Books published by Soft Skull Press

The chilling autobiography of the notorious female serial killer who was recently the subject of a two-hour Investigation Discovery special.Between 1989 and 1990, Aileen Wuornos, a hitchhiking prostitute, shot, killed, and robbed seven men in remote Florida locations. Arrested in 1991, she was condemned to death on six separate counts and executed by lethal injection in 2002.An abused runaway who turned to prostitution to survive, Wuornos has become iconic of vengeful women who lash out at the nearest target. She has also become a touchstone for women's, prostitutes', and prisoners' rights advocates. Her story has inspired myriad books and articles, as well as the 2003 movie Monster, for which Charlize Theron won an Academy Award. But until now, Wuornos's uncensored voice has never been heard.Dear Dawn is Wuornos's autobiography, culled from her ten-year death row correspondence with beloved childhood friend Dawn Botkins. Authorized for publication by Wuornos and edited under the guidance of Botkins, the letters not only offer Wuornos's riveting reflections on the murders, legal battles, and media coverage, but go further, revealing her fears and obsessions, her rich humor and empathy, and her gradual disintegration as her execution approached. A candid life story told to a trusted friend, Dear Dawn is a compelling narrative, unwaveringly true to its source.?It is both empowering and heartbreaking, because Wuornos represents the fury of a wronged girl-gone-wild, whose rage was unleashed on men.? ?The Rumpus?Condenses ten years of obsessive correspondence into a fragmented, sometimes funny, sometimes nightmarish, often paradoxical portrait of Wuornos.? ?Muzzle Magazine

An embittered dog walker obsessed with a social media influencer inadvertently puts a curse a young man--and must adventure into mysterious dimension in order to save him--in this wildly inventive, delightfully subversive, genre-nonconforming debut novel about illusion, magic, technology, kinship, and the emergent future.The year is 20__, and Penfield R. Henderson is in a rut. When he's not walking dogs for cash or responding to booty calls from his B-list celebrity hookup, he's holed up in his dingy Bushwick apartment obsessing over holograms of Aiden Chase, a fellow trans man and influencer documenting his much smoother transition into picture-perfect masculinity on the Gram. After an IRL encounter with Aiden leaves Pen feeling especially resentful, Pen enlists his roommates, the Witch and the Stoner-Hacker, to put their respective talents to use in hexing Aiden. Together, they gain access to Aiden's social media account and post a picture of Pen's aloe plant, Alice, tied to a curse:Whosoever beholds the aloe will be pushed into the Shadowlands.When the hex accidentally bypasses Aiden, sending another young trans man named Blithe to the Shadowlands (the dreaded emotional landscape through which every trans person must journey to achieve true self-actualization), the Rhiz (the quasi-benevolent big brother agency overseeing all trans matters) orders Pen and Aiden to team up and retrieve him. The two trace Blithe to a dilapidated motel in California and bring him back to New York, where they try to coax Blithe to stop speaking only in code and awkwardly try to pass on what little trans wisdom they possess. As the trio makes its way in a world that includes pitless avocados and subway cars that change color based on occupants' collective moods but still casts judgment on anyone not perfectly straight, Pen starts to learn that sometimes a family isn't just the people who birthed you. Magnificently imagined, linguistically dazzling, and riotously fun, Future Feeling presents an alternate future in which advanced technology still can't replace human connection but may give the trans community new ways to care for its own.

For readers of Susannah Cahalan’s Brain on Fire and Porochista Khakpour’s Sick, this exquisitely wrought debut memoir recounts a lifelong struggle with chronic pain and endometriosis, while speaking more broadly to anyone who’s been told “it’s all in your head” In Catholic grade school, Emma Bolden has a strange experience with a teacher that unleashes a short-lived, persistent coughing spell—something the medical establishment will later use against her as she struggles through chronic pain and fainting spells that coincide with her menstrual cycle. With The Tiger and the Cage, Bolden uses her own experience as the starting point for a journey through the institutional misogyny of Western medicine—from a history of labeling women “hysterical” and parading them as curiosities to a lack of information on causes or cures for endometriosis, despite more than a century of documented cases. Recounting botched surgeries and dire side effects from pharmaceuticals affecting her and countless others, Bolden speaks to the ways people are often failed by the official narratives of institutions meant to protect them. Bolden also interrogates a narrative commonly imposed on menstruating bodies: the expected story arc of marriage and children. She interrogates her body as a painful site she must mentally escape and a countdown she hopes to beat by having a child before a hysterectomy. Only later does she find language and acceptance for her asexality and the life she needs to lead. Through all its gripping, devastating, and beautiful threads, The Tiger and the Cage says what Bolden and so many like her have needed to hear: I see you, and I believe you. 

"The Novelist, which follows a young man over the course of a single morning as he fails to write an autobiographical novel about his heroin addiction and recovery, finding himself drawn into the infinite spaces of Twitter, quotidian rituals, and his own mind. The Novelist is influenced by and references Nicholson Baker's The Mezzanine and Thomas Bernhard's Woodcutters, and in the end is a wholly original novel about language and consciousness, the Internet and social media, and addiction and recovery. It is a literary manifesto of optimism about deciding to live, even if the project of living includes a great deal of suffering"--

This witty memoir traces a touching and often hilarious spiralic path to embracing a gay, Latinx identity against a culture of machismo—from a cockfighting ring in Nicaragua to cities across the U.S.—and the bath houses, night clubs, and drag queens who help redefine prideI’ve always found the definition of machismo to be ironic, considering that pride is a word almost unanimously associated with queer people, the enemy of machistas . . . In a world desperate to erase us, queer Latinx men must find ways to hold on to pride for survival, but excessive male pride is often what we are battling, both in ourselves and in others. A debut memoir about coming of age as a gay, Latinx man, High-Risk Homosexual opens in the ultimate anti-gay space: Edgar Gomez’s uncle’s cockfighting ring in Nicaragua, where he was sent at thirteen years old to become a man. Readers follow Gomez through the queer spaces where he learned to love being gay and Latinx, including Pulse nightclub in Orlando, a drag queen convention in Los Angeles, and the doctor’s office where he was diagnosed a “high-risk homosexual.” With vulnerability, humor, and quick-witted insights into racial, sexual, familial, and professional power dynamics, Gomez shares a hard-won path to taking pride in the parts of himself he was taught to keep hidden. His story is a scintillating, beautiful reminder of the importance of leaving space for joy.

Nick Hornby meets Patti Smith, Mean Streets meets A Visit From the Goon Squad in this quintessential New York City story about two people who knew each other in the downtown music scene in the 1980s, meet again in the present day, and fall in love.Mike knew June in New York’s downtown music scene in the eighties. Back then, he thought she was “the living night—all the glamour and potential of a New York night when you’re 25.” Now he’s twice divorced and happy to be alone—so happy he’s writing a book about it. Then he meets June again. “And here she was with a raincoat over the back of the chair talking about getting a divorce and saying she’s done with relationships. Her ice-calm eyes are the same, the same her glory of curls.”Jacket Weather is about awakening to love—dizzying, all-consuming, worldview-shaking love—when it’s least expected. It''s also about remaining alert to today''s pleasures—exploring the city, observing the seasons, listening to the guys at the gym—while time is slipping away. Told in fragments of narrative, reveries, recipes, bits of conversation and snatches of weather, the book collapses a decade in Mike and June’s life and shifts a reader to a glowing nostalgia for the present.

An energetic, witty collection of stories where the supernatural meets the anomalies of everyday life--deception, infidelity, lost cats, cute memes, amateur pornography, and more.A woman walks onto a tennis court. A woman has a conversation with a friend's husband in a supermarket. A woman sees a painting at the home of an art collector. A woman goes on a run. A woman takes videos of a cat in a bodega. A woman answers a Craigslist ad to write erotic diaries for money. Cosmogony takes accounts of so-called normal life and mines them for inconsistencies, cruelties, deceptions, and delights. Incorporating a virtuosic range of styles and genres (Wikipedia entry, phone call, math equation, encounters with the supernatural, philosophies of time travel), these stories reveal how the narratives we tell ourselves and believe are inevitably constructed, offering a glimpse of the structures that underlie and apparently determine human existence--and which we ignore at our own peril.

Should graffiti writers organize to tear up the cities, or should they really be bombing the 'burbs? That's the question posed by William Upski Wimsatt in his seminal foray into the world of hip-hop, rap, and street art, and the culture and politics that surround it.Taking on a broad range of topics, including suburban sprawl, racial identity, and youth activism, Wimsatt (a graffiti artist himself) uses a kaleidoscopic approach that combines stories, cartoons, interviews, disses, parodies, and original research to challenge the suburban mindset wherever it's found: suburbs and corporate headquarters, inner cities and housing projects, even in hip-hop itself. Funny, provocative, and painfully honest, Bomb the Suburbs encourages readers to expand their social boundaries and explore the vibrant, chaotic world that exists beyond their comfort zones.

"A fascinating scrapbook documenting a time in the life of a female musician . . . Tales of tours, blowouts, relationships with names such as The Cramps, Pantera, Ramones, Alice Cooper, Kyuss, Monster Magnet, Marilyn Manson, Coffin Joe and Danzig make this book essential as a time capsule of a certain era in the world of hard rock." —Uber RockArt rock? Noise rock? Punk-metal? Alternative? White Zombie may have been unclassifiable, but it didn't stop them from carving out a place for themselves in music history. The band became a multiplatinum, two-time Grammy nominee with the release of their 1992 album, La Sexorcisto. But while most people will remember their bizarre look and macabre lyrics, what many failed to realize was that their lanky, high-octane bass player was a woman.I'm In the Band combines eleven years of tour diaries, flyers, and personal photos and ephemera to chart White Zombie's rise from the gritty music scene of New York's Lower East Side in the eighties to arena headliners during the nineties. It also shares the unlikely story of a female musician who won the respect and adoration of male metal musicians and fans. From 1985 to 1996, Sean Yseult was the sole woman not only in White Zombie, but in the entire metal scene.With I'm In the Band, Yseult has created both a coffee table book and a striking visual memoir. Her personal memorabilia offers fans a unique vantage on the life of a mega-band during rock's last golden age.

As the gay mainstream prioritizes the attainment of straight privilege over all else, it drains queer identity of any meaning, relevance, or cultural value, writes Matt Bernstein Sycamore, aka Mattilda, editor of That's Revolting! . This timely collection shows what the new queer resistance looks like. Intended as a fistful of rocks to throw at the glass house of Gaylandia, the book challenges the commercialized, commodified, and hyperobjectified view of gay/queer identity projected by the mainstream (straight and gay) media by exploring queer struggles to transform gender, revolutionize sexuality, and build community/family outside of traditional models. Essays include “Dr. Laura, Sit on My Face,” “Gay Art Guerrillas,” “Legalized Sodomy Is Political Foreplay,” and “Queer Parents: An Oxymoron or Just Plain Moronic?”