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The Freedom of Information Law allows any person to request and obtain, without explanation or justification, existing, identifiable, and unpublished governmental records. Orzechowski guides readers through the creation of the law and the concept of open government in the twenty-first century, offering a foundational understanding of how the legislation works.
Brings together scholars of Irish modernism to challenge the stereotype that Irish literature has been unconcerned with scientific and technological change. By focusing on writers' often-ignored interest in science and technology, this book uncovers shared concerns that challenge us to rethink how we categorize and periodize Irish literature.
In this highly original book, Tricia Cusak explores the significance of painted riverscapes to the creation of national identities in nineteenth and early twentieth century Europe and America. Focusing on five rivers, the author outlines the history of the development of national landscapes, elaborating on the distinctive nature of riverscapes.
Since the publication of their first controversial novels in the 1950s and 1960s, Philip Roth and Edna O'Brien have always argued against the isolation of mind from body, autobiography from fiction, life from art, and self from nation. In this book Dan O'Brien investigates these shared concerns of the two authors.
Vividly captures the experiences of prominent Indian intellectual and scholar Shibli- Nu'ma-ni- (1857-1914) as he journeyed across the Ottoman Empire and Egypt in 1892. A professor of Arabic and Persian, Nu'ma-ni- took a six-month leave from teaching to travel to the Ottoman Empire in search of rare printed works and manuscripts.
Sheds light on Palestinian Muslim women's agency in shari`a courts from the British Mandate period to the present. Brownson's archival research on wife-initiated maintenance claims, divorce, and child custody cases deepens our understanding of women's position in the courts, demonstrating Muslim women's active participation in their legal affairs.
Analyses the communication, politics, stereotypes, and genre techniques featured in the television series Scandal while raising key questions about the intersections of race, gender, sexuality, and viewing audiences.
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