Books published by The University of Chicago Press

Two and a half centuries after the American Revolution the US stands as one of the greatest powers on earth and the undoubted leader of the western hemisphere. The author maintains that the Founding Fathers clearly understood the connection between public finance and power: a well-managed public debt was a key part of every modern state.

Arabs have traditionally considered classical Arabic poetry, together with the Qur'an, as one of their supreme cultural accomplishments. Taking a comparatist approach, this book attempts to integrate the classical Arabic lyric into an enlarged understanding of lyric poetry as a genre.

"Stâephane Gerson's edited collection spotlights historians who have embraced the methodological, practical, and ethical challenges of writing about that most slippery and opaque of subjects, their own families-a practice that many historians have long felt has been discouraged professionally. In a remarkable number of ways, the diverse lineup of contributors here bring into the open the difficulties and complexities-personal, professional, and historiographic-that ensue from not distancing themselves from their subjects but stressing their closeness. Gerson suggests that historians overall might write better histories if they felt free to acknowledge that what speaks to them professionally might also be what moves them personally"--

"Stâephane Gerson's edited collection spotlights historians who have embraced the methodological, practical, and ethical challenges of writing about that most slippery and opaque of subjects, their own families-a practice that many historians have long felt has been discouraged professionally. In a remarkable number of ways, the diverse lineup of contributors here bring into the open the difficulties and complexities-personal, professional, and historiographic-that ensue from not distancing themselves from their subjects but stressing their closeness. Gerson suggests that historians overall might write better histories if they felt free to acknowledge that what speaks to them professionally might also be what moves them personally"--

"Along with Dante and Petrarch, Boccaccio (1313-1375) is one of the "Three Crowns" of Italian literature, a trio of writers who shaped the history of humanism, literature, and poetry in Italy, Europe, and beyond. Much as Dante established vernacular Italian in poetry, Boccaccio did the same for prose, most notably in his best-known work, the Decameron, an unforgettable work that takes an unflinching look at human passion, celebrates storytelling and community as a means of survival. This major biography by the esteemed literary scholar Marco Santagata sheds new light on Boccaccio's life-his family, friends, and foes; his aspirations, fears, and frustrations. Santagata shows in this rich portrait how the transformations Italy was undergoing at the time affected Boccaccio at various stages of his life. Most importantly, he shows how the world around him shaped Boccaccio's understanding of what literature could be; what kinds of stories it could or should convey and what kinds of characters it could depict; and, perhaps most importantly, what role literature and art can play in a changing world. This work promises to be the definitive biography of Boccaccio for many years to come"--

The vital and untold story of Karl Marx's stamp on American life. To read Karl Marx is to contemplate a world created by capitalism. People have long viewed the United States as the quintessential anti-Marxist nation, but Marx's ideas have inspired a wide range of people to formulate a more precise sense of the stakes of the American project. Historians have highlighted the imprint made on the United States by Enlightenment thinkers such as Adam Smith, John Locke, and Thomas Paine, but Marx is rarely considered alongside these figures. Yet his ideas are the most relevant today because of capitalism's centrality to American life. In Karl Marx in America, historian Andrew Hartman argues that even though Karl Marx never visited America, the country has been infused, shaped, and transformed by him. Since the beginning of the Civil War, Marx has been a specter in the American machine. During the Gilded Age, socialists read Marx as an antidote to the unchecked power of corporations. In the Great Depression, communists turned to Marx in hopes of transcending the destructive capitalist economy. The young activists of the 1960s were inspired by Marx as they gathered to protest an overseas war. Marx's influence today is evident, too, as Americans have become increasingly attuned to issues of inequality, labor, and power. After decades of being pushed to the far-left corner of intellectual thought, Marx's ideologies have crossed over into the mainstream and are more alive than ever. Working-class consciousness is on the rise, and, as Marx argued, the future of a capitalist society rests in the hands of the people who work at the point of production. A valuable resource for anyone interested in Marx's influence on American political discourse, Karl Marx in America is a thought-provoking account of the past, present, and future of his philosophies in American society.

A new history of how the musical worlds of German towns and cities were transformed during the Nazi era. In the years after the Nazis came to power in January 1933 and through the war years all aspects of life in Germany changed. However, despite the social and political upheaval, gentile citizens were able to continue leisure activities such as attending concerts. In this book, historian Neil Gregor surveys the classical concert scene in Nazi Germany from the perspective of the audience, rather than institutions or performers. Gregor delves into the cultural lives of ordinary Germans under conditions of dictatorship. Did the ways in which Germans heard music in the period change? Did a Nazi way of listening emerge? For audiences, Gregor shows, changes to the concert experience were small and often took place around the edges. This, combined with the preserved idea of the concert hall as a space of imagined civility and cultivation, led many concertgoers and music lovers to claim after the war that their field and their practice had been innocent-a place to retreat from the vicious violence and racism of the Nazi regime. Drawing on untapped archival sources, The Symphony Concert in Nazi Germany reveals that the true history was one of disruption but also of near effortless adaptation. Through countless small acts, the symphony concert was reframed within the languages of strident nationalism, racism, and militarism to ensure its place inside the cultural cosmos of National Socialist Germany.