Books published by Seagull Books London Ltd

A novel that follows the life of a man who, like the author, lived in the Lodz ghetto during the German occupation of Poland in World War II. It gives expression to the author's perception of himself and the world and to his tireless attempt to bring his own tone of linguistic brevity, irony, and balance to German relations.

Part of an ongoing series that deals with religion and free expression, this title focuses on the current controversy over Israel, and draws on three basic features of Judaism - iconoclasm, commitment to argument, and respect for human dignity - to make a Jewish case for outspokenness.

To many outside India, Hinduism is envisioned as the foundation of an ideal, all-embracing society. Yet this is far from the truth. This work documents how Hindu fundamentalists have succeeded in censoring and banning many cultural works, tampered with university teaching, and prevented academics from continuing in their jobs.

Argues that the use of the terms 'war' and 'terror' dehumanize the enemy and permit treatment that would otherwise be impermissible. This title examines the implications and corrupting impact of the attempt to impose 'good' through violence and the attempt to spread democratic values by unethical means.

Circuses provide surreal, fantastic entertainment. At times magical and at others chilling, the circus is a world of fantasy and spectacle for the viewer, but for the performer, a career in the circus often brings with it a nomadic, lonely life. This title captures the images of circus girls, photographs which evoke this sense of darkness.

Goa officially became an Indian state in 1987 after nearly five hundred years of Portuguese rule. This title features photographs that create an intimate portrait of the Catholic community in Goa - a portrait of people torn between their fidelity to a history of Portuguese faith and culture and their post-independence Indian identity.

Focuses on women, religion, and nationhood in colonial Bengal. This work describes a colonial universe that centers around symbols of women as both defiled and deified, exemplified in the idea of woman as widow and woman as goddess. The nation, it explains, is imagined as a woman-goddess within a country comprising plural cultural traditions.

Why do commercial advertisements stress that the products they offer are exactly the same as they used to be in Soviet times? And why, year after year, does the government in Moscow organize impressive celebrations for Victory Day, inevitably drawing parallels to the old Soviet ceremonies? This title tackles these questions.

Including an investigation of the notion of sovereignty from Bodin and Hobbes, through Rousseau and the Federalists, to Foucault and the framers of the European constitution, this title examines the articulation of the concept through the bloody history of European colonialism.

The Theatre of Roots was the first conscious effort at creating a body of work for urban audiences combining modern European theatre with traditional Indian performance while maintaining its distinction from both. This book presents an in-depth analysis of this movement: its innovations, theories, goals, accomplishments, problems and legacies.

The BBC commissioned Tariq Ali to write a three-part TV series on the circumstances leading to the overthrow, trial and execution of Zulfiqar Ali Bhutto, the first elected Prime Minister of Pakistan. As rehearsals were about to begin, the BBC hierarchy decided to cancel the project. This work presents both the script and the story of censorship.

Offers an examination of the psychology of National Socialism. In this title, each story presents a snapshot of a personal and historical turning point in the life of the narrator, beginning with childhood anti-Semitism and moving to a youthful embrace - and an ultimate rejection - of Nazi ideology.

From the idyll of his Sardinian childhood to the transformative experience of the anti-Fascist resistance, and from postwar militancy to the dismal regression of Italian culture, the author captures memories that are intensely personal and inseparable from political and intellectual experience.

The African American at the end of the nineteenth century was described by W E B Du Bois as "two souls in one dark body, whose dogged strength alone keeps it from being torn asunder." In the United States today, the hyphen between these two souls-African and American, African-American-is still being negotiated. This book deals with this topic.

Includes dialogues with theorists, curators, activists, and fellow artists - such as Lisa Wolford Wylam, Tim Miller, Felipe Ehrenberg, Orlando Britoo Jinorio, Silvana Straw, and Rafael Lozano-Hemmer that explore the terrain between art and theory.

Over ten rainy nights, Thomas, an ex-barge-man who used to be skipper of his own boat, walks the muddy fields of the land-locked German interior and remembers the events that lost him his home, his boat, and his livelihood. In this novel, Thomas remembers childhood, his first love, and the warning of his grandfather: Beware the dark company.