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Two friends pass the time together playing a made-up game in which they name people, places, or things and debate whether they are successful or not; in other words, whether they are winners or losers. Each friend seeks to defeat the other, and because one of these men grew up economically privileged and the other did not, the competition very quicklyheats up.Marcus Youssef is associate artistic producer at Vancouver's NeWorld Theatre and teaches theater at Concordia University in Montreal.James Long has been making theater since 1995 and is artistic director of Theatre Replacement in Vancouver..
A careful archaeology of the catalogue of innocence assembled by a youthful imagination blossoming during World War II.
Fred A. Reeds fifth book on the Middle East and the wars of the Ottoman succession traces the roots of Islamic fundamentalism, as currently enacted by Hezbollah and other Islamic fundamentalist organizations, to the iconoclasts of sixth- and seventh-century Damascus.
A history of modern Iran, and a revealing first-hand account by Irans first female vice-president, Massoumeh Ebtekar, of the 1979 revolutionary students who captured the American embassy in Tehran. Ebtekar sets out to correct decades of misrepresentation by the Western media of what the aims of the Iranian students and the populist revolution they personified were, and have since remained.
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