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  • by Mercedes Cabello de Carbonera
    £22.49

  • by Juana Gorriti
    £24.99

  • by Marcio Veloz Maggiolo
    £29.49

  • by Federico Garcia Lorca
    £21.49

  • by Alberto Campos Carlis
    £20.99

  • by Cecilia Absatz
    £16.49

  • - La Pasion Segun el Teleteatro
    by Cecilia Absatz
    £24.49

  • by Richard A. Seymour
    £36.99

  • by Jose Marti
    £19.49

  • by manuel Gandia
    £19.99

  • by Hilario Ascasubi
    £22.99

    In spite of the precedent of Bartolomé Hidalgo's "Cielitos y Diálogos patrióticos" -that defined the " cielito" as the tone of voice for the "gauchesca" genre- it is Hilario Ascasubi who should be considered the first of the "gauchi-poetas", as his works opened the roads to Estanislao del Campo's "Fausto" (1866) and José Hernández's "Martin Fierro" (1873).Santos Vega o los mellizos de la Flor was started in 1850, and published for the first time in 1851 in Montevideo as two deliveries of just 10 chapters spanning 1,080 versesIt is just in 1872 that Ascasubi, during his stay as diplomat in París, completes the sixty five chapters and more than 13,000 verses.In the author's own words: "the canevas of the Mellizos de la Flor, is a favourite subject of the argentine gauchos, it is the story of a maverick capable of every conceivable crime that gave the justice a handful. By referring his deeds and criminal life through Santos Vega, the wandering troubadour and country folk myth I also wanted to consecrate, the opportunity is happily fit to sketch the daily life of the Estancia and its inhabitants, as well as to describe the countryside most peculiar customs along with some traces of the city life".Based on the original 1872 complete text first published in Paris and printed by Imprenta de Paul Dupont, our edition adds to the author's own to complete no less than 803 lexicographic notes, conveniently placed at the bottom of the pages and intended to help the modern reader grasp the exact meaning of the text without obtrusive lengthy interruptions.These notes were made after a careful research work that includedRamón R. Capdevila 1700 refranes, dichos y modismos (región central bonaerense), Ed. Patria, Bs. As. 1955; Emilio Solanet Pelajes Criollos, Ed. Kraft, Bs. As. 1955; Tito Saubidet Vocabulario y refranero criollo, Ed. Kraft, Bs. As. 1943 Eleuterio F. Tiscornia Edición crítica de Poetas Gauchescos, , Ed. Losada, Bs. As, 1940 José Gobello Ascasubi lexicógrafo, , Marcelo Oliveri Editor, Bs. As. 2003 Juan Carlos Guarnieri, Diccionario del leguaje campesino rioplatense, Editorial Florencia & Lafon, Montevideo 1968 Daniel Granada, Vocabulario rioplatense razonado, Imprenta Rural, Montevideo 1890

  • by Domingo Faustino Sarmiento
    £25.49

  • by Fernán Caballero
    £21.49

    La gaviota, the great Fernan Caballero Spanish novel, in a US printed edition Fernán Caballero is one of the great XIX Century Spanish novelist, considered the first to introduce the realist novel in Spain. That alone would have granted the author a place among Spanish writers, but the fact that Caballero is a pseudonim behind which stands a woman, transforms the author into a novelistic character in her own right. Cecilia Böhl de Faber's life is as fascinating as her characters. Born in Switzerland, educated in France, Cecilia Böhl became a highly successful woman writer in Spain, even regarded as the Spanish answer to Walter Scott, not a minor feat in the Spanish society of that time. La gaviota is her first novel. Originally written in French it was translated into Spanish with the author's own supervision, and immediately caught the demanding Spanish literary circles attention. Even though this is the type of books reserved to Spanish studies readings, in this edition we took care to include just the necessary annotations as to help the modern reader sail through the novel without any obstrusive lengthy interruptions. If you enjoy reading in Spanish, and admire brilliant prose, this is a book to read.

  • by Esteban Echeverría
    £14.99

    Echeverria's classic poem La cautiva in a new, annotated editionThough critisized by the Martin Fierro supporting authors such as Leopoldo Lugones as a romantisized vision of the Pampa, Echeverria's poem is still considered a cornerstone of the Latin American poetry, depicting the human drama of the Southern cone frontier life.

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