Books published by Seven Stories Press,U.S.

The first children''s book to appear in English by the award-winning Israeli master storytellerWhat happens when a tired boy with a fertile imagination is left to fend for himself at the zoo? Well, if his father is too busy to play and must talk business on his phone, and it''s close to naptime, then ... a lot. After freeing sad animals from their cages, the boy takes a ride in an airship with an old turtle and a lazy rhinoceros. Once on board he describes to Habakkuk, the ship''s captain, the traits of the rarely seen long-haired cat-boy cub: Long-haired cat-boy cubs need to be played with once an hour to stay alive. Also, you cannot wash a long-haired cat-boy cub in water, they only like to drink juice and chocolate milk, and, most of all, you must listen to a long-haired cat-boy cub''s story to the end even if you get a call from work. Long-Haired Cat-Boy Cub is a clever and captivating tale that will appeal to any cub who has busy parents and a busier imagination.

Elliot Hersch is given a basketball on his tenth birthday and cuts a deal with his disapproving father: if he makes straight As, he is allowed to play. Modeling his game on the basketball heroes of his time--Clyde Frazier, Oscar Robertson, Magic Johnson, and especially Larry Bird--Elliot becomes one of the finest high school basketball players in New York. Trying to steer clear of the corruption and sleaze in the big college programs, Elliott signs with the seemingly clean-cut University of Southern Arizona (USA), partly to fulfill his promise to his father, whose one piece of advice about life is: Tell the truth, always. A quote from Chaucer, his father's favorite writer, guides both father and son "Trouthe is the hyest thing that man may kepe." What he finds at the USA and then the NBA is a far cry from untarnished "trouthe." Elliott is challenged at every turn, tangling at the end of the day with what is most true: the game. Can Elliott truly play basketball? And if not, what is left of his life? Trouthe, Lies, and Basketball is an epic comic tale--structured somewhat like a gripping basketball game, completely with literary "time-outs"--of a basketball player coming to terms with the world as it is, his talents as they are. Rosen's characters, even the mostly unseemly, are all heart, and by the end they leave those hearts on the hardwood.

In a near-future New York City in which both global warming and a tremendous economic divide are making the city unlivable for many, a huge superstorm hits, leaving behind only those who had nowhere else to go and no way to get out. Makayla is a twenty-four-year-old woman who works at the convenience store chain that's taken over the city. Jesse, an eighteen-year-old, genderqueer, anarchist punk lives in an abandoned IRT station in the Bronx. Their paths cross in the aftermath of the storm when they, along with others devastated by the loss of their homes, carve out a small sanctuary in an abandoned luxury condo. In an attempt to bring hope to those who feel forsaken, an unnamed, mysterious street artist begins graffitiing colorful murals along the sides of buildings. But the castaways of the storm aren't the only ones who find beauty in the art. When the media begins broadcasting the emergence of the murals and one appears on the building Makayla, Jesse, and their friends are living in, it is only a matter of time before those who own the building come back to claim what is theirs. All City is more than a novel, it's a foreshadowing of the world to come.

Footloose and broke, the unnamed narrator of Gone Tomorrow hops on a plane without asking questions when his director friend offers him a role in an art film set in Colombia. But from the moment he arrives at the airport in Bogotá, only to witness a policeman beat a beggar half to death, it becomes clear that this will not be the story of gritty bohemians triumphing against the odds. The director, Paul Grosvenor, seems more interested in manipulating his cast than in shooting film. The cult star, Irma Irma, is a vamp too bored and boring to draw blood. And the beautiful, nymph-like Michael Simard doesn’t seem to be putting out. Meanwhile, the film’s shady financier is sleeping with his mother, while a serial killer skulks about the area killing tourists. Everything comes to a head when the carnaval celebration begins in nearby Cali. But once the fiesta is over, all that’s left are ghostly memories and the narrator’s insistence on telling the tale. “Unlike the majority of pointedly AIDS-era novels,” writes Dennis Cooper, “Gone Tomorrow is neither an amoral nostalgia fest nor a thinly veiled wake-up call hyping the religion of sobriety. It’s a philosophical work devised by a writer who’s both too intelligent to buy into the notion that a successful future requires the compromise of collective decision and too moral to accept bitterness as the consequence of an adventurous life.”

A delightful collection of classic recipes, folk history, and original drawings by Cape Cod''s most-admired chef. With a new Introduction by Anthony Bourdain"It''s a true classic, one of the most influential of my life." --Anthony Bourdain, from the new introduction"Provincetown ... is the seafood capital of the universe, the fishiest town in the world. Cities like Gloucester, Boston, New Bedford, and San Diego may have bigger fleets, but they just feed the canneries. Provincetown supplies fresh fish for the tables of gourmets everywhere." --Howard MitchamProvincetown''s best-known and most-admired chef combines delectable recipes and delightful folklore to serve up a classic in seafood cookbooks.     Read about the famous (and infamous!) Provincetown fishing fleet, the adventures of the fish and shellfish that roam Cape Cod waters, and the people of Provincetown--like John J. Glaspie, Lord Protector of the Quahaugs.     Then treat yourself to Cape Cod Gumbo, Provincetown Paella, Portuguese Clam Chowder, Lobster Fra Diavolo, Zarzuela, and dozens of other Portuguese, Creole, and Cape Cod favorites. A list of fresh and frozen seafood substitutes for use anywhere in the country is a unique feature of this lively book.     You''ll learn the right way to eat broiled crab and the safe way to open oysters. You''ll even learn how to cook a sea serpent!

The writings of philosophers, poets, novelists, social reformers, and others who have voiced the struggle against social injustice. Selected from twenty-five languages, covering a period of five thousand yearsThis bold anthology of social protest, art, and literature spans five thousand years and twenty-five languages and is the preeminent collection of progressive thought, literature, and art. This massive, stirring, and insightful collection includes literature of social protest, progressive and socialist philosophy, excerpts from novels, poems, speeches, muck raking journalism, and art all in the service of voicing the struggle against social injustice.      In 1915, shortly after the runaway success of his famous muckraking novel about the Chicago slaughterhouse industry, The Jungle, Upton Sinclair took time out of his busy writing and political organizing life to collect and then edit into a single volume work by the artists, novelists, philosophers, poets, and journalist who had inspired his career. Eye witnesses to war and revolution, Christian heretics, saints, humanist philosophers, labor organizers, martyrs, feminists, socialists, satirists, and characters from Dickens and Shakespeare can all be found in The Cry for Justice.      This nearly 1000 page book includes work by Upton Sinclair, Jack London, Euripides, Dante, Emile Zola, Leo Tolstoy, John Galsworthy, William Blake, John Keats, Edward Bellamy, Charles Dickens, G. K. Chesterton, Winston Churchill, H. G. Wells, Walt Whitman, Charlotte Perkins Gilman, Rabindranath Tagore, Mark Twain, Abraham Lincoln, and many, many others in the form of essays, stories, poems, tracts, jokes, protests, and first-person accounts. Together they highlight a long undying progressive socialist tradition that most recently surfaced in Bernie Sanders''s 2016 presidential campaign. The Cry for Justice is not a history book, it''s a book for inspiring a better future, as relevant today as when it was first published.     H. G. Wells, a contributor, referred to The Cry for Justice as Sinclair''s "Book of Life". Jack London''s enthusiastic introduction, which he calls a "humanist Holy Book," ends with "To see gathered here together this great body of human beauty and fineness and nobleness is to realize what glorious humans have already existed, do exist, and will continue increasingly to exist until all the world beautiful be made over in their image. We know how gods are made. Comes now the time to make a world."

The latest volume in Russ Kick''s New York Times best-selling series retells classic crime fiction in full-color visual comix splendor.     "Easily the most ambitious and successfully realized literary project in recent memory." --NPR "A treasure trove for literary comics fans." --WIREDHere are Teddy Goldenberg''s dense, murky treatment of Dashiell Hammett''s "The Road Home," often considered the first hardboiled detective story ever published. Shawn Cheng renders the first serial-killer story, the so-called fairy tale "Bluebeard" by Charles Perrault. Landis Blair reimagines The Trial as a choose-your-own-adventure story that you cannot win, and Ted Rall retells an O. Henry story about a petty criminal who just can''t get arrested. Plus 28 other contributors using a wide range of illustrative styles.     As with previous volumes in the Graphic Canon series, the illustrations run the full gamut of media and techniques, and artistic interpretations range from verbatim literalism to metaphorical extensions to surrealism and abstraction. The common theme, tracing the origins and standout texts of the morbid and mysterious, unites these multifarious partners in crime.

In late October 1939, Robert Graves wrote to Alan Hodge: "I have begun a new book, about English." Graves and Hodge had recently completed a social history of the between-wars period called The Long Week-End. Now they embarked on this new project, "a handbook for writers of English Prose," to be called The Reader Over Your Shoulder. The world was in total upheaval. Graves had already fled Majorca three years earlier at the start of the Spanish Civil War. As they labored over their new writing project, Graves and Hodge witnessed the fall of France and the evacuation of Allied forces at Dunkirk. In early September 1940 began the bombing of London by the German Luftwaffe, a concentrated effort to destroy the resolve of the English people. Graves's and Hodge's idea was simple enough: at a time when their whole world was falling apart, the survival of English prose sentences, of writing that was clear, concise, intelligible, had become paramount if hope were going to survive the onslaught. They came up with forty-one principles for writing, the majority devoted to clarity, the remainder to grace of expression. They studied the prose of a wide range of noted authors and leaders, finding much room for improvement. Quoting grammarian and bestselling author Patricia T. O'Conner from her new introduction, "With a new war to be won, the kingdom couldn't afford careless, sloppy English. Good communication was critical." The book they would write would turn out to be one of the most erudite, and at the same time one of the most spontaneous and inspired, ever to take on the challenge of writing well. O'Conner in her introduction describes The Reader Over Your Shoulder as nothing less than "the best book on writing ever published." The present edition restores, for the first time in three-quarters of a century, the original, 1943, text, which in subsequent printings and editions had been shortened by over 150 pages, including much of the heart of the book.

FEATURING: IAN BOGOST - LEIGH ALEXANDER - ZOE QUINN - ANITA SARKEESIAN & KATHERINE CROSS - IAN SHANAHAN - ANNA ANTHROPY - EVAN NARCISSE - HUSSEIN IBRAHIM - CARA ELLISON & BRENDAN KEOGH - DAN GOLDING - DAVID JOHNSTON - WILLIAM KNOBLAUCH - MERRITT KOPAS - OLA WIKANDERThe State of Play is a call to consider the high stakes of video game culture and how our digital and real lives collide. Here, video games are not hobbies or pure recreation; they are vehicles for art, sex, and race and class politics.The sixteen contributors are entrenched-they are the video game creators themselves, media critics, and Internet celebrities. They share one thing: they are all players at heart, handpicked to form a superstar roster by Daniel Goldberg and Linus Larsson, the authors of the bestselling Minecraft: The Unlikely Tale of Markus "Notch" Persson and the Game that Changed Everything.The State of Play is essential reading for anyone interested in what may well be the defining form of cultural expression of our time."If you want to explain to anyone why videogames are worth caring about, this is a single volume primer on where we are, how we got here and where we're going next. In every way, this is the state of play." -Kieron Gillen, author of The Wicked + the Divine, co-founder of Rock Paper Shotgun

Compañeras is the untold story of women's involvement in the Zapatista movement, the indigenous rebellion that has inspired grassroots activists around the world for over two decades. Gathered here are the stories of grandmothers, mothers, and daughters who became guerilla insurgents and political leaders, educators and healers-who worked collectively to construct a new society of dignity and justice. Compañeras shows us how, after centuries of oppression, a few voices of dissent became a force of thousands, how a woman once confined to her kitchen rose to conduct peace negotiations with the Mexican government, and how hundreds of women overcame ingrained hardships to strengthen their communities from within.

THE GRAPHIC CANON (Seven Stories Press) is a gorgeous, one-of-a-kind trilogy that brings classic literatures of the world together with legendary graphic artists and illustrators. There are more than 130 illustrators represented and 190 literary works over three volumes-many newly commissioned, some hard to find-reinterpreted here for readers and collectors of all ages.Volume 1 takes us on a visual tour from the earliest literature through the end of the 1700s. Along the way, we're treated to eye-popping renditions of the human race's greatest epics: Gilgamesh, The Iliad, The Odyssey (in watercolors by Gareth Hinds), The Aeneid, Beowulf, and The Arabian Nights, plus later epics The Divine Comedy and The Canterbury Tales (both by legendary illustrator and graphic designer Seymour Chwast), Paradise Lost, and Le Morte D'Arthur. Two of ancient Greece's greatest plays are adapted-the tragedy Medea by Euripides and Tania Schrag's uninhibited rendering of the very bawdy comedy Lysistrata by Aristophanes (the text of which is still censored in many textbooks). Also included is Robert Crumb's rarely-seen adaptation of James Boswell's London Journal, filled with philosophical debate and lowbrow debauchery.Religious literature is well-covered and well-illustrated, with the Books of Daniel and Esther from the Old Testament, Rick Geary's awe-inspiring new rendition of the Book of Revelation from the New Testament, the Tao te Ching, Rumi's Sufi poetry, Hinduism's Mahabharata, and the Mayan holy book Popol Vuh, illustrated by Roberta Gregory. The Eastern canon gets its due, with The Tale of Genji (the world's first novel, done in full-page illustrations reminiscent of Aubrey Beardsley), three poems from China's golden age of literature lovingly drawn by pioneering underground comics artist Sharon Rudahl, the Tibetan Book of the Dead, a Japanese Noh play, and other works from Asia.Two of Shakespeare's greatest plays (King Lear and A Midsummer Night's Dream) and two of his sonnets are here, as are Plato's Symposium, Gulliver's Travels, Candide, A Vindication of the Rights of Woman, Renaissance poetry of love and desire, and Don Quixote visualized by the legendary Will Eisner.Some unexpected twists in this volume include a Native American folktale, an Incan play, Sappho's poetic fragments, bawdy essays by Benjamin Franklin, the love letters of Abelard and Heloise, and the decadent French classic Dangerous Liaisons, as illustrated by MollyCrabapple. Edited by Russ Kick, The Graphic Canon is an extraordinary collection that will continue with Volume 2: "Kubla Khan" to the Bronte Sisters to The Picture of Dorian Gray in Summer 2012, and Volume 3: From Heart of Darkness to Hemingway to Infinite Jest in Fall 2012. A boxed set of all three volumes will also be published in Fall 2012.

2013 Philip K. Dick Award Special Citation of Excellence"Orwell, Vonnegut, and Douglas Adams are felt on every page, though Magnason is never derivative. His satire and insightful social commentary sweeten the pot and the sheer wackiness of Magnason's oversized imagination is invigorating."-Publishers Weekly, starred reviewLoveStar, the enigmatic and obsessively driven founder of the LoveStar corporation, has unlocked the key to transmitting data via birdwaves, thus freeing mankind from wires and devices, and allowing consumerism, technology, and science to run rampant over all aspects of daily life. Cordless modern men and women are paid to howl advertisements at unsuspecting passers-by, REGRET machines eliminate doubt over roads not taken, soul mates are identified and brought together (while existing, unscientifically validated relationships are driven remorselessly asunder), and rocketing the dead into the sky becomes both a status symbol and a beautiful, cathartic show for those left behind. Indridi and Sigrid, two blissfully happy young lovers, have their perfect worlds threatened (along with Indridi's sanity) when they are "calculated apart" and are forced to go to extreme lengths to prove their love. Their journey ultimately puts them on a collision course with LoveStar, who is on his own mission to find what might become the last idea in the world. Steeped in influences ranging from Italo Calvino, Jorge Luis Borges, and Kurt Vonnegut to George Orwell, Douglas Adams, and Monty Python, Andri Snær Magnason has created a surreal yet uncomfortably familiar world, where the honey embrace of love does its utmost to survive amid relentless and overpowering controls.

A brilliant dissection and reconstruction of the three major faith-based systems of belief in the world today, from one of the world's most articulate intellectuals, Slavoj Zizek, in conversation with Croatian philosopher Boris Gunjevic. In six chapters that describe Christianity, Islam, and Judaism in fresh ways using the tools of Hegelian and Lacanian analysis, God in Pain: Inversions of Apocalypse shows how each faith understands humanity and divinity--and how the differences between the faiths may be far stranger than they may at first seem. Chapters include (by Zizek) (1) "Christianity Against Sacred," (2) "Glance into the Archives of Islam," (3) "Only Suffering God Can Save Us," (4) "Animal Gaze," (5) "For the Theologico-Political Suspension of the Ethical," (by Gunjevic) (1) "Mistagogy of Revolution," (2) "Virtues of Empire," (3) "Every Book Is Like Fortress," (4) "Radical Orthodoxy," (5) "Prayer and Wake."

A Kirkus Reviews Best Fiction Title of 2011In Buzz Aldrin, What Happened to You in All the Confusion?, readers follow a man who wishes not to be followed, a man who, after a series of personal and professional disasters, finds himself lying on a rain-soaked road in the desolate, treeless Faroe Islands, population only a few thousand, a wad of bills in his pocket and no memory of how he had come to be there. From there, Brage Award-winning author and playwright Johan Harstad's debut novel--previously published to great success in eleven countries with its first English-language appearance in June 2011--tells the story of Mattias, a thirty-something gardener living in Stavanger, Norway, whose idol is Buzz Aldrin, second man on the moon: the man who was willing to stand in Neil Armstrong's shadow in order to work, diligently and humbly, for the success of the Apollo 11 mission. Through Harstad's "delectably light but nonetheless impactful prose . . . [t]he novel's finest moments wrap you up in communion with Mattias, as if you are spending a quiet afternoon with an old friend, chatting but mostly thinking" (Three Percent). Surrounded by a vivid and memorable cast of characters--aspiring pop musicians, Caribbean-obsessed psychologists, death-haunted photographers, girls who dream of anonymous men falling in love with them on bus trips, and even Buzz Aldrin himself--"Harstad combines formal play and linguistic ferocity with a searing emotional directness" (Dedi Felman, Words Without Borders) to bring Mattias to the realization that he cannot always blend into the background.