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An engrossing novel about the lives in a small Slovak town during the tumultuous twentieth century. In this highly acclaimed novel, Jana Bodnárová offers an engrossing portrayal of a small Slovak town and its inhabitants in the north of the country against the backdrop of the tumultuous history of the twentieth century. As Sara, the protagonist of Necklace/Choker, returns to her native town after many years in exile to sell the old family house and garden, she begins to piece together her familyâ¿s history from snippets and fragments of her own memory and the diaries of her artist father, Imro. A talented painter, he survived the Holocaust only to be crushed by the constraints imposed on his art by Stalinist censorship, and Sara herself was later driven into exile after dreams of socialism with a human face were shattered by the Soviet-led invasion of Czechoslovakia in 1968.  Through their stories, and that of Saraâ¿s friend, Iboja, the daughter of a hotelier, readers will be immersed in key moments of Slovak history and their bearing on the people in this less familiar part of Central Europe.
Disguised as a passenger, a homeless woman lives in Parisâ¿s Roissy airport until she meets a man who makes her confront her past. Every day the narrator of this gripping novel hurries from one terminal to another in Charles de Gaulle Roissy airport, Paris, pulling her suitcase behind her, talking to people she meetsâ¿but she never boards an airplane. She becomes an âunnoticeable,â? a homeless woman disguised as a passenger, protected by her anonymity. When a man who comes to the airport every day to await the Rio-to-Paris flightâ¿the same route on which a plane crashed into the sea a few years earlierâ¿attempts to approach her, she flees, terrified. But eventually, she accepts his kindness and understands his loss, and she gives in to the grief they share, forming a bond with him that becomes more than friendship. A magnificent portrait of a woman who rediscovers herself through a chance connection, Roissy is a powerful, polyphonic book, a glimpse at the infinite capacity of the human spirit to be reborn. Â
Mingling fact and fiction, The Three Rimbauds imagines how Rimbaudâ¿s life would have unfolded had he not died at the age of thirty-seven. The myth of Arthur Rimbaud (1854â¿1891) focuses on his early years: how the great enfant terrible tore through the nineteenth-century literary scene with reckless abandon, leaving behind him a trail of enemies, the failed marriage of an ex-lover who shot him, and a body of revolutionary poetry that changed French literature forever. He stopped writing poetry at the age of twenty-one when he left Europe to travel the world. He returned only shortly before his death at the age of thirty-seven.  But what if 1891 marked not the year of his death, but the start of a great new beginning: the poetâ¿s secret return to Paris, which launched the mature phase of his literary career? This slim, experimental volume by Dominique Noguez shows that the imaginary âmatureâ? Rimbaudâ¿the one who returned from Harar in 1891, married Paul Claudelâ¿s sister in 1907, converted to Catholicism in 1925, and went on to produce some of the greatest works in twentieth-century French proseâ¿was already present in the almost forgotten works of his childhood, in style and themes alike. Only by reacquainting ourselves with the three Rimbaudsâ¿child, young adult, and imaginary older adultâ¿can we truly gauge the range of the complete writer.
The moving yet humorous story of a girl struggling to care for herself and others in post-communist Slovakia. Emotionally neglected by her immature, promiscuous mother and made to care for her cantankerous dying grandmother, twelve-year-old Jarka is left to fend for herself in the social vacuum of a post-communist concrete apartment-block jungle in Bratislava, Slovakia. She spends her days roaming the streets and daydreaming in the only place she feels safe: a small garden inherited from her grandfather. One day, on her way to the garden, she stops at a suburban railway station and impulsively abducts twin babies. Jarka teeters on the edge of disaster, and while struggling to care for the babies, she discovers herself. With a vivid and unapologetic eye, Monika KompanÃková captures the universal quest for genuine human relationships amid the emptiness and ache of post-communist Europe. Boat Number Five, which was adapted into an award-winning Slovak film, is the first of two books that launch Seagullâ¿s much-anticipated Slovak List.
What does it take to succeed as a queer teenage Eastern European sex worker in the 1990s? Eleven inches and a ruthless attitude. Western Europe, shortly after the fall of the Berlin Wall: Two queer teens from Eastern Europe journey to Vienna, then Zurich, in search of a better life as sex workers. They couldnâ¿t be more different from each other. Milan, aka Dianka, a dreamy, passive naïf from Slovakia, drifts haplessly from one abusive sugar daddy to the next, whereas MichaÅ¿, a sanguine pleasure-seeker from Poland, quickly masters the selfishness and ruthlessness that allow him to succeed in the wild, capitalist Westâ¿all the while taking advantage of the physical endowment for which he is dubbed âEleven-Inch.â? By turns impoverished and flush with their earnings, the two traverse a precarious new world of hustler bars, public toilets, and nights spent sleeping in train stations and parks or in the opulent homes of their wealthy clients. With campy wit and sensuous humor, MichaÅ¿ Witkowski explores in Eleven-Inch the transition from Soviet-style communism to neoliberal capitalism in Europe through the experiences of the most marginalized: destitute queers.Â
Four classical Greek myths retold with unexpected twists by an East German dissident. Franz Fÿhmannâ¿s subversive retellings of four Greek legends were first published in East Germany in 1980. In them, Fÿhmann plumbs the ancient talesâ¿ depths and makes them his own. Attuned to conflict and paradox, he sheds light on the complexities of sex and love, art and beauty, politics and power. In the title story, the love of the goddess Eos for the mortal Tithonos reveals the blessing and curse of transience, while âHera and Zeusâ? probes the divine coupleâ¿s tumultuous relationship and its devastating consequences for a world embroiled in war. Fÿhmannâ¿s unflinching account of Marsyasâ¿ flaying by Apollo has been widely read as a dissident political statement that has lost none of its incisive force. At times charged with sensuality, and at others honed to a keen analytical edge, Fÿhmannâ¿s shimmering prose is matched by Sunandini Banerjeeâ¿s exquisite collages.
Poetically written and originally given as lectures, this is a moving essay collection from Durs Grÿnbein. In his four Lord Weidenfeld Lectures held in Oxford in 2019, German poet Durs Grÿnbein dealt with a topic that has occupied his mind ever since he began to perceive his own position within the past of his nation, his linguistic community, and his family: How is it possible that history can determine the individual poetic imagination and segregate it into private niches? Shouldnâ¿t poetry look at the world with its own sovereign eyes instead?  In the form of a collage or âphotosynthesis,â? in image and text, Grÿnbein lets the fundamental opposition between poetic license and almost overwhelming bondage to history appear in an exemplary way. From the seeming trifle of a stamp with the portrait of Adolf Hitler, he moves through the phenomenon of the âFÿhrerâ¿s streetsâ? and into the inferno of aerial warfare. In the end, Grÿnbein argues that we are faced with the powerlessness of writing and the realization, valid to this day, that comes from confronting history. As he muses, âThere is something beyond literature that questions all writing.â?
An enchanting novel of magical realism from a new voice, Kenyan author Wanjiku Wa Ngugi.
German author Friedrich Ani combines deep sorrow, human darkness, and breath-taking tension in his latest crime novel. Happiness is extinguished completely one cold November night when eleven-year-old Lennard Grabbe fails to return home. Thirty-four days later, he is found to have been murdered, and former inspector Jakob Franck, the protagonist of Friedrich Aniâ¿s previous novel The Nameless Day, is entrusted with delivering the most horrible news any parent could ever dream of, setting off a chain reaction of grief among family and friends. Â As the special task force is unable to make any progress in the case and the family is unable to deal with the loss, Franckâ¿driven by the need to bring them clarity but also by the painful memories of all the unsolved murder cases from when he was still on active dutyâ¿buries himself in witness statements and reports up to the point of exhaustion. He spends hours at the crime scene and employs his special technique of âthought sensitivity,â? an abstract, intuitive process that may very well lead him to the âfossilâ?â¿that crucial piece of information he needs to solve the case. Â Once again, Ani combines deep sorrow, human darkness, and breath-taking tension in a novel whose melancholy can hardly be surpassed.
An experimental novel that explores the complexity of Palestinian identity through extended metaphor and dark humor. On a plastic chair in a parking lot in Ramallah sits a young man writing a novel, reflecting on his life: working in a dance club on the Israeli side of the border, scratching his fatherâ¿s amputated leg, dreaming nightly of a haunting scorpion, witnessing the powerful aura of his mountain-lodging aunt. His work in progress is a meditation on absence, loss, and emptiness. He poses deep questions: What does it mean to exist? How can you confirm the existence of a place, a person, a limb? How do we engage with what is no longer there? Absurd at times, raw at others, The Dance of the Deep-Blue Scorpion explores Palestinian identity through Akram Musallamâ¿s extended metaphors in the hope of transcending the loss of territory and erasure of history.
An engrossing novel about love and grief that introduces an important francophone author to English-speaking readers. Rome, 2014, late summer. While he is reading on his sun-drenched terrace, Giangiacomoâ¿s heart stops. A quick, painless deathâ¿something he had always hoped for, his daughter, Elvira, remembers. A few days later, Elvira comes across an unfinished manuscript in her fatherâ¿s flat. In it, she discovers a love story between Giangiacomoâ¿Gigi, to his loved onesâ¿and a Belgian journalist, Clara, which had been going on for over four years. Gigiâ¿s manuscript tells of how their âmature love,â? an expression that became code between Gigi and Clara, blossomed unexpectedly and of the happiness of their meetings, the abandon of their bodies, their laughter, the films they watched and rewatched together. As she struggles to cope with the loss of Gigi, Clara writes her own version of their story. Her âjournal of absenceâ? is first addressed to Gigi, then, gradually, to Elvira. She confides in the young woman on the threshold of adult life, with discretion and tenderness, describing the fullness of the hidden love she shared with her father.
Introducing a refreshing young French voice to English readers, this slim novel is both a riveting love story and an examination of humanityâ¿s assault on the natural world. After a seven-day journey on the South Atlantic Ocean aboard a lobster boat servicing Cape Town, Ida arrives on the island of Tristan. In the little island community, a village nestled on the slopes of a volcano whose only limits are the immense sky and the ocean, her bearings are gradually shifted as time slowly begins to expand. Â When a cargo ship runs aground near a neighboring island, spilling massive amounts of oil, there is suddenly frantic activity in the town. Ida eagerly joins a team of three men who go to the small island to rescue oil-drenched penguins. One night, one of the men walks her back to the cabin where she is staying. They experience a night of love that continues to grow on the secluded island. For two weeks away from the worldâ¿the sea is rough, no boat can come to pick them upâ¿the dance of their bodies and their all-consuming love is their only horizon. Â Following the rhythm of the ocean and the untamed wind, Clarence Boulay brilliantly gives flesh to a dizzying sensation of sensual abandonment. Tristan raises emotional sails and upends all certainty.
One of India's preeminent historians examines the role of history in contemporary society.
An experimental novel that pushes the constraints of language to bear witness to the history of both Germany and the individual.
The first comprehensive volume in English from one of Hungary's most popular twentieth-century writers.
Four essays by the French master addressing other philosophers and their work. Iconic French novelist, playwright, and essayist Jean-Paul Sartre is widely recognized as one of the most important philosophers of the twentieth century, and his work has remained relevant and thought-provoking through the decades. The Seagull Sartre Library now presents some of his most incisive philosophical, cultural, and literary critical essays in twelve newly designed and affordable editions. The four essays of varying length assembled in this volume bear witness to Sartre's preoccupation with philosophers and their work. In these pages he examines Descartes's concept of freedom; comments on a fundamental idea in Husserl's phenomenology: intentionality; writes a mixed review of Denis de Rougemont's monumental Love in the Western World; and provides an extensive critical analysis of the work of Brice Parain, one of France's leading philosophers of language.
A collection of essays on renowned French writers, including Sarraute, Renard, and Gide. Iconic French novelist, playwright, and essayist Jean-Paul Sartre is widely recognized as one of the most important philosophers of the twentieth century, and his work has remained relevant and thought-provoking through the decades. The Seagull Sartre Library now presents some of his most incisive philosophical, cultural, and literary critical essays in twelve newly designed and affordable editions.  In this collection of brief, insightful essays, we find ourselves face to face with Sartre the literary critic, as he carefully examines the works of renowned French writers such as François Mauriac, Nathalie Sarraute, Jean Giraudoux, and Jules Renard. Most moving is an essay on André Gide, written right after his death, in which Sartre writes, âWe thought him scared and embalmed; he dies and we discover how alive he was.â? Â
A hopeful, music-infused poetry collection from Congolese poet Alain Mabanckou.
In an unnamed African nation, the people are subject to a state of perpetual warfare and an Orwellian abuse of language that strips away meaning and renders life senseless. And in a bare room lit only by moonlight, a young man hides, waiting for the mysterious crocodile-men to come and help him escape from the violent tyranny of the state.
In a world full of devils, the giant ape Kong defends what he loves the most. But who and what is this undomesticated animal? Might it reside within us? As we tread confidently, is this where the earth opens up beneath us? Â In Kongâ¿s Finest Hour, Alexander Kluge explores anew the accessible spaces where Kong dwells within us and in our million-year-old past. The more than two hundred stories contained in this volume form a chronicle of connections that together survey these spaces using diverse perspectives. These include stories about the folds of Kongâ¿s nose, the voice of the authorâ¿s mother, the poet Heinrich von Kleist and Jack the Ripper, the indestructability of the political, and the supercontinent Pangaea that once unified the earth. Dissolving theory into storytelling has been Klugeâ¿s lifelong pursuit, and this magnificent collection tells stories of people as well of things. Â First in a series of Klugeâ¿s Chronicles forthcoming from Seagull Books, Kongâ¿s Finest Hour will delight those familiar with his writing as well as introduce readers to the brilliance of one of Germanyâ¿s greatest living writers. Â
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