Books published by The New York Review of Books, Inc

A New York Review Books Original“Tolstaya carves indelible people who roam the imagination long after the book is put down.” –TimeTatyana Tolstaya’s short stories—with their unpredictable fairy-tale plots, appealingly eccentric characters, and stylistic abundance and flair—established her in the 1980s as one of modern Russia’s finest writers. Since then her work has been translated throughout the world. Edna O’Brien has called Tolstaya “an enchantress.” Anita Desai has spoken of her work’s “richness and ardent life.” Mixing heartbreak and humor, dizzying flights of fantasy and plunging descents to earth, Tolstaya is the natural successor in a great Russian literary lineage that includes Gogol, Yuri Olesha, Bulgakov, and Nabokov.White Walls is the most comprehensive collection of Tolstaya’s short fiction to be published in English so far. It presents the contents of her two previous collections, On the Golden Porch and Sleepwalker in a Fog, along with several previously uncollected stories. Tolstaya writes of lonely children and lost love, of philosophers of the absurd and poets working as janitors, of angels and halfwits. She shows how the extraordinary will suddenly erupt in the midst of ordinary life, as she explores the human condition with a matchless combination of unbound imagination and unapologetic sympathy.

What can words be, or rather, what can't they be? Poet Alastair Reid introduces children and adults to the wondrous waywardness of words in Ounce Dice Trice, a delicious confection and a wildly unexpected exploration of sound and sense and nonsense that is like nothing else. Reid offers light words (willow, whirr, spinnaker) and heavy words (galoshes, mugwump, crumb), words on the move and odd words, words that read both ways and words that read the wrong way around (rezagrats), along with much else. Accompanied by Ben Shahn's glorious drawings, Ounce Dice Trice is a book of endless delights, not to mention the only place where you can find the answer to the question: What is a gongoozler? Well, all I can say is quoz.

Ebenezer Le Page, cantankerous, opinionated, and charming, is one of the most compelling literary creations of the late twentieth century. Eighty years old, Ebenezer has lived his whole life on the Channel Island of Guernsey, a stony speck of a place caught between the coasts of England and France yet a world apart from either. Ebenezer himself is fiercely independent, but as he reaches the end of his life he is determined to tell his own story and the stories of those he has known. He writes of family secrets and feuds, unforgettable friendships and friendships betrayed, love glimpsed and lost. The Book of Ebenezer Le Page is a beautifully detailed chronicle of a life, but it is equally an oblique reckoning with the traumas of the twentieth century, as Ebenezer recalls both the men lost to the Great War and the German Occupation of Guernsey during World War II, and looks with despair at the encroachments of commerce and tourism on his beloved island. G. B. Edwards labored in obscurity all his life and completed The Book of Ebenezer Le Page shortly before his death. Published posthumously, the book is a triumph of the storyteller's art that conjures up the extraordinary voice of a living man."Imagine a weekend spent in deep conversation with a superb old man, a crusty, intelligent, passionate and individualistic character at the peak of his powers as a raconteur, and you will have a very good ideas of the impact of The Book of Ebenezer Le Page...It amuses, it entertains, it moves us...” -The Washington Post"A true epic, as sexy as it is hilarious, it seems drenched with the harsh tidal beauties of its setting...For every person nearing retirement, every latent writer who hopes to leave his island and find the literary mainland, its author-quiet, self-sufficient, tidy Homeric-remains a patron saint." -Allan Gurganus, O Magazine

A rare art history classic that The New York Times calls a "delightful, scholarly and gossipy romp through the character and conduct of artists from antiquity to the French Revolution.”Born Under Saturn is a classic work of scholarship written with a light and winning touch. Margot and Rudolf Wittkower explore the history of the familiar idea that artistic inspiration is a form of madness, a madness directly expressed in artists' unhappy and eccentric lives. This idea of the alienated artist, the Wittkowers demonstrate, comes into its own in the Renaissance, as part of the new bid by visual artists to distinguish themselves from craftsmen, with whom they were then lumped together. Where the skilled artisan had worked under the sign of light-fingered Mercury, the ambitious artist identified himself with the mysterious and brooding Saturn. Alienation, in effect, was a rung by which artists sought to climb the social ladder.As to the reputed madness of artists—well, some have been as mad as hatters, some as tough-minded as the shrewdest businessmen, and many others wildly and willfully eccentric but hardly crazy. What is certain is that no book presents such a splendid compendium of information about artists' lives, from the early Renaissance to the beginning of the Romantic era, as Born Under Saturn. The Wittkowers have read everything and have countless anecdotes to relate: about artists famous and infamous; about suicide, celibacy, wantonness, weird hobbies, and whatnot. These make Born Under Saturn a comprehensive, quirky, and endlessly diverting resource for students of history and lovers of the arts."This book is fascinating to read because of the abundant quotations which bring to life so many remarkable individuals.”-The New York Review of Books

Jenny Linsky, the famous little black cat of Greenwich Village, has never been to school before. When her master, Captain Tinker, sends her to a boarding school in the country to learn the special knowledge of cats—manners and cooperation—she is a little afraid, among strangers, and so far from home. As soon as she''s settled in, taking off the red scarf that makes her feel brave, another student named Pickles, the Fire Cat, is upto his usual mischief, chasing smaller cats with his fire truck hook and ladder. When he chases Jenny, she runs away from school terrified.Jenny soon realizes that the Captain would be disappointed if he found out she had left school. It''s then that Jenny decides to stand up to Pickles. She returns to school and when Pickles next tries his tricks, he''s surprised at the "new" Jenny. Pickles learns his manners and Jenny learns that not only can school be fun, but the friendships she makes there will last forever.

No evocation of Parisian life in the second half of the nineteenth century can match that found in the journals of the brothers GoncourtThe journal of the brothers Edmond and Jules de Goncourt is one of the masterpieces of nineteenth-century French literature, a work that in its richness of color, variety, and seemingly casual perfection bears comparison with the great paintings of their friends and contemporaries the Impressionists.Born nearly ten years apart into a French aristocratic family, the two brothers formed an extraordinarily productive and enduring literary partnership, collaborating on novels, criticism, and plays that pioneered the new aesthetic of naturalism. But the brothers' talents found their most memorable outlet in their journal, which is at once a chronicle of an era, an intimate glimpse into their lives, and the purest expression of a nascent modern sensibility preoccupied with sex and art, celebrity and self-exposure. The Goncourts visit slums, brothels, balls, department stores, and imperial receptions; they argue over art and politics and trade merciless gossip with and about Hugo, Baudelaire, Degas, Flaubert, Zola, Rodin, and many others. And in 1871, Edmond maintains a vigil as his brother dies a slow and agonizing death from syphilis, recording every detail in the journal that he would continue to maintain alone for another two decades.

A sequence of stunningly simple but haunting poems, Jejuri is one of the great books of modern India. Jejuri is a site of pilgramage in author Arun Kolatkar's native state of Maharashtra, and Jejuri the poem is the record of a visit to the town -- a place that is as crassly commercial as it is holy, as modern and ruinous as it is ancient and enduring. Evoking the town's crowded streets, many shrines, and mythic history of sages and gods, Kolatkar's poem offers a rich description of India while at the same time performing a complex act of devotion. For the essence of the poem is a spiritual quest, the effort to find the divine trace in a degenerate world. Spare, comic, sorrowful, singing, Jejuri is the work of a writer with a unique and visionary voice.

At nine o'clock The Cat Club will convene to celebrate this wondrous Halloween night in Jenny's Moonlight Adventure. All the cats, from twins Romulus and Remus through to the wise Solomon, have been looking forward to this evening. The high point of the party is to be the nose flute performance by the Persian cat Madame Butterfly, but she has hurt herself, cannot leave her house, and has lost her instrument. The flute is found in a pile of autumn leaves but there's still the problem of how to return the flute to its beautiful Persian owner. Jenny comes up with a very adventurous plan. After all, Halloween is "her" night. But will she pull it off?

One summer's eve Ola, Lina, Sina, and Trina leave their village to gather firewood in the forest, when they're surprised by the hideous call of the terrible troll-bird, a giant rooster who pops up out of the treetops and swoops down to devour their beloved horse Blakken. Little does the terrible troll-bird know that in Ola, Lina, Sina, and Trina he has finally met his match: his terrible days of terrorizing are over. Before long the whole village is celebrating the monster's demise, and even the gnomes and hulder-maidens are coming out of their hiding places in the woods to participate in a great feast. All celebration is cut short, though, with the startling appearance of two monstrous moss-grown trolls even more terrible than the terrible troll-bird himself. Luckily, the children rise to the occasion once more, saving the day before they set out on a splendid new adventure.Filled with vibrant illustrations and telling a story of childhood ingenuity and bravery, The Terrible Troll-Bird is a delightful companion to Ingri and Edgar Parin d'Aulaire's more comprehensive books of Norwegian folklore, D'Aulaires' Book of Norse Myths and D'Aulaires' Book of Trolls.

Winner of The 1963 National Book Award for Fiction.The hero of J.F. Powers's comic masterpiece is Father Urban, a man of the cloth who is also a man of the world. Charming, with an expansive vision of the spiritual life and a high tolerance for moral ambiguity, Urban enjoys a national reputation as a speaker on the religious circuit and has big plans for the future. But then the provincial head of his dowdy religious order banishes him to a retreat house in the Minnesota hinterlands. Father Urban soon bounces back, carrying God's word with undaunted enthusiasm through the golf courses, fishing lodges, and backyard barbecues of his new turf. Yet even as he triumphs his tribulations mount, and in the end his greatest success proves a setback from which he cannot recover.First published in 1962, Morte D'Urban has been praised by writers as various as Gore Vidal, William Gass, Mary Gordon, and Philip Roth. This beautifully observed, often hilarious tale of a most unlikely Knight of Faith is among the finest achievements of an author whose singular vision assures him a permanent place in American literature.

Erich Auerbach's Dante: Poet of the Secular World is an inspiring introduction to one of world's greatest poets as well as a brilliantly argued and still provocative essay in the history of ideas. Here Auerbach, thought by many to be the greatest of twentieth-century scholar-critics, makes the seemingly paradoxical claim that it is in the poetry of Dante, supreme among religious poets, and above all in the stanzas of his Divine Comedy, that the secular world of the modern novel first took imaginative form. Auerbach's study of Dante, a precursor and necessary complement to Mimesis, his magisterial overview of realism in Western literature, illuminates both the overall structure and the individual detail of Dante's work, showing it to be an extraordinary synthesis of the sensuous and the conceptual, the particular and the universal, that redefined notions of human character and fate and opened the way into modernity.CONTENTSI. Historical Introduction; The Idea of Man in LiteratureII. Dante's Early PoetryIII. The Subject of the "Comedy"IV. The Structure of the "Comedy"V. The PresentationVI. The Survival and Transformation of Dante's Vision of RealityNotesIndex

Includes the torture photographs in color and the full texts of the secret administration memos on torture and the investigative reports on the abuses at Abu Ghraib. In the spring of 2004, graphic photographs of Iraqi prisoners being tortured by American soldiers in Baghdad''s Abu Ghraib prison flashed around the world, provoking outraged debate. Did they depict the rogue behavior of "a few bad apples"? Or did they in fact reveal that the US government had decided to use brutal tactics in the "war on terror"?The images are shocking, but they do not tell the whole story. The abuses at Abu Ghraib were not isolated incidents but the result of a chain of deliberate decisions and failures of command. To understand how "Hooded Man" and "Leashed Man" could have happened, Mark Danner turns to the documents that are collected for the first time in this book.These documents include secret government memos, some never before published, that portray a fierce argument within the Bush administration over whether al-Qaeda and Taliban prisoners were protected by the Geneva Conventions and how far the US could go in interrogating them. There are also official reports on abuses at Abu Ghraib by the International Committee of the Red Cross, by US Army investigators, and by an independent panel chaired by former defense secretary James R. Schlesinger. In sifting this evidence, Danner traces the path by which harsh methods of interrogation approved for suspected terrorists in Afghanistan and Guant‡namo "migrated" to Iraq as resistance to the US occupation grew and US casualties mounted.Yet as Mark Danner writes, the real scandal here is political: it "is not about revelation or disclosure but about the failure, once wrongdoing is disclosed, of politicians, officials, the press, and, ultimately, citizens to act." For once we know the story the photos and documents tell, we are left with the questions they pose for our democratic society: Does fighting a "new kind of war" on terror justify torture? Who will we hold responsible for deciding to pursue such a policy, and what will be the moral and political costs to the country?

It''s a big day for Jenny Linsky, the shy little black cat of Greenwich Village, when her brothers, Checkers and Edward, take her out for her birthday. They pick up her notorious friends along the way, including the twins Romulus and Remus, who have brought a special present, and Pickles, the Fire Cat, who gathers everyone into his red fire truck to take them to the park. There they will invite friends and strangers to share a picnic supper and dance the night away. Join Jenny and her friends in their romp around town in this beautiful birthday story!Ages 4 and up.

Spain has produced two books that changed world literature: Don Quixote and Lazarillo de Tormes, the first picaresque novel ever written and the inspired precursor to works as various as Vanity Fair and Huckleberry Finn. Banned by the Spanish Inquisition after publication in 1554, Lazarillo was soon translated throughout Europe, where it was widely copied. The book is a favorite to this day for its vigorous colloquial style and the earthy realism with which it exposes human hypocrisy.The bastard son of a prostitute, Lazarillo goes to work for a blind beggar, who beats and starves him, while teaching him some very useful dirty tricks. The boy then drifts in and out of the service of a succession of masters, each vividly sketched and together revealing the corrupt world of imperial Spain. Its miseries are made all the more apparent by the candor and surprising good cheer with which young Lazarillo recounts his ever more curious fate.This version of Lazarillo, by the prizewinning poet and translator W.S. Merwin, brings out the wonderful vitality and humor of this universal masterwork.The author of Lazarillo de Tormes is unknown.

This legendary book by an esteemed poet and beloved professor at Columbia University features a series of smart, witty, deeply perceptive essays about each of Shakespeare's plays, together with a further discussion of the poems. Writing with an incomparable knowledge of his subject but without a hint of pedantry, Van Doren elucidates both the astonishing boldness and myriad subtleties of Shakespeare's protean art. His Shakespeare is a book to be treasured by both new and longtime students of the Bard.

Mattia Pascal endures a life of drudgery in a provincial town. Then, providentially, he discovers that he has been declared dead. Realizing he has a chance to start over, to do it right this time, he moves to a new city, adopts a new name, and a new course of life—only to find that this new existence is as insufferable as the old one. But when he returns to the world he left behind, it's too late: his job is gone, his wife has remarried. Mattia Pascal's fate is to live on as the ghost of the man he was.An explorer of identity and its mysteries, a connoisseur of black humor, Nobel Prize winner Luigi Pirandello is among the most teasing and profound of modern masters. The Late Mattia Pascal, here rendered into English by the outstanding translator William Weaver, offers an irresistible introduction to this great writer's work