a wide range of writings from archivists, historians, material culture specialists, historic preservationists, librarians, and other professionals in considering why we need to continue to stress the systematic documentation of geographic regions. The heart of the book is the presentation of a practical series of steps and tools archivists and manuscript curators can use in documenting localities. The final part of the book considers the need for the better education of archivists and manuscript curators in appraisal theory and methodology, with a description of the primary writings on new macroappraisal approaches forming the crux of how archivists need to consider documenting localities and regions. Useful to all archivists and manuscript curators grappling with how to contend with the increasing quantity and complexity of local records, recordkeeping systems, and other documentary forms.

Roberto Benigni, the Italian comedian, actor, director, and writer, gained international fame when his film La vita e bella/ Life Is Beautiful (1997) won three Oscars in 1999, including Best Foreign Film and Best Actor. Benigni has been a steady presence in Italian popular culture since the mid-1970s. This book introduces Benigni's performances in film, stage, and television, little known outside of Italy, with an emphasis on the cultural and intellectual backdrops that characterize his films, including his origins among the Tuscan rhyming poets and his experiences in the Roman avant-garde theater. Benigni's statements about his experiences and apprenticeships with cinema notables like Cesare Zavattini and Federico Fellini reveal a wealth of fresh information and confirm the sense that there is more to this madcap buffoon than meets the eye.

This is a study of the author, illustrator, and radio personality, Daniel Pinkwater. It discusses nearly all of Pinkwater's books, and emphasises his young adult fiction.

This book illuminates basic facts associated with the more than 2,500 fictional and historical people, animals, events, and cultural artifacts that appear in Hemingway's nine novels.

New in paperback! Maher introduces the basic elements required for an archival program to meet the documentary needs of a college or university. Both archivists and their administrative superiors can obtain a thorough understanding of archival work and its importance to their institution. Beginning archivists, experienced academic archivists, archivists outside academe, and related professionals will all benefit from this book, which assesses the current status and conditions of academic archives, articulates the basic principles that should determine the operating goals for academic archives, and synthesizes external professional standards and techniques with a systematic overview of what is practical for academic archivists. Cloth version previously published in 1992.