Books published by The University of Chicago Press

A new edition of a classic resource-comprised of twenty-three essays written specifically for this volume. First published nearly thirty years ago, Critical Terms for Religious Studies proved a vital resource for an emerging interdisciplinary conversation. We still use much of the same language in the study of religion, but fresh concerns have both changed their meaning and given rise to new terms altogether. This edition consists of twenty-three entirely new essays that offer students and scholars alike the tools to historicize and evaluate the shifting role of familiar and emerging critical terms in religious studies.            These are "critical terms" both because they are important in our cultural moment-identity, race, sex, catastrophe, power, and money-and because thinking through them reveals how religions are embedded in and shaped by material, social, economic, and political forces. A shared conviction unites contributors from a range of traditions and methodologies: a recognition that our world is saturated by the persistence of religious traditions as shape-shifting (not static or transcendent) forces of authority, as powerful today as ever before.

A wide-ranging collection of essays that centers Latinos in the history of American cities and suburbs.   Latino urban history has been underappreciated not only in its own right but for the centrality of its narratives to urban history as a field. A scholarly discipline that has long scrutinized economics, politics, and the built environment has too often framed race as literally Black and white. This has resulted in a fundamental misunderstanding of the full social canvas of American cities since at least the early twentieth century.   Traversing cities like Atlanta, Chicago, El Paso, Fort Worth, Los Angeles, Miami, and New York, this collection of essays brings together both established and emerging scholars, including long-time urbanists and academics working in the fields of Latino, borderlands, political, landscape, and religious history. Organized at different scales-including city, suburb, neighborhood, and hemisphere-this impressive body of work disrupts long-standing narratives about metropolitan America. The contributors-Llana Barber, Mauricio Castro, Eduardo Contreras, Sandra I. Enríquez, Monika Gosin, Cecilia Sánchez Hill, Felipe Hinojosa, Michael Innis-Jiménez, Max Krochmal, Becky M. Nicolaides, Pedro A. Regalado, Iliana Yamileth Rodriguez, and Thomas J. Sugrue-engage a diverse range of subjects, such as urban rebellions, the suburbanization of Latinos, affordable housing, labor, the built environment, transnationalism, place-making, and religious life. The scholars also explore race within Latino communities, as well as the role that political and economic dynamics have played in creating Latino urban spaces. After reading this book, you will never see American cities the same way again.

A thoroughly revised edition of the comprehensive guide to building and maintaining a successful career in writing.   Writers talk about their work in many ways: as an art, as a calling, as a lifestyle. Too often missing from these conversations is the fact that writing is also a business, and those who want to make a living from their writing must understand the basic business principles underlying the industry. The Business of Being a Writer offers the business education writers need but so rarely receive. Jane Friedman is one of today's leading experts on the publishing industry. Through her website, social media presence, online courses, email newsletters, and other media, she helps writers understand how to navigate the industry with confidence and intentionality. This book advises writers on building a platform in a way that aligns with their values; critical mindset issues that might sabotage their efforts before they even begin; how to publish books and short works strategically; and what it means to diversify income streams beyond book sales. For this second edition, Friedman has updated every topic to reflect how the industry has evolved over the past half-decade. New features include a section on business and legal issues commonly faced by writers, exercises at the end of each chapter, and a wealth of sample materials posted on a companion website.  Reaching beyond the mechanical aspects of publishing, The Business of Being a Writer will help both new and experienced writers approach their careers with the same creative spirit as their writing. Friedman is encouraging without sugarcoating reality, blending years of research with practical advice that will help writers market themselves and maximize their writing-related income. Her book will leave them empowered, confident, and ready to turn their craft into a sustainable career.

A pioneering look at an immensely creative period in Japanese art that developed amid the Cold War. Alicia Volk brings to light a significant body of postwar Japanese art, exploring how it accommodated and resisted the workings of the American empire during the early Cold War. Volk's groundbreaking account presents the points of view of Japanese artists and their audiences under American occupation and amid the ruins of war. Each chapter reveals how artists embraced new roles for art in the public sphere--at times by enacting radical critiques of established institutions, values, and practices--and situates a range of compelling art objects in their intersecting artistic and political worlds. Centering on the diverse and divisive terrain of Japanese art between 1945 and 1952, In the Shadow of Empire creates a fluid map of relationality that brings multiple Cold War spheres into dialogue, stretching beyond United States-occupied Japan to art from China, Europe, the Soviet Union, and the United States, and demonstrates the rich potential of this transnational site of artmaking for rethinking the history of Japanese and global postwar art.

A global analysis of the effects of social security reforms on the retirement incentives and labor force trends of older workers. Employment among older men and women has increased dramatically in recent years, reversing a downward trend in the closing decades of the twentieth century. Social Security Programs and Retirement around the World examines how changing retirement incentives have reshaped labor force participation trends among older workers. The chapters feature country-specific analyses for Belgium, Canada, Denmark, France, Germany, Italy, Japan, Netherlands, Spain, Sweden, the United Kingdom, and the United States. They find that while there is significant heterogeneity across countries, the reforms of recent decades have generally reduced the implicit tax on work at older ages. These changes correlate positively with labor force participation. The studies exploit the variation in the timing and extent of reforms of retirement incentives and employ microeconometric methods to investigate whether this correlation reflects a causal relationship. Policy changes appear to have contributed to rising labor force activity, but other factors like the role of women in the labor force, improved health, and changes in private pensions likely also play important roles.

An updated edition of the essential guide for all scientists-from undergraduates to senior scholars-who want to produce prose that anyone can understand.   Scientific writing is often dry, wordy, and difficult to understand. But, as biologist and experienced teacher of scientific writing Anne E. Greene shows in Writing Science in Plain English, writers from all scientific disciplines can learn to produce clear, concise prose by mastering just a few simple principles. This short, focused guide presents roughly a dozen such principles based on what readers need to understand complex information, including concrete subjects, strong verbs, consistent terms, organized paragraphs, and correct sentence structure. Greene illustrates each principle with real-life examples of both good and bad writing and shows how bad writing might be improved. She ends each chapter with revision exercises (and provides suggested answers in a separate key) so that readers can come away with new writing skills after just one sitting. To help readers understand the grammatical terms used in the book, an appendix offers a refresher course on basic grammar.   For this second edition, Greene has incorporated the latest research on what makes writing effective and engaging and has revised or replaced exercises and exercise keys where needed. She has also added new features that make it easier to navigate the book. A new resource for instructors who use Writing Science in Plain English in their classes is a free, online teacher's guide. Drawn from Greene's long experience teaching students how to write science clearly, the teacher's guide provides additional lectures, assignments, and activities that will inform and enliven any class.

A bracing, accessible history of white American liberals-and why it's time to change the conversation about them.   If there's one thing most Americans can agree on, it's that everyone hates white liberals. Conservatives hate them for being culturally tolerant and threatening to usher in communism. Libertarians hate them for believing in the power of the state. Socialists hate them for serving as capitalism's beard. Even liberals hate liberals-either because they can't manage to overcome their own prejudices, or precisely because they're so self-hating.   This is the starting point for Kevin M. Schultz's lively new history of white liberals in the United States. He efficiently lays out the array of objections to liberals-ineffective, spineless, judgmental, authoritarian, and more-in a historical frame that shows how protean the concept has been throughout the past hundred years. It turns out, he declares, that how you define a "white liberal" is less a reflection of reality and more a Rorschach test revealing your own anxieties.   Sharply assessing how decades of attacks on liberals and liberalism have steadily hollowed out the center of American political life, Schultz also explains precisely what needs to be done to avoid digging ourselves even further into the hole of polarization. The ultimate goal, he argues, is to achieve political fragmentation that will fuel the rise of a true multiparty system, where ideology will matter more, not less. With a tight command of postwar American history and a spirited yet accessible voice, Why Everyone Hates White Liberals (Including White Liberals) is a must-read for anyone wishing to understand-and envision a way forward for-the complicated landscape of current US politics.

A collection of poems and photographs that take the foothills of Vermont's Green Mountains as a microcosm for considering climate change, borders, and community life.   In Dissonance, translator Kristin Dykstra's first book of original poetry, the author leads us to inner worlds shaped partly by the New England countryside, tracking shifts in the region's nature, infrastructure, and people, while sharing observations on borders and climate catastrophe that reverberate globally. Dykstra condenses signs of urban expansion, economic division, and battles over democracy into an innovative meditation. With a dynamic approach to form, musicality, and scope, Dissonance explores ways of experiencing regional landscapes and imagined communities in the twenty-first century.   Through her extended sequence of prose poems, photographs, and lyric fragments, Dykstra merges clips from documents and dialogues with observations drawn from two local libraries and her daily walks down a dirt road through Vermont's foothills. As she moves down this public road, which lies within the nation's federally designated hundred-mile border zone, she finds a daily convergence of tensions. Dissonance asks how poetry can unsettle impressions of a place, and how that process, in turn, disturbs impressions of self, of others, and of time itself.  Dissonance is the recipient of the third annual Phoenix Emerging Poet Book Prize.

Multilayered lyric poems that resist systems of power and foster intimacy.   A previously undocumented child of Syrian and Peruvian parents, an inheritor of lineages marked by colonial and gendered violence, and a survivor of childhood sexual assault, Farid Matuk approaches the musical capacities of verse not as mere excitation or decoration, but as forms that reclaim pleasure and presence. Entering the sonic constellations of Moon Mirrored Indivisible, the reader finds relief from nesting layers of containment that systems of power impose on our bodies and imaginations. In this hall of historical mirrors, fictions of identity are refracted, reflected, and multiplied into a vast field of possibilities. Matuk's meditations on place and power offer experiments in self-understanding, moving through expansive conversations between a lyric "I" and others, including poets, the speaker's partner, ancestors, and the reader, creating spaces for strange intimacy. Each of the book's four sections of poems builds on one another to ask how we might form a collective-a people-not founded in orthodoxies of originality but in the mutual work of mirroring one another.

A landmark account in words and pictures of Maori art, by Maori art historians-from Polynesian voyaging waka to contemporary Maori artists. He toi whakairo, he mana tangata. Through artistic excellence, there is human dignity.   In six hundred pages and with over five hundred illustrations, this volume takes us on an extraordinary voyage through Maori art-from ancestral weavers to contemporary artists at the Venice Biennale, from whare whakairo to film, and from Te Puea Herangi to Michael Parekowhai.   Deidre Brown, Ngarino Ellis, and Jonathan Mane-Wheoki explore a wide field of art practices, including raranga (plaiting), whatu (weaving), moko (tattooing), whakairo (carving), rakai (jewellery), kakahu (textiles), whare (architecture), toi whenua (rock art), painting, photography, sculpture, ceramics, installation art, digital media, and film. The works discussed span a period from the arrival of Pacific voyagers eight hundred years ago to the contemporary artists working around the world today. With expansive chapters and breakout texts focusing on individual artists, movements, and events, Toi Te Mana is an essential book for anyone interested in te ao Maori.

A thorough reassessment of how domestic factors do and do not constrain the use of American military force abroad in the early twenty-first century. More than two decades have passed since the September 11th terrorist attacks resuscitated debates about the "imperial presidency" within the United States. During that same time, the United States has fought costly and inconclusive wars in Iraq and Afghanistan, pivoted to the Pacific to counter China, and pulled its gaze back to Europe and the Middle East in response to wars in Ukraine and Gaza. Moreover, new technologies and ways of funding and staffing wars have made the costs of war less visible to the public while polarization has increased and a new legal doctrine of presidential power has gained force. Against this backdrop, Checking the Costs of War reassesses how domestic factors have both constrained and failed to constrain the use of military power across different contexts and over time. Richly empirical chapters explore the varying effects of different kinds of potential checks: legislative, public opinion, and bureaucratic. Collectively, chapters offer new insight into the prospects for war and peace today.