Books published by Semiotext (E)

The increasingly chaotic rhythm of our respiration, and the sense of suffocation that grows everywhere: an essay on poetical therapy.

Audio journals that document Wojnarowicz's turbulent attempts to understand his anxieties and passions, and tracking his thoughts as they develop in real time.In these moments I hate language. I hate what words are like, I hate the idea of putting these preformed gestures on the tip of my tongue, or through my lips, or through the inside of my mouth, forming sounds to approximate something that's like a cyclone, or something that's like a flood, or something that's like a weather system that's out of control, that's dangerous, or alarming.... It just seems like sounds that have been uttered back and forth maybe now over centuries. And it always boils down to the same meaning within those sounds, unless you're more intense uttering them, or you precede them or accompany them with certain forms of violence.—from The Weight of the EarthArtist, writer, and activist David Wojnarowicz (1954-1992) was an important figure in the downtown New York art scene. His art was preoccupied with sex, death, violence, and the limitations of language. At the height of the AIDS epidemic, Wojnarowicz began keeping audio journals, returning to a practice he'd begun in his youth.The Weight of the Earth presents transcripts of these tapes, documenting Wojnarowicz's turbulent attempts to understand his anxieties and passions, and tracking his thoughts as they develop in real time.In these taped diaries, Wojnarowicz talks about his frustrations with the art world, recounts his dreams, and describes his rage, fear, and confusion about his HIV diagnosis. Primarily spanning the years 1987 and 1989, recorded as Wojnarowicz took solitary road trips around the United States or ruminated in his New York loft, the audio journals are an intimate and affecting record of an artist facing death. By turns despairing, funny, exalted, and angry, this volume covers a period largely missing from Wojnarowicz's written journals, providing us with an essential new record of a singular American voice.

An examination of the reactionary, individualist, cynical, and belligerent shift in global politics to the right, implemented both by the right and the establishment left.Systemic, euphemized, insidious and structural violence has increased. It is now objectively measurable by the gulf in revenues, by subjective malaise, or by the menace of ecological apocalypse, and also by their constant exacerbation.—from How the World Swung to the RightDespite a few zones of active resistance—the alter-globalization movement, the Chiapas uprisings, the Arab springs, and the recent resistance to racialized police brutality and environmental and genocidal warfare in the United States—the last half-century has been witness to an undeniable global shift to the right. How the World Swung to the Right provides a comprehensive overview of this reactionary, individualist, cynical, and belligerent shift, which often has been cloaked in the guise of entertainment and good intentions. The counterrevolutions began with a first phase of deregulation and ideological counter-attacks, and the fall of the so-called "real” communisms. The 1990s inaugurated a global biopolitical turn and the financialization of the economy; the 2000s hammered in neoliberal gains through the alliance of ultraliberalism with neoconservatism. These policies were implemented, surprisingly, not only by the right but often by the establishment left. Cusset argues that in the face of this betrayal, conflict is the one thing we can still salvage from the notion of the "left.” What we need today, he contends, are new sites of conflict that multiply the causes of struggle and the sites of mobilization, linking socioeconomic struggle with questions of identity and the urgency of ecology.

A cult classic in France, the first translation of a novel that captures a subjective stroll through an underground, glamorous Parisfinally there are the rolling stones who call for all these at the same time among them and around them: the policeman, the cross-dresser, the dancer, Frankenstein, the dandy, the robot—from Dusty PinkWritten with the hope of achieving a "dreary distant banality,” Jean-Jacques Schuhl's first novel is a subjective stroll through an underground, glamorous Paris, a city that slips into the background but never disappears, hovering on the verge of its own suppression. An elegiac and luminous cut-up, Dusty Pink brings together race wire results, editions of France-Soir, the lyrics to well-known British songs, scripts from famous old films, pharmaceutical leaflets, fashion ads, and strips and scraps of culture in which the avant-garde and academicism blur in an overview of the cultural scene. This world of atmospheres, portraits, and dazzling associations of ideas creates a plane of shimmering surfaces.Published in French in 1972, Jean-Jacques Schuhl's Dusty Pink became a cult classic. This is its first translation.

An analysis of contemporary violence as the new commodity of today's hyper-consumerist stage of capitalism.

The first career retrospective of activist photographer Brian Weil, whose work and practice explored insular cultures.